Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-16T16:12:14.164Z Has data issue: false hasContentIssue false

William J. Ashby On Spoken French: An Ashby Reader (edited and translated by Bonnie B. Fonseca-Greber). Amsterdam/Philadelphia: John Benjamins, 2023. xiv + 548 pp. ISBN: 978 90 272 1289 4 (hardcover).

Review products

William J. Ashby On Spoken French: An Ashby Reader (edited and translated by Bonnie B. Fonseca-Greber). Amsterdam/Philadelphia: John Benjamins, 2023. xiv + 548 pp. ISBN: 978 90 272 1289 4 (hardcover).

Published online by Cambridge University Press:  15 February 2024

Aidan Coveney*
Affiliation:
Department of Modern Languages and Cultures University of Exeter Queen’s Building Exeter EX4 6QH UK
Rights & Permissions [Opens in a new window]

Abstract

Type
Book Review
Copyright
© The Author(s), 2024. Published by Cambridge University Press

This substantial volume will be a welcome addition to the libraries of all universities where research or teaching about French Sociolinguistics is conducted – indeed, it would be an excellent acquisition for all departments of Linguistics. Nearly all the chapters are in English, including two translated from the original French. (The exception is a 1999 article on the functions of subjects, objects and presentative structures.) William Ashby has devoted his academic life to the study of sociolinguistic variation (and change) in metropolitan French, especially the grammar, and Fonseca-Greber has lovingly assembled here an exhaustive collection of his articles and chapters, produced between 1974 and 2003. Alongside Pierre Encrevé and Bernard Laks, Ashby was a pioneer in the 1970s of the application of Labovian variationist methods to the study of metropolitan French.

The book is divided into eight main sections, corresponding mostly to different periods in Ashby’s career. Each section is introduced by an Editor’s note and closes with suggestions for further reading. The sections also correspond largely to the principal corpora used by Ashby: Malécot’s 1967 corpus of upper-middle class Parisian speech, then the corpus of sociolinguistic interviews that Ashby himself collected in Tours in 1976, and finally the second Tours corpus gathered in 1995–1997 with the express purpose of discovering whether ‘apparent-time’ changes observed in 1976 were confirmed as changes in ‘real-time’.

Fonseca-Greber’s contributions to the book include introductions to each section, numerous footnotes, the translation of two pieces originally written in French, and an Appendix listing many other corpora of spoken French. Her Introduction to the whole volume presents its scope and organization, but also traces Ashby’s academic career and aspects of his life outside academia. In the same chapter, Fonseca-Greber discusses Ashby’s contribution to ‘historical linguistics within the space of a lifetime’, along with the issues of whether corpora are to be made public or to remain private, and whether it is appropriate to describe French society as diglossic. In ‘A data-driven glossing philosophy of Spoken French: Variable, radical prefixal glossing’, Fonseca-Greber adapts the Leipzig Glossing Rules to examples of spoken French quoted in the chapters by Ashby that constitute the main part of the book. Her motivation for this decision appears to be twofold: firstly, to emphasize many of the ways in which spoken French differs from the written language (e.g. how preverbal clitics can be interpreted as prefixes rather than independent words); and secondly, to enable readers without a knowledge of French to appreciate more fully the morphosyntax of the language.

Turning now to the essence of the book, the various studies by Ashby cover a wide range of points of socio-stylistic variation in French. In phonology, there are chapters on the rhythm group, the elision of /l/, and three on liaison, the most recent of which is the text of a conference paper given in 2003 (published here for the first time). In the last of these, Ashby compares data from his two Tours corpora, with the aim of demonstrating the decline of optional liaisons between 1976 and 1995–97. In morphosyntax, three other chapters comprise variationist studies of the omission of ne, in the last of which, Ashby again seeks to present evidence of change in the 21 years following 1976. As in nearly all his work, he examines not only interpersonal variation (and potential change), but also the linguistic constraints influencing the choice of one or other variant. Two studies in this volume are devoted to variation between on and indefinite vous (or occasionally tu) in the 1976 Tours corpus, and the use of diverse interrogative structures in Malécot’s Paris corpus. In a cluster of later articles, his focus is on dislocation and presentative structures, part of his motivation being to test hypotheses of the late 1970s that the basic word order of French is ‘drifting’ away from SVO and towards VOS, via right-dislocation of subjects. Two chapters are co-authored: ‘Preferred Argument Structure in spoken French and Spanish’ (with Paola Bentivoglio) and ‘Remodelling the House: The Grammaticalisation of Latin casa to French chez (with Annette R. Harrison).

Ashby meticulously follows a variationist methodology, quantifying the use of variants deemed to be equivalent, coding all tokens of these variants, and employing statistical techniques (notably with Varbrul or Goldvarb) to test the relative effects of various factors (linguistic and non-linguistic) and the significance of the differences that emerge. In keeping with Fonseca-Greber’s wish to present an all-round picture of Ashby’s career, the final chapter is on the College of Creative Studies at Santa Barbara, which he led in his later years there. All in all, this volume is a valuable compendium of the collected works of a major figure in the study of variation in French, and a fitting tribute to Ashby’s scholarship and his generosity towards other researchers and generations of students.