This article identifies the social and cultural history of the early modern tidal water ferry, its skippers and passengers, by way of evidence from a northern Scottish rural coast. Evidence from the region's ‘firthlands’ reveals an amphibious communications network which transformed gradually prior to the early nineteenth century. The article argues that the defining local topography of coastal adjacency both influenced, and was influenced by, the people who lived their lives within and around the littoral. A system of short range communications over and between the estuaries and firths is highlighted from a Coastal History perspective, leading to the examination of a ‘pluriactive’ microhistorical space, linking south-east Sutherland, the eastern edges of Easter Ross and the Black Isle and the Nairnshire seaboard. The article thereby opens up possibilities for comparison with other peoples, places and periods, in which being ‘alongshore’ was integral to rural community construction, coalescence, dynamism and friction.

Studies of poaching in the nineteenth century have tended to understate the involvement of women in this archetypal rural crime. This article will suggest that female offending was both more significant and more widespread than previously assumed, but it will also highlight how in a variety of complex ways dominant conceptions of gender shaped perceptions of female poachers and often influenced their treatment before the courts. It will argue that alongside more widely effectual assumptions about appropriate male and female spheres and behaviours, the response of the authorities to female poachers was also shaped by powerful and increasingly culturally embedded notions about the sexually exclusive nature of hunting.

In the nineteenth century, the old county of Montgomeryshire in Wales was mainly rural, with some industrialised towns. This article looks at the most prevalent crime dealt with in the county's Quarter Sessions, namely theft, and considers the gendered nature of law breaking. In particular it investigates the rural and urban landscapes and how they affected offenders’ activities and draws conclusions on the implications for policing.

In this article we discuss an aspect of economic growth that has not been the subject of much consideration in economic and agrarian history to date: the effect of biological innovations on farming development between the mid nineteenth century and the 1930s. We have focused on dairy farming for two reasons. Firstly, dairy farming played a relevant economic role in a number of European regions during this period. Secondly, one of its products, liquid milk, was probably the most significant food during the early stages of the European nutrition transition. We present new statistical data for the evolution of dairy farming in different Northern European countries as well as Spain, and evaluate the impact of cattle population and milk yields in each case. We also link milk yields and the availability of fodder, but special attention is paid to the breeds kept and techniques for their improvement. The article shows that cattle improvement played a significant role in Central and Northern Europe from the mid nineteenth century, but that this was not the case in Spain. Improvement through inbreeding was soon discarded in Spain, absorbent crossbreeding failed, and the sector became dependent on foreign imports of bulls and cows, first from Switzerland and later from Holland. By taking these factors into consideration we can better understand why the dairy sector in Mediterranean Europe did not really begin until the late nineteenth century and why it stagnated in the wake of the First World War.

National museums both mediate and inculcate official and formal versions of national culture and by this means make and maintain national identity. Three times in the course of the twentieth century, various groups have attempted, and failed, to establish a national museum, identified variously as British or English. This paper explores just one of those attempts: the Museum of British History Project, first proposed in 1996 and finally killed off in 2008. The focus here is, therefore, on failure and on the role of the conflation of Britishness and Englishness in that failure as well as the nature of British identity construction more generally.

All three attempts to create a national museum placed the rural idyll at the heart of the project. In the course of a detailed investigation of the Museum of British History project, this paper will pay particular attention to the proposed designs for a ‘British Landscape Gallery’ and the project's hegemonic, ruralised and Anglocentric perspectives. The gallery was the principal way in which established constructs of England and Englishness became conflated in the museum with Britain and Britishness and served to perpetuate the dominance of the ‘rural idyll’ in hegemonic manifestations of the nation. But the project remained stillborn in the face of the new museology: a failure which undoubtedly demonstrates the limits to the cultural power of the rural idyll.