Radio drama gave Americans a new form of commercial entertainment in the 1930s, but the stories themselves contained time-honored elements. One of these was the rhetorical tradition scholars have identified as American civil religion. Radio Westerns were particularly well suited to promulgate familiar civil religion themes. They described the United States as an instrument of divine will in history, celebrated Americans as pious people, and associated national expansion with the implementation of God's will.

The Lone Ranger was the most famous Western to articulate these themes. The show's writers consciously sought to create in their hero a “composite of all men who uphold the laws of God and man.” During its long broadcast history from 1933 to 1954, the show attracted a large audience and inspired publishing, film, and television ventures. By the late 1940s, however, owing in part to World War II and in part to the Cold War, some Americans on both sides of the microphone found the old formula unsatisfactory.

Gunsmoke, which premiered in 1951, exemplified a second generation of radio Westerns. Though still civil religious, these Westerns located the United States' religious significance less in national triumph than in personal triumphs of its citizens. In doing so, they critiqued the earlier Westerns and shifted from what Martin E. Marty has called the “priestly” to the “prophetic” form of civil religion. Their impatience with the older Westerns' use of civil religion also paralleled theological critiques of the popular Christianity of the 1950s.

The Christian Century is generally regarded as the most influential Protestant magazine of the early twentieth century. But what does it mean to call the Century influential? Whom did it influence, and how? This article takes a historical approach, examining the size of the Century's audience, the nature of the magazine's impact on its readers, and the ability of those readers to extend the magazine's impact beyond themselves. The main source for this investigation is a cache of more than 2,100 unpublished letters collected in 1928 to celebrate Charles Clayton Morrison's twentieth anniversary as editor. In subscribers' own words, the letters illustrated the Century's role as a crucial link among readers with similar backgrounds and aspirations, as well as the limits of its reach beyond this cohort. The article argues that the Century was influential, but not because it converted (directly or through its clergy readers) large numbers of American Protestants to its progressive vision for Christianity. Rather, the Century was primarily influential in the process of mainline identification, both in the sense of defining which writers, institutions, and ideas belonged to the emerging mainline tradition and in the sense of offering readers an opportunity to identify with that tradition. A better understanding of the Century's influence during the Morrison era sheds light on the rise of the mainline. Additionally, a better understanding of the kinds of influence magazines do and do not exercise is helpful for anyone who looks to periodicals to provide a barometer of cultural trends.

Concern for the plight of Soviet Jewry grew steadily from the early 1950s. The rise of this issue to the forefront of American Jewish consciousness, however, was driven by the broader protest movement that emerged in the mid-1960s. Its central goal was to ensure civic and religious rights for Jewish residents of the Soviet Union, with a particular emphasis on the ability to emigrate. The movement's peak impact was in the 1970s. This decade witnessed the proliferation of grassroots organizations throughout the United States, along with the adoption of a more activist orientation by large segments of the American Jewish establishment.

To date, minimal attention has been paid to the place of the Soviet Jewry movement in the religious history of American Judaism. The article's investigation of American Orthodoxy's role is intended to confront this lacuna and describes the central role played by Orthodox Jews in the rise and development of the Soviet Jewry movement. Through their actions, the members of this segment of American Jewry experienced a role reversal in which they helped to redefine the nature of the Jewish relationship to the public sphere. Simultaneously, such activism sharpened the internal divide between Modern Orthodoxy and its traditionalist counterparts who opposed demonstrations, encouraged quiet diplomacy, and were loathe to work in unison with the broader Jewish community. Through their involvement in a core Jewish activity that entailed partnership with non-Orthodox Jews in efforts for their common brethren, a generation of Modern Orthodox leaders arose that made Jewish solidarity a central expression of their Orthodox religious identities.