Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-28T17:26:29.516Z Has data issue: false hasContentIssue false
  • English
  • Français

Afterword: The Expense of Exclusion – US Musicology and Popular Music

Published online by Cambridge University Press:  21 December 2020

ANDREW FLORY
Get access Rights & Permissions [Opens in a new window]

Abstract

This Afterward reflects upon the three articles of the symposium by Francesca Royster, Jack Hamilton, and Loren Kajiwaka. The author considers the contemporary ramifications of popular music studies being overlooked by the field of musicology at large in the United States.

Type
Forum
Information
Twentieth-Century Music , Volume 18 , Issue 1 , February 2021 , pp. 65 - 70
Check for updates
Copyright
Copyright © The Author(s), 2020. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bibliography

Berger, Harris M. ‘Currents and Contradictions in the Ethnomusicology of Popular Music’. Journal of World Popular Music 6/2 (2019), 216–22.CrossRefGoogle Scholar
Flory, Andrew. ‘The Ballads of Marvin Gaye’. Journal of the American Musicological Society 72/2 (2019), 313–62.CrossRefGoogle Scholar
Judd, Robert. ‘Humming Along in High Gear: Executive Director's Report’. AMS Newsletter 35/2 (August 2005), 5, 8.Google Scholar
Katz, Mark. Capturing Sound: How Technology Has Changed Music. Berkeley: University of California Press, 2010.CrossRefGoogle Scholar
Parler, Samuel. ‘DeFord Bailey in Country Music's Multiracial Canon’. Journal of the American Musicological Society 73/1 (2020), 53–94.CrossRefGoogle Scholar
Ramsey, Guthrie Jr. ‘Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade’. The Musical Quarterly 85/1 (Spring 2001), 1–52.CrossRefGoogle Scholar
Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: Wesleyan University Press, 1994.Google Scholar
Shelley, Braxton D. ‘Analyzing Gospel’. Journal of the American Musicological Society 72/1 (2019), 181–243.CrossRefGoogle Scholar

Discography

Enemy, Public. ‘Fight the Power’, on Fear of a Black Planet. CD, Def Jam Recordings, 45413, 1990.Google Scholar

Filmography

Lee, Spike, dir. Do the Right Thing. Universal Pictures, 1989. Reissued DVD, The Criterion Collection, 2019.Google Scholar