This paper investigates the development of the creation theme in Zoroastrian sources through the lens of the conceptual metaphor “creation is cutting”. It analyses three terms: Avestan taš- and ϑβǝrǝs-, and Middle Persian brēhēnīdan. Each term is examined in non-metaphorical, non-creational metaphorical, and creational metaphorical contexts. This analysis, coupled with a comparison of their semantic nuances and metaphorical mappings, suggests a creation myth with two phases: in the first phase, Ahura Mazda alone hews the undifferentiated forms of both the spiritual and material creation from an imaginary primary material, followed by the sculpting of the spiritual creation, resulting in adding details to the form. Subsequently, Ahura Mazda, in collaboration with the Beneficial Immortals/high-ranked divinities, imparts specific bodily and facial details to the material creation, enabling procreation. The Pahlavi sources elaborate on this theme, portraying Ahura Mazda as the sole agent in the initial hewing, while high-ranking divinities mitigate the harm inflicted by Ahriman on the created prototypes, facilitating their procreation throughout the world.

This article, the third in a series, focuses on the “living” preverbs used in the verbal system of contemporary Pashto. The verbs treated here belong to the “compound verbs with preverb” class or to the “mixed verbs with preverb” class: verbs that replace the wə́- of the simple verbs with another preverb. This class of verbs represents a closed set, and a complete list of these verbs can be investigated systematically and exhaustively. This subject is as yet unexamined and its implications for the interpretation of contemporary Pashto verbal morphology are particularly stimulating.

On the basis of textual scrutiny and intertextual comparisons, this study highlights that Vādidevasūri's attribution of a quotation to the Cārvāka/Lokāyata philosopher Udbhaṭabhaṭṭa in the Syādvādaratnākara is, in fact, part of a broader passage sourced from Arcaṭa's Hetubinduṭīkā and, consequently, its expungement from the corpus of source material attributed to the Cārvāka/Lokāyata authors is suggested.

This article opens with a mystery: why was Zizang 子臧 assassinated in the seventh century bce, and why was his assassination justified in the Zuozhuan by his fondness of snipe-feather caps? It is well established that feathers were a common item of clothing in early and medieval China, used to confer status, to flaunt wealth, to embellish rituals. This article argues that there may also have been accompanying beliefs surrounding their use; beliefs that feathers might bestow upon the wearer certain imagined characteristics of the birds from which they came. It uses case studies of soldiers and their relationship to brown-eared pheasants, dancers and their relationship to long-tailed pheasants, and immortals and their relationship to cranes and egrets. Finally, it returns to Zizang's snipe-feather cap, and suggests reasons for his fate.

The Thamudic D script is only partially deciphered. This article attempts to advance our understanding of the script by identifying all the Thamudic D glyphs and their phonemic values with varying degrees of certainty. It also discusses the major writing formulae associated with this script type and offers a few notes on the language it inscribes.

The past decade has seen an increase in attention to Tangut, an extinct Sino-Tibetan language spoken by the rulers of the Western Xia xīxià 西夏 empire. The question of its classification has become a subject of discussion especially since the documentation of its closest relatives came to light recently. The present paper builds on the study of the Tangut verb template by Jacques (2011) to question the place of Tangut with regard to the Horpa languages (Beaudouin 2023b). By doing so, it identifies a phenomenon of attraction encompassing synchronic and diachronic analysis and proposes that verbal templatic morphology in West Gyalrongic is nuclear.

This paper proposes new origins for tense vowels in Tangut by integrating textual analysis of Tangut texts with comparative data from both Gyalrongic and other Sino-Tibetan languages. It uncovers two previously unreported sources of vowel tensing in compounding: the collective prefix (*S-) and the compound linker (*-S-). Both morphemes left only a few traces, indicating their antiquity and productivity in earlier stages. The collective *S- could be an inherited morpheme which finds parallels in Tibetan, whereas the compound linker *-S- emerged as a stage of morphological merging in West Gyalrongic with (an) obscure origin(s). These findings not only advance our understanding of the origins of Tangut tense vowels but also offer insights into Sino-Tibetan nominal morphology.