The Geniza fragment T-S AS 161.50 contains three poems, all in Judaeo-Arabic, attributed to the Egyptian Sufi poet Muḥammad b. Ibrāhīm Abū ʿAbd Allāh, known as Ibn al-Kīzānī (d. 562/1167). None of the texts are present in his published dīwān. In the Egyptian section of his anthology Kharīdat al-qaṣr, Saladin's secretary ʿImād al-Dīn al-Iṣfahānī (d. 597/1201) testifies to the interest of Saladin in Ibn al-Kīzānī. We are thus in a unique position to evaluate the readership of this poet; while his followers called Kīzāniyya were already known, his popularity evidently extended not only across confessional lines to be read in a Jewish milieu, but also reached elite levels, despite his (according to ʿImād al-Dīn) “heterodox” beliefs. These new texts accordingly throw light on inter-religious and unorthodox currents normally not understood to have been promoted by Saladin and his avowedly Sunni successors.

The poet ʿAli ibn Jabala, also called al-ʿAkawwak, was a little known but significant poet who lived during the late 8th and early 9th centuries. This article examines his poetry in its political and cultural context to delineate the literary devices exploited by the poet in his poems of praise. Moreover, this paper interprets existing prose anecdotes claiming that al-ʿAkawwak's panegyric poem to the caliph al-Maʾmun's commander, Abu Dulaf al-ʿIjli, made the caliph so furious that he ordered the poet's execution, despite the poet having never composed any verses overtly criticizing the caliph. The argument is made that, within the tense political atmosphere of the time, the style that the poet embraced in praising the two commanders, Abu Dulaf al-ʿIjli and Humayd al-Tusi, intensified al-Maʾmun's anger toward the poet.