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Contents

Published online by Cambridge University Press:  14 March 2024

Cristina S. Martinez
Affiliation:
University of Ottawa
Cynthia E. Roman
Affiliation:
Yale University
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NC
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0 https://creativecommons.org/cclicenses/

Contents

  1. List of Figures

  2. List of Contributors

  3. Acknowledgements

  4. Frontispiece figure

  5. Introduction: Hidden Legacies

    Cristina S. Martinez and Cynthia E. Roman

  6. Part ISelf-Presentation and Self-Promotion

    1. 1Show-Offs: Women’s Self-Portrait Prints c. 1700

      Madeleine C. Viljoen

    2. 2Maria Hadfield Cosway’s ‘Genius’ for Print: A Didactic, Commercial, and Professional Path

      Paris A. Spies-Gans

    3. 3Caroline Watson and the Theatre of Printmaking

      Heather McPherson

    4. 4‘Talent and Untiring Diligence’: The Print Legacy of Angelika Kauffmann, Marie Ellenrieder, and Maria Katharina Prestel

      F. Carlo Schmid

  7. Part IISpaces of Production

    1. 5Living ‘in the bosom of a numerous and worthy family’: Women Printmakers Learning to Engrave in Late Eighteenth-Century London

      Hannah Lyons

    2. 6Divine Secrets of a Printmaking Sisterhood: The Professional and Familial Networks of the Horthemels and Hémery Sisters

      Kelsey D. Martin

    3. 7Yielding an Impression of Women Printmakers in Eighteenth-Century France

      Rena M. Hoisington

    4. 8Laura Piranesi incise: A Woman Printmaker Following in Her Father’s Footsteps

      Rita Bernini

    5. 9Etchings by Ladies, ‘Not Artists’

      Cynthia E. Roman

  8. Part IIICompeting in the Market: Acumen in Business and Law

    1. 10Mary Darly, Fun Merchant and Caricaturist

      Sheila O’Connell

    2. 11A Changing Industry: Women Publishing and Selling Prints in London, 1740–1800

      Amy Torbert

    3. 12Jane Hogarth: A Printseller’s Imprint on Copyright Law

      Cristina S. Martinez

    4. 13Shells to Satire: The Career of Hannah Humphrey (1750–1818)

      Tim Clayton

    5. 14Encouraging Rowlandson: The Women Who Mattered

      Nicholas JS Knowles

    6. 15Female Printmakers and Printsellers in the Early American Republic: Eliza Cox Akin and Mary Graham Charles

      Allison M. Stagg

  9. Index

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