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Traditional Music and the Work-Concept: The Kayagŭm Sanjo of Hwang Byungki

Published online by Cambridge University Press:  06 December 2018

Andrew Killick
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Extract

In most of the world, through most of history, music has been conceived as a set of practices and techniques, expressive or religious behaviours, and adaptable repertoire resources, or as an integral part of some larger phenomenon such as theatre or healing. Over the last two hundred years, however, music has increasingly been reconceived as consisting of autonomous musical works. This has surely been one of the most important developments in musical history worldwide; yet it has been relatively little studied.

Abstract in korean

Abstract in Korean

Type
Articles
Information
Yearbook for Traditional Music , Volume 49 , 2017 , pp. 1 - 25
Copyright
Copyright © 2017 By The International Council for Traditional Music

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References

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Discography

Namhŭi, Ch⊖ng 2004 Kayagŭm my⊖ngin Ch⊖ng Namhŭi-ŭiyesul segye [The artistic world of kayagŭm maestro Ch⊖ng Namhŭi]. Seoul: Synnara NSC-085. 2 compact discs.Google Scholar
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2014 Hwang Py⊖nggi kayagŭm sanjo [Byungki Hwang Gayageum Sanjo]. Seoul: C&L Music CNLR 1430/31. 1 compact disc.Google Scholar

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