Search

Skip to main content Accessibility help

Home
Search

Only show content I have access to (0)

Chapters (1)

Over 3 years (1)

From year:

To year:

Apply

Music (1)

dancing master

Cambridge University Press (1)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

1 results

Chapter 10 - Embodied Heritage: English Country Dance in Austen Screen Adaptations
from Part III - Critical Readings
- By Maribeth Clark
Edited by Davinia Caddy, Maribeth Clark
Book:

Musicology and Dance

Published online:

09 September 2020

Print publication:

27 August 2020, pp 259-279
- Chapter
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation
Summary

Addressing recent screen productions of Jane Austen’s 1813 novel Pride and Prejudice (dir. Langton, BBC1, 1995; dir. Wright, 2005), and 1815 novel Emma (dir. Lawrence, ITV, 1996; dir. McGrath, 1996), Maribeth Clark explores the function of music, dance, drama and visuals in specific danced divertissements. She focuses on choreographed versions of social dance scenes set to the late-seventeenth-century music of Henry Purcell and his contemporaries up to the late eighteenth century. Her chapter describes an impulse towards unity and congruence, towards the establishment of a stable repertoire, a conservative tradition – a canon that builds on the work of those involved in the twentieth-century English country dance revival.