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Franz Schubert, Klaviersonaten II: Die mittleren Sonaten, ed. Walburga Litschauer (Kassel: Bärenreiter, 2023). BA9643. - Franz Schubert, Fantasie f-Moll fur Klavier zu vier Handen, ed. Walburga Litschauer (Kassel: Bärenreiter, 2024). BA11862. - Frédéric Chopin, Berceuse pour le Piano, ed. Britta Schilling-Wang (Kassel: Bärenreiter, 2023). BA11830.

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Franz Schubert, Klaviersonaten II: Die mittleren Sonaten, ed. Walburga Litschauer (Kassel: Bärenreiter, 2023). BA9643.
Franz Schubert, Fantasie f-Moll fur Klavier zu vier Handen, ed. Walburga Litschauer (Kassel: Bärenreiter, 2024). BA11862.
Frédéric Chopin, Berceuse pour le Piano, ed. Britta Schilling-Wang (Kassel: Bärenreiter, 2023). BA11830.

Published online by Cambridge University Press:  02 December 2024

Jonathan Kregor
Jonathan Kregor*
Affiliation:
University of Cincinnati
*
[email protected]
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Type
Score Review
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Nineteenth-Century Music Review , First View , pp. 1 - 5
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Copyright
© The Author(s), 2024. Published by Cambridge University Press

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References

1 Dürr outlined this philosophy in ‘Musikphilologie und musikalische Praxis: Die Neue Schubert-Ausgabe’, in Akademie der Wissenschaften und der Literatur Mainz 1949–1989, ed. Thews, Gerhard (Stuttgart: Franz Steiner, 1989), 569–80Google Scholar. The extract is taken from the preface to Litschauer's edition, xxv.

2 See www.baerenreiter.com/en/shop/product/details/BA9643/. Similar supplemental material is available on the homepage of the Fantasy in F minor, www.baerenreiter.com/en/shop/product/details/BA11862/, albeit under the tab ‘Description’.

3 It does not help matters of clarity that the PDF of fragmentary sonatas follows a different pagination scheme as the Bärenreiter edition, whose music begins on p. 135. The PDF begins on p. 142.

4 It remains unclear why Schubert opted for mordents (Pralltriller) in bars 257–261 instead of the two-note appoggiatura found everywhere else in the first movement of the Sonata in A minor, D845, since Anschauer's evidence (see xxxi–xxxii) suggests that they are identical in practice.

5 This edition references digital copies of several relevant sources that can be viewed through the portal, https://links.baerenreiter.com/referenz.php. Unfortunately, none of the provided inputs (ex. ‘BA09643-0012’) worked for me.

6 All of the special comments appear as ‘Bemerkungen’ in the Gesamtausgabe's critical commentary, although not all of the Gesamtausgabe's ‘Bemerkungen’ appear as special comments. The Bärenreiter edition also lacks the detailed lists of corrections that the Gesamtausgabe provides for the principal sources of D784, D840, and D850. Critical commentary on the fragmentary sonatas contained in the PDF only appears in the Gesamtausgabe.