When the CCP came to power in 1949, it proceeded to nationalize all culture industries and cultural institutions, including museums, and to develop them in ways that would align them with the new ideology of state socialism. National, provincial, and local governments promoted, funded, and constructed many new museums. Not long after the liberation of Beijing, the Central Committee sought to establish a Museum of the Chinese Revolution to present an official view of party history, and in the early 1950s, the state started building memorial halls dedicated to sites of significance to revolutionary history, to important revolutionary leaders, and to cultural figures such as the writer Lu Xun. In terms of exhibitionary style, the types of museums built, and the veneration of revolutionary heritage, these early PRC museums were deeply indebted to the Soviet influence. It was not until the Great Leap Forward that a more systematic state effort to build museums was instituted. In general, it is useful to see museum development in the PRC as occurring in three dynamic bursts: the Great Leap Forward (1958–1962), the early post-Mao period (1980s), and the post-Tiananmen period (1990s– present).