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Aesthetic Strategies of Trance-gression: The Politics of Bodily Scenes of Ecstasy – CORRIGENDUM

Published online by Cambridge University Press:  12 December 2019

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Abstract

Type
Corrigendum
Copyright
Copyright © Dance Studies Association 2019

In Sabine Huschka's article in DRJ 51(2), “Aesthetic Strategies of Trance-gression: The Politics of Bodily Scenes of Ecstasy” (Huschka Reference Huschka2019), the reference for the term “Tanztheologie” on page 9 was accidentally lost during the translation of the article from German to English prior to the submission to the journal. The term stems from the work of Alexander Schwan (Reference Schwan, Fischer and Hecht2009) as follows:

Schwan, Alexander H. Reference Schwan, Fischer and Hecht2009. “Expression, Ekstase, Spiritualität. Paul Tillichs Theologie der Kunst und Mary Wigmans Absoluter Tanz.” In tanz bewegung & spiritualität, edited by Dagmar Ellen Fischer and Thomas Hecht, 214–226. Frankfurt a. M., Germany: Henschel Verlag.

References

Huschka, Sabine. “Aesthetic Strategies of Trance-gression: The Politics of Bodily Scenes of Ecstasy.Dance Research Journal 51 (2): 417.CrossRefGoogle Scholar
Schwan, Alexander H. 2009. “Expression, Ekstase, Spiritualität. Paul Tillichs Theologie der Kunst und Mary Wigmans Absoluter Tanz.” In tanz bewegung & spiritualität, edited by Fischer, Dagmar Ellen and Hecht, Thomas, 214226. Frankfurt a. M., Germany: Henschel Verlag.Google Scholar