No CrossRef data available.
Article contents
The Study Group on Folk Musical Instruments: Its Achievements in Fifteen Years of Activity
Published online by Cambridge University Press: 14 February 2019
Extract
The scholarly investigation of the folk music of every people and every land is one of the important tasks of the International Folk Music Council, perhaps its central task. This charge, which is laid down in the rules of the Council and thus carries the weight of an obligation, we tried to fulfill by holding scholarly conferences and publishing their papers in a journal. Thus, the work of scholars from all parts of the world was made known and had a stimulating effect.
- Type
- Articles
- Information
- Copyright
- Copyright © 1977 By the International Folk Music Council
References
Notes
1. Thus far the following volumes have been published: Sárosi, B., Die Volksmusikinstrumente Ungarns (Leipzig, 1967). Kunz, L., Die Volksmusikinstrumente der Tschechoslowakei, Part I (Leipzig, 1974).Google Scholar
2. “Die europäischen Volksmusikinstrumente. Möglichkeiten und Probleme ihrer Darstellung in einem Handbuch,” Deutsch es Jahrbuch für Volkskunde, 10 (Berlin, 1964), pp. 238–53.Google Scholar
3. Some of the papers were published in S.I.M.P., I.Google Scholar
4. The articles cited were all published in S.I.M.P., I.Google Scholar
5. Stockmann, E., “Internationale und interdisziplinäre Zusammenarbeit in der Volksmusikinstrumentenforschung,” S.I.M.P., II. pp. 11–23.Google Scholar
6. All the contributions on this theme appeared in S.I.M.P., II.Google Scholar
7. The articles named were published in S.I.M.P., IV.Google Scholar
8. Cf. A. Schneider, “Möglichkeiten der paläoorganologischen Forschung,” S.I.M.P., IV, pp. 88–94.Google Scholar
9. The articles cited from the Fifth Meeting will be published in S.I.M.P., V.Google Scholar
10. A similar problem was treated by S. Baud-Bovy (Geneva) at the Fifth Meeting of the Study Group in his paper “L'Évolution paralèlle de la construction, de la technique et du répertoire de la lyre crétoise,” S.I.M.P., V (in press).Google Scholar
11. Cf. also the important contribution by B. Sárosi, “Instrumentale Volksmusik in Ungarn,” S.I.M.P., IV, pp. 115–41.Google Scholar