Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-22T22:20:39.316Z Has data issue: false hasContentIssue false

“That is Why I am Telling this Story”: Musical Analysis as Insight into the Transmission of Knowledge and Performance Practice of a Wapurtarli Song by Warlpiri Women from Yuendumu, Central Australia

Published online by Cambridge University Press:  11 January 2022

Abstract

Insights into the knowledge, performance, and transmission of songs are pivotal in ensuring the survival of traditional Aboriginal songs. We present the first in-depth musical analysis of a Wapurtarli yawulyu song set sung by Warlpiri women from Yuendumu, Central Australia, recorded in December 2006 with a solo lead singer accompanied by a small group. Our musical analysis reveals that there are various interlocking parts of a song, and this can make it difficult for current generations to learn songs. The context of musical endangerment and the musical analyses presented in our study show that contemporary spaces for learning yawulyu must consider the complex components that come together for a song set to be properly performed.

Type
Articles
Copyright
© International Council for Traditional Music 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Barwick, Linda. 1989. “Creative (Ir)regularities: The Intermeshing of Text and Melody in Performance of Central Australian Song.” Australian Aboriginal Studies 1:1228.Google Scholar
Barwick, Linda. 1990. “Central Australian Women’s Ritual Music: Knowing Through Analysis Versus Knowing Through Performance.” Yearbook of Traditional Music 22:6079.10.2307/767932CrossRefGoogle Scholar
Barwick, Linda, Laughren, Mary, and Turpin, Myfany. 2013. “Sustaining Women’s Yawulyu/ Awelye: Some Practitioners’ and Learners’ Perspectives.” Musicology Australia 25(20):191220.10.1080/08145857.2013.844491CrossRefGoogle Scholar
Bracknell, Clint. 2017. “Conceptualizing Noongar Song.” Yearbook for Traditional Music 49:92113.10.5921/yeartradmusi.49.2017.0092CrossRefGoogle Scholar
Corn, Aaron, and Gumbula, Neparrna. 2007. “Budutthun ratji wiyinymirri: Formal Flexibility in the Yolnu manikay Tradition and the Challenge of Recording a Complete Repertoire.” Australian Aboriginal Studies 2:116127.Google Scholar
Curran, Georgia. 2020a. Sustaining Indigenous Songs: Contemporary Warlpiri Ceremonial Life in Yuendumu, Central Australia. New York: Berghahn Books.10.2307/j.ctv1k3nq82CrossRefGoogle Scholar
Curran, Georgia. 2020b. “Incorporating Archival Cultural Heritage Materials into Contemporary Warlpiri Women’s Yawulyu Spaces.” Archival Returns in Central Australia and Beyond, ed. Barwick, Linda, Green, Jennifer, and Vaarzon-Morel, Petronella, 91110. Sydney: Sydney University Press.Google Scholar
Curran, Georgia, and Sims, Otto Jungarrayi. 2021. “Performing Purlapa: Projecting Warlpiri Identity in a Globalised World.” The Asia Pacific Journal of Anthropology 22(2–3):203219.10.1080/14442213.2021.1913510CrossRefGoogle Scholar
Curran, Georgia, Barwick, Linda, Turpin, Myfany, Walsh, Fiona, and Laughren, Mary. 2019. “Central Australian Aboriginal Songs and Biocultural Knowledge: Evidence from Women’s Ceremonies Relating to Edible Seeds.” Journal of Ethnobiology 39(3):354370.10.2993/0278-0771-39.3.354CrossRefGoogle Scholar
Curran, Georgia, Carew, Margaret, and Martin, Barbara Napanangka. 2019. “Representation of Indigenous Cultural Property in Collaborative Publishing Projects: The Warlpiri Women’s Yawulyu Songbooks.” Journal of Intercultural Studies 40(1):6884.10.1080/07256868.2018.1552572CrossRefGoogle Scholar
Dussart, Françoise. 2000. The Politics of Ritual in an Aboriginal Settlement. Washington: Smithsonian.Google Scholar
Ellis, Catherine. 1964. Aboriginal Music Making. Adelaide, Australia: Libraries Board of South Australia.Google Scholar
Ellis, Catherine. 1967. The Pitjantjara Kangaroo Song from Karlga. Adelaide, Australia: Libraries Board of South Australia.Google Scholar
Ellis, Catherine. 1969. “Structure and Significance in Aboriginal Song.” Mankind 7(1):314.Google Scholar
Ellis, Catherine. 1983. “When Is a Song Not a Song? A Study from Northern South Australia.” Bikmaus 4(3):136144.Google Scholar
Ellis, Catherine. 1984. “The Nature of Australian Aboriginal Music.” International Journal of Music Education 4(1):4750.10.1177/025576148400400110CrossRefGoogle Scholar
Ellis, Catherine. 1985. Aboriginal Music: Education for Living: Cross-Cultural Experiences from South Australia. St Lucia: University of Queensland Press.Google Scholar
Ellis, Catherine. 1992. “Connection and Disconnection of Elements of the Rhythmic Hierarchy in an Aranda Song.” Musicology Australia 15(1):4466.CrossRefGoogle Scholar
Ellis, Catherine. 1997. “Understanding the Profound Structural Knowledge of Central Australian Performers from the Perspective of T.G.H. Strehlow.” Strehlow Research Centre Occasional Papers 1:5778.Google Scholar
Ellis, Catherine, and Barwick, Linda. 1987. “Musical Syntax and the Problem of Meaning in a Central Australian Songline.” Musicology Australia 10:4157.10.1080/08145857.1987.10415179CrossRefGoogle Scholar
Gallagher, Coral, Brown, Peggy, Curran, Georgia, and Martin, Barbara. 2014. Jardiwanpa Yawulyu: Warlpiri Women’s Songs from Yuendumu (with CD). Batchelor: Batchelor Press.Google Scholar
Grant, Catherine. 2014. Music Endangerment: How Language Maintenance Can Help. Oxford: Oxford University Press.10.1093/acprof:oso/9780199352173.001.0001CrossRefGoogle Scholar
Knopoff, Steven. 2003. “What is Music Analysis? Problems and Prospects for Understanding Aboriginal Songs and Performance.” Australian Aboriginal Studies 1:3951.Google Scholar
Lau, Wai-Tong. 2005. “Twentieth-Century School Music Literature in China: A Departure from Tradition.” Journal of Historical Research in Music Education 27(1):3348.CrossRefGoogle Scholar
Lau, Wai-Tong. 2007. “Teaching Chinese Folk Songs with an Authentic Approach.” Music Educators Journal 94(2):2227.10.1177/002743210709400206CrossRefGoogle Scholar
Marett, Allan. 2005. Songs, Dreamings, Ghosts. Middletown, Connecticut: Wesleyan University Press.Google Scholar
Marett, Allan. 2007. “Simplifying Musical Practice in Order to Enhance Local Identity: The Case of Rhythmic Modes in the Walakandha Wangga (Wadeye, Northern Territory).” Australian Aboriginal Studies 2007(2):6375.Google Scholar
Marett, Allan, and Barwick, Linda. 2003. “Endangered Song and Endangered Language.” In Maintaining the Links: Language Identity and the Land. Seventh Conference of the Foundation for Endangered Languages, ed. Blythe, Joe and McKenna Brown, R., 144151. Bath, UK: Foundation for Endangered Languages.Google Scholar
Marett, Allan, Barwick, Linda, and Ford, Lysbeth. 2013. For the Sake of a Song: Wangga Songmen and Their Repertoires. Sydney, NSW: Sydney University Press.10.30722/sup.9781920899752CrossRefGoogle Scholar
Moyle, Alice. 1974. “North Australian Music. Taxonomic Approach to the Study of Aboriginal Song Performances.” PhD thesis, Melbourne: Monash University.Google Scholar
Napaljarri, Peggy Rockman, and Cataldi, Lee. 1994. Warlpiri Dreamings and Histories: Yimikirli. San Francisco: Harper Collins Publishers.Google Scholar
Perkins, Rachel, and Langton, Marcia, eds. 2010. First Australians (Unillustrated). Carlton, Vic.: The Miegunyah Press.Google Scholar
Peterson, Nicolas, and Kenny, Anna. 2013. Mt Doreen Native Title Determination Application (144p., appendices, map). Alice Springs: Central Land Council.Google Scholar
Rogers, George. L. 2016. “The Music of the Spheres: Cross-Curricular Perspectives on Music and Science.” Music Educators Journal 103(1):4148.CrossRefGoogle Scholar
Treloyn, Sally. 2003. “Scotty Martin’s Jadmi Junba: A Song Series from the Kimberley Region of Northwest Australia.” Oceania 73(3):208220.10.1002/j.1834-4461.2003.tb02818.xCrossRefGoogle Scholar
Treloyn, Sally. 2006. “Songs that Pull: Composition/Performance Through Musical Analysis.” Journal of Music Research 31:151164.Google Scholar
Treloyn, Sally. 2007. “Flesh with Country: Juxtaposition and Minimal Contrast in the Construction and Melodic Treatment of Jadmi Song Texts.” Australian Aboriginal Studies 2:9099.Google Scholar
Treloyn, Sally, and Emberly, Andrea. 2013. “Sustaining Traditions: Ethnomusicological Collections, Access and Sustainability in Australia.” Musicology Australia 35(2):159177.10.1080/08145857.2013.844473CrossRefGoogle Scholar
Treloyn, Sally, and Martin, Matthew Dembal. 2014. “Perspectives on Dancing, Singing and Well-being from the Kimberley, Northwest Australia.” Journal for the Anthropological Study of Human Movement 21(1):1526.Google Scholar
Schippers, Huib. 2009. “Ecologies of Creative Diversity.” Griffith Review 23:213223.Google Scholar
Stanner, William Edward Hanley. 1966. On Aboriginal Religion (Oceania Monograph No. 11). Sydney: University of Sydney.Google Scholar
Stubington, Jill. 2007. Singing the Land: The Power of Performance in Aboriginal Life. Strawberry Hills: Currency House.Google Scholar
Turino, Thomas. 2008. Music as Social Life: The Politics of Participation. Chicago: The University of Chicago Press.Google Scholar
Turpin, Myfany. 2005. “Form and Meaning of Akwelye: A Kaytetye Women’s Song Series from Central Australia.” Doctoral thesis, University of Sydney, Australia. Retrieved from https://ses.library.usyd.edu.au/handle/2123/1334.Google Scholar
Turpin, Myfany. 2007a. “Artfully Hidden: Text and Rhythm in a Central Australia Aboriginal Song Series.” Musicology Australia 29(1):93108.10.1080/08145857.2007.10416590CrossRefGoogle Scholar
Turpin, Myfany. 2007b. “The Poetics of Central Australian Song.” Australian Aboriginal Studies 2:100115.Google Scholar
Turpin, Myfany. 2012. “Song-poetry of Central Australia: Sustaining Traditions.” In Language Documentation and Description, ed. Burenhult, Niclas, Holmer, Arthur, Karlsson, Anastasia, Lundström, Håkan, and Svantesson, Jan-Olof, 1536. London: SOAS.Google Scholar
Turpin, Myfany. 2015. “Alyawarr Women’s Song-poetry of Central Australia.” Australian Aboriginal Studies 1:6696.Google Scholar
Turpin, Myfany, and Laughren, Mary. 2013. “Edge Effects in Warlpiri Yawulyu Songs: Resyllabification, Epenthesis, Final Vowel Modification.” Australian Journal of Linguistics 33(4):399425.CrossRefGoogle Scholar
Turpin, Myfany, and Laughren, Mary. 2014. “Text and Meter in a Lander Warlpiri Song Series.” In Selected Papers from the 44th Conference of the Australian Linguistic Society, ed. Gawne, Lauren and Vaughan, Jill, 398415. Melbourne, Australia: Minerva Access.Google Scholar
Turpin, Myfany, and Stebbins, Tonya. 2010. “The Language of Songs: Some Recent Approaches in Description and Analysis.” Australian Journal of Linguistics 30(1):117.10.1080/07268600903133998CrossRefGoogle Scholar
United Nations Educational, Scientific and Cultural Organisation. 2021. Intangible cultural heritage. https://ich.unesco.org/en/what-is-intangible-heritage-00003 (accessed 29 March 2021).Google Scholar
Warlpiri Women from Yuendumu (ed. Georgia Curran). 2017. Yurntumu-wardingki Juju-ngaliya-kurlangu Yawulyu: Warlpiri Women’s Songs from Yuendumu [with accompanying DVD]. Batchelor: Batchelor Press.Google Scholar
Wild, Stephen. 1984. “Warlbiri Music and Culture: Meaning in a Central Australian Song Series.” In Problems and Solutions: Occasional Essays in Musicology presented to Alice M. Moyle, ed. Kassler, Jamie C. and Stubington, Jill, 186201. Sydney: Hale and Iremonger.Google Scholar
Wild, Stephen. 1987. “Recreating the Jukurrpa: Adaptation and Innovation of Songs and Ceremonies in Warlpiri Society.” In Songs of Aboriginal Australia, ed. Ross, Margaret Clunies, Donaldson, Tamsin, and Wild, Stephen, 97120. Sydney, NSW: University of Sydney.Google Scholar
Wild, Stephen. 1994. “Reflections on Field Research in Aboriginal Australia: Central Australia and Arnhem Land.” The World of Music 36(1):5158.Google Scholar
Yeoh, Calista, and Turpin, Myfany. 2018. “An Aboriginal Women’s Song from Arrwek, Central, Australia.” Musicology Australia 40(2):101126.10.1080/08145857.2018.1550141CrossRefGoogle Scholar