Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-24T23:02:20.558Z Has data issue: false hasContentIssue false
  • English
  • Français

How Reliable Are Nineteenth-Century Reviews of Concerts and Operas?: Félicien David's Le Désert and His Grand Opéra Herculanum - CORRIGENDUM

Published online by Cambridge University Press:  12 September 2022

Ralph Locke Open the ORCID record for Ralph Locke [Opens in a new window]
Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.
Type
Corrigendum
Information
Nineteenth-Century Music Review , Volume 19 , Special Issue 2: French Criticism , August 2022 , pp. 235
Check for updates
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

The author regrets the inclusion of two errors in the above article:

On page 2 the sentence reads:

‘Similarly, Le Ménestrel was put out by Heugel, a prominent publisher of operas (by Offenbach and Massenet, among others) and lasted for a century (1840-1940).’

The correct sentence is:

‘Similarly, Le Ménestrel was put out from 1840 onwards by the Heugel firm, a prominent publisher of operas (by Offenbach and Massenet, among others). The journal lasted for over a century (1833-1940).’

On page 14:

‘Olivia's love nest’

should be:

‘Olympia's love nest’

References

Locke, R. (2021). How Reliable Are Nineteenth-Century Reviews of Concerts and Operas?: Félicien David's Le Désert and His Grand Opéra Herculanum. Nineteenth-Century Music Review 19/2 (2022): 217–233. doi:10.1017/S1479409820000488Google Scholar