The V&A is home to a painted crucifix that has been attributed to the Sicilian master, Antonio de Saliba (c 1466/7–c 1535), who was active in Venice and eastern Sicily during the Renaissance. This paper takes a fresh look at the documentary sources that were published before the devastating earthquake that struck Messina, in the north west of Sicily, in 1908. In re-examining these sources, this paper reveals new insights into Antonio de Saliba’s oeuvre and enables a possible identification of the V&A’s painted crucifix with a specific contractual agreement that links this crucifix’s commission to the artist – specifically with a commission de Saliba received in 1508 from Limina, a small town in the province of Messina. The roots of this provincial commission would explain the persistence of a retardataire production visible in this early sixteenth-century painted crucifix. This paper also challenges the preconceived idea that such painted crucifixes were destined to be displayed high up in a church, on a tramezzo or beam.
