Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-23T10:34:03.968Z Has data issue: false hasContentIssue false

Reminiscent of Charles Seeger

Published online by Cambridge University Press:  14 February 2019

Mantle Hood*
Affiliation:
Honolulu, Hawaii
Get access

Extract

Over a span of twenty-five years, I had the privilege of an extraordinary association with Charles Seeger. It began with an introduction by Jaap Kunst, in 1954, and ended with a letter dictated by Seeger and typed by his secretary (but still unsigned), a few days before his death in February, 1979. In our first meeting he was a teacher. In his last letter he was a warm concerned friend, and still a teacher. To say he is missed would be as redundant as saying one misses a brother, a father, a comrade-in-arms, a colleague, a best friend.

Type
Articles
Copyright
Copyright © 1979 By the International Folk Music Council 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

The Writings of Charles Seeger: A Selection

[Editor's note: With special regard to Prof. Hood's concluding remarks, we have appended a selected list of Charles Seeger's writings, particularly for those who may not have ready access to such a bibliography.]Google Scholar
1924On the Principles of Musicology,” Musical Quarterly 10(2):244–50.Google Scholar
1925Prolegomena to Musicology: The Problem of the Musical Point of View and the Bias of Linguistic Presentation,” Eolus 4(2): 1224.Google Scholar
1929A Fragment of Greek Music,” The Baton (New york) 8(7):56.Google Scholar
1933Music and Musicology,” Encyclopedia of the Social Sciences (New York: Macmillan) 11:143–50.Google Scholar
1933 “Music, Occidental” Ibid. 11:155:-64.Google Scholar
1934On Proletarian Music,” Modern Music 11(3): 121–27.Google Scholar
1935Preface to All Linguistic Treatment of Music,” Music Vanguard 1(1): 1731.Google Scholar
1938Music in America,” Magazine of Art 31(7):411–13 and 435-37.Google Scholar
1939Grass Roots for American Music,” Modern Music 16(3): 143–49. “Systematic and Historical Orientations in Musicology,” Acta Musicologica 11:121–28.Google Scholar
1939Music as a Factor in Cultural Strategy in America,” (Abstract) Bulletin of the American Musicological Society (3): 1718.Google Scholar
1940The Importance to Cultural Understanding of Folk and Popular Music,” Conference on Inter-American Relations in the Field Music, Digest of Proceedings (Washington, D.C.: Department of State). 10pp. Music as Recreation. Washington, D.C.: Works Progress Administration (Technical Series, Community Service Circular No. 1), 27 pp. “Contrapuntal Style in the Three-Voice Shape-Note Hymns,” Musical Quarterly 26(4):483–93. Reprinted in the American Choral Review (New York, 1976) 17(4):66–80. [237-51]Google Scholar
1940Folk Music as a Source of Social History,” in Ware, Carolyn F., ed., The Cultural Approach to History (New York: Columbia University Press), pp. 316–23.Google Scholar
1941Inter-American Relations in the Field of Music: Some Basic Considerations,” Music Educators Journal 27(5): 1718 and 64-65.Google Scholar
1941Music and Culture,” Proceedings of the Music Teachers National Association 35:1 1222.Google Scholar
1942American Music for American Children,” Music Educators Journal, 29(2): 1112.Google Scholar
1942Inter-American Relations in the Field of Music,” Proceedings of the Music Teachers National Association 36:4144.Google Scholar
1944 “Music and Government: Field for an Applied Musicology,” Papers Read at the International Congress of Musicology held at New York, September 11-18, 1939 (New York: Music Educators National Conference for the American Musicological Society), pp. 1220.Google Scholar
1945Musicology and the Music Industry,” National Music Council Bulletin 5(3):810.Google Scholar
1945Music Education and Musicology,” Music Educators Journal 31(6):78-79(with Curt Sachs).Google Scholar
1945Music in the Americas: Oral and Written Traditions in the Americas,” Bulletin of the Pan American Union 79(5):290-93; 79(6):341–44.Google Scholar
1946 ∗“Music and Musicology in the New World,” Proceedings of the Music Teachers National Association 40:3547. Translated into Spanish: “Música y musicología en el Nuevo Mundo,” Revista Musical Chilena 2(14):7–18. Revised and reprinted in Hinrichsen s Musical Yearbook (London, 1949) 6:36–56. [pp.211-21]Google Scholar
1947 “Toward a Unitary Field Theory for Musicology,” (Abstract) Bulletin of the American Musicological Society (9-10): 16.Google Scholar
1947Music Education and Musicology,” in Morgan, H. N., ed., Music Education Source Book (Chicago: Music Educators National Conference), pp. 195–98.Google Scholar
1948UNESCO, February 1948,” Music Library Association Notes, Second series, 5(2): 165–68.Google Scholar
1949The Arts in International Relations,” Journal of the American Musicological Society 2(l):3643.Google Scholar
1949 ∗ “Professionalism and Amateurism in the Study of Folk Music,” Journal of American Folklore 62(244): 107–13. Translated into Spanish: “El professional y el aficionado en el estudio de la música folklórica, ” Revista Musical Chilena (1959) 16(68):70–79. Reprinted in McEdward Leach and Tristram P. Coffin, eds., The Critics and the Ballad (Carbondale: Southern Illinois University Press, 1961), pp. 151-60. [pp. 321-29]Google Scholar
1950Oral Tradition in Music,” in Leach, Maria, ed., Standard Dictionary of Folklore, Mythology and Legend (New York: Funk and Wagnalls Company) 2:825–29.Google Scholar
1951Systematic Musicology: Viewpoints, Orientations and Methods.” Journal of the American Musicological Society 4(3):240–48.Google Scholar
1951An Instantaneous Music Notator,” 7/FMC 3:103–6.Google Scholar
1952 ∗“Music and Society: Some New World Evidence of their Relationship,” Proceedings of the Conference on Latin-American Fine Arts, June 14-17, 1951 (Austin: University of Texas Press), pp. 8497. Revised and reprinted (Washington, D.C.: Pan American Union, 1953), 9pp. [182-94] Foreword to George Pullen Jackson, Another Sheaf of White Spirituals (Gainsville: University of Florida Press), pp. vii-viii.Google Scholar
1953The Musician: Man Serves Art. The Educator: Art Serves Man,” UNESCO Courier 6(2): 12.Google Scholar
1953 ∗“Folk Music in the Schools of a Highly Industrialized Society,” JIFMC 5:4044. Reprinted in David A. De Turk and A. Poulin, Jr., The American Folk Scene (New York: Dell Publishing Co., 1967), pp. 89-94. [. 330-34]Google Scholar
1953Preface to the Description of a Music,” Kongressbericht, Internationale Gesellschaft für Musikwissenschaft, Utrecht 1952 (Amsterdam: Vereneging voor Nederiandse Muzikgeschiedenis), pp. 360–70.Google Scholar
1954Folk Music: U.S.A.,” in Blom, Eric, ed., Grove's Dictionary of Music and Musicians, Fifth edition (London: MacMillan & Co., Ltd.; New York: St. Martin's Press) 4:387–98Google Scholar
1955A Proposal to Found an International Society for Music Education,” Music in Education,” (Paris: UNESCO), pp. 325–31.Google Scholar
1957 ∗ “Music and Class Structure in the United States,” American Quarterly 9(3):281–94.[pp. 222–36]Google Scholar
1957Toward a Universal Music Sound-Writing for Musicology,” JIFMC 9:6366.Google Scholar
1958Singing Style,” Western Folklore 17 (1):311.Google Scholar
1958 ∗ “The Appalachian Dulcimer,” Journal of American Folklore 71:4051. [pp. 252–72]Google Scholar
1958 ∗“Prescriptive and Descriptive Music Writing,” Musical Quarterly 44(2): 184–95. [pp. 168–81]Google Scholar
1960 ∗“On the Moods of Music Logic,” Journal of the American Musicological Society 13(1-3):224-6L [pp. 64101]Google Scholar
1961Semantic, Logical and Political Considerations Bearing upon Research in Ethnomusicology,” Ethnomusicology 5(2):7780.Google Scholar
1961 ∗“The Cultivation of Various European Traditions in the Americas,” Report of the Eighth Congress of the International Musicological Society, New York 1961 (Kassel-Basel: Barenreiter), pp. 364–75. [pp. 195210]Google Scholar
1962Who Owns Folklore?—A Rejoinder,” Western Folklore 21 (2):93101. “Music as a Tradition of Communication, Discipline and Play,” Ethnomusicology 6(3): 156-63.Google Scholar
1963On the Tasks of Musicology,” Ibid. 7(3):214–15.Google Scholar
1964 Report of the Chairman-Moderator for the “Symposium on Transcription and Analysis: A Hukwe Song with Musical Bow” Ibid 8(3):272–77. “La realidad sobre la educación musical y el profesorado de la música culta,” Revista Musical Chilena 18(87-88): 14-19.Google Scholar
1965 Introduction to Primera conferencia interamericana de ethomusicologîa, Trabajos presentados, Cartagena de Indias, Columbia, 24 a 28 de febrero de 1963 (Washington: Union Panamericana), pp. 911.Google Scholar
1965 “Preface to a Critique of Music,” Ibid., pp. 3963. Reprinted with corrections and revisions in Inter-American Music Bulletin (49):2-24.Google Scholar
1965Folk Music,” Colliers Encyclopedia 10:132–40.Google Scholar
1966 ∗ “Versions and Variants of ‘Barbara Allen’ in the Archive of American Folk Song in the Library of Congress,” Selected Reports (Los Angeles) 1(1): 120–67. Reprinted as a brochure accompanying Album L54 (phono disc) (Washington, D.C.: Library of Congress), [pp. 272-320]Google Scholar
1966 ∗ “The Music Process as a Function in a Context of Functions,” Yearbook, Inter-American Institue for Musical Research (New Orleans) 2:136. [pp. 139–67]Google Scholar
1966 ∗ “The Folkness of the Nonfolk vs. the Nonfolkness of the Folk,” in Jackson, Bruce, ed., Folklore and Society. Essays in Honor of Benjamin A. Botkin (Hatboro, Pa.: Folklore Associates), pp. 19. [pp. 335–48]Google Scholar
1967Tradition and the (North) American Composer,” in List, George and Orrego-Salas, Juan, eds., Music in the Americas (Bloomington: Indiana University Research Center in Anthropology, Folklore, and Linguistics), pp. 195212. (Inter-American Music Monograph Series, 1.)Google Scholar
1968Factorial Analysis of the Song as an Approach to the Formation of a Unitary Field Theory,” JIFMC 20:272–77.Google Scholar
1969 Foreword to Pruett, James W., ed., Studies in Musicology: Essays in the History, Style and Bibliography of Music in Memory of Glen Hay don (Chapel Hill: University of North Carolina Press), pp. vii-xiii.Google Scholar
1969On the Formational Apparatus of the Music Compositional Process,” Ethnomusicology, 13(2):230–47.Google Scholar
1970 ∗ “Toward a Unitary Field Theory for Musicology,” Selected Reports 1(3): 171210. [pp. 102–38]Google Scholar
1971 ∗“Reflections upon a Given Topic: Music in the Universal Perspective,” Ethnomusicology 15(3):385–98. [pp. 3144]Google Scholar
1971 “Foreword to Hood, Mantle, The Ethnomusicologist (New York: McGraw-Hill Book Company), pp. v-vii.Google Scholar
1972 An American Musicologist. Oral History Program. Los Angeles: University of California, 513 pp. (typescript).Google Scholar
1972World Music in American Schools: A Challenge to be Met,” Music Educators Journal 59(2): 107–11.Google Scholar
1976, “Tractatus Esthetico-Semioticus,” in Grubbs, John W., ed., Current Thought in Musicology (Austin: University of Texas Press), pp. 139.Google Scholar
1977Sources of Evidence and Criteria for Judgment in the Critique of Music,” Essays for a Humanist: An Offering to Klaus Wachsmann (New York: The Town House Press), pp. 261–76. (A revision of Part 3 of “Preface to the Critique of Music” [1965].)Google Scholar
1977The Musicological Juncture: 1976,” Ethnomusicology 21 (2): 179–88. Studies in Musicology: 1935-1975. Berkeley and Los Angeles: University of California Press. 357 pp. (Bibliography of published papers, reviews, editorial works, and musical compositions, pp. 345–53.) “Introduction: Systematic (Synchronic) and Historical (Diachronic) Orientations in Musicology,” Ibid., pp. 1-15.Google Scholar
1977 “Speech, Music, and Speech about Music,” Ibid., pp. 1630.Google Scholar
1977 “The Musicological Juncture: Music as Fact,” Ibid., pp. 4550.Google Scholar
1977 “The Musicological Juncture; Music as Value, Ibid., pp. 5163.Google Scholar
1980Folk Music: U.S.A.,” in Sadie, Stanley, ed., The New Grove Dictionary of Music and Musicians (London: Macmillan).Google Scholar
N.B. The titles preceded by an asterick (∗) have been included among the essays in Studies in Musicology: 1935-75 (Berkeley and Los Angeles, 1977), with slight or thorough revisions. Their pages numbers in this work are enclosed in brackets at the close of the respective citations.Google Scholar