Hostname: page-component-745bb68f8f-d8cs5 Total loading time: 0 Render date: 2025-01-27T17:09:37.499Z Has data issue: false hasContentIssue false
  • English
  • Français

Traditional Music and Cultural Identity: Persistent Paradigm in the History of Ethnomusicology

Published online by Cambridge University Press:  07 March 2019

Philip V. Bohlman
Get access Rights & Permissions [Opens in a new window]

Extract

As many of the articles in this volume of the Yearbook for Traditional Music celebrate the first forty years of the ICTM and the concerted, if indeed polyphonic, voice that that organization has provided the study of traditional music throughout the world, they evoke a mood of reflection and reexamination of the intellectual history of ethnomusicology. Reflection was abundantly evident as the ICTM paused in 1987 to call attention to its achievements with a grand commemoration in Berlin, itself taking stock of a 750-year history. But the reflective mood of the ICTM's fortieth year was not simply a matter of panegyrizing the past; rather, it seemed equally concerned with reexamining the present and future in light of that past, with contrasting the old and the new, with juxtaposing them and encouraging ethnomusicologists to welcome that which has more recently come to shape our understanding of music throughout the world.

Type
Articles
Information
Yearbook for Traditional Music , Volume 20 , 1988 , pp. 26 - 42
Copyright
Copyright © 1988 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Adler, Guido 1885 “Umfang, Methode und Ziel der Musikwissenschaft.” Vierteljahrsschrift für Musikwissenschaft 1:5–20.Google Scholar
Allen, Warren Dwight 1962 [1939] Philosophies of Music History: A Study of General Histories of Music, 1600-1960. New York: Dover.Google Scholar
Amiot, Joseph-Marie 1779 Mémoire sur la musique des chinois, tant anciens et modernes. Paris: Nyon.Google Scholar
Arnim, L. Achim von, and Brentano, Clemens 1980 [1806-08] Des Knaben Wunderhorn: alte deutsche Lieder. Munich: Winkler.Google Scholar
Bor, Joep 1988 “The Rise of Ethnomusicology: Sources on Indian Music c. 1780-1890.” Yearbook for Traditional Music 20.CrossRefGoogle Scholar
Bohlman, Philip V. 1986 “R.G. Kiesewetter's ‘Die Musik der Araber': A Pioneering Ethnomusicological Study of Arabic Writings on Music.” Asian Music 18 (1):164–96.CrossRefGoogle Scholar
Bohlman, Philip V. 1987 “The European Discovery of Music in the Islamic World the ‘Non-Western’ in 19th-Century Music History.” The Journal of Musicology 5 (2):147–63.CrossRefGoogle Scholar
Boon, James A. 1982 Other Tribes, Other Scribes: Symbolic Anthropology in the Comparative Study of Cultures, Histories, Religions, and Texts. Cambridge: Cambridge University Press.Google Scholar
Bose, Fritz 1953 Musikalische Völkerkunde. Freiburg im Breisgau: Atlantis.Google Scholar
Child, Frances James 1882-98 The English and Scottish Popular Ballads. 5 volumes. Boston: Houghton, Mifflin and Company.Google Scholar
Darwin, Charles 1871 The Descent of Man and Selection in Relation to Sex. 2 volumes. New York: D. Appleton.Google Scholar
Ellis, Alexander J. 1885 “On the Musical Scales of Various Nations.” Journal of the Society of Arts 33:485–517; German translation in Sammelbände für Vergleichende Musikwissenschaft 1:1–75.Google Scholar
Erk, Ludwig, and Böhme, Franz Magnus 1893-94 Deutscher Liederhort. 3 volumes. Leipzig: Breitkopf und Härtel.Google Scholar
Fabian, Johannes 1983 Time and the Other: How Anthropology Makes Its Object. New York: Columbia University Press.Google Scholar
François-Joseph, Fétis 1835 Résumé philosophique de l'histoire de la musique. Brussels: Leroux.Google Scholar
Forkel, Johann Nikolaus 1788 Allgemeine Geschichte der Musik. Vol. I. Leipzig: Schwickert.Google Scholar
Fowke, Francis 1964 1792 “On the Vina or Indian Lyre.” In Hindu Music from Various Authors, ed. by Tagore, Surindro Mohun, Varanasi: Chowkhamba Sanskrit Series. Originally published in Asiatick Researches.Google Scholar
Gallagher, Pat, et al., eds. 1985 Aditi: The Living Arts of India. Washington, D.C.: Smithsonian Institution Press.Google Scholar
Harrison, Frank 1973 Time, Place and Music: An Anthology of Ethnomusicological Observations c. 1550 to c. 1800. Amsterdam: Frits Knuf.Google Scholar
Haydon, Glen 1941 Introduction to Musicology. New York: Prentice-Hall.Google Scholar
Heinitz, Wilhelm 1931 Strukturprobleme in primitiver Musik. Hamburg: Friedrichsen, de Gruyter, and Co.CrossRefGoogle Scholar
Herder, Johann Gottfried 1966 [1784-91] Ideen zur Philosophie der Geschichte der Menschheit. Darmstadt: Joseph Melzer.Google Scholar
Herder, Johann Gottfried 1975 [1779] Volkslieder. In “Stimmen der Völker in Liedern” and Volkslieder, ed. by Rölleke, Heinz. Stuttgart: Reclam.Google Scholar
Hinsley, Curtis M. Jr. 1981 Savages and Scientists: The Smithsonian Institution and the Development of American Anthropology, 1846-1910. Washington, D.C.: Smithsonian Institution Press.Google Scholar
Jones, William 1792 “On the Musical Modes of the Hindus.” Asiatick Researches 3:52ff. Reprinted in William Jones and N. Augustus Willard, Music of India (Calcutta: Susil Gupta Private, Ltd., 1962), pp. 89–112.Google Scholar
Kiesewetter, Raphael Georg 1842 Die Musik der Araber nach Originalquellen dargestellt. Leipzig: Breitkopf und Härtel.Google Scholar
Kircher, Athanasius 1650 Musurgia universalis, sive Ars magna consoni et dissoni. Rome: Francesco Corbelletti.Google Scholar
Kuhn, Thomas S. 1970 The Structure of Scientific Revolutions. 2nd ed., enlarged. Chicago: University of Chicago Press.Google Scholar
Lach, Robert 1924 Die vergleichende Musikwissenschaft: ihre Methoden und Probleme. Vienna: Akademie der Wissenschaften.Google Scholar
Lachmann, Robert 1966 Musik des Orients. Breslau: Jedermanns Bücherei.Google Scholar
Merriam, Alan P. 1977 “Definitions of ‘Comparative Musicology’ and ‘Ethnomusicology': An Historical-Theoretical Perspective.” Ethnomusicology 21:189–204.CrossRefGoogle Scholar
Mugglestone, Erica 1981 “Guido Adler's The Scope, Method, and Aim of Musicology’ (1885): An English Translation with an Historico-Analytical Commentary.” Yearbook for Traditional Music 13:1–21.CrossRefGoogle Scholar
Pulikowski, Julian von 1933 Geschichte des Begriffes Volkslied im musikalischen Schrifttum: ein Stück deutscher Geistesgeschichte. Heidelberg: Carl Winters.Google Scholar
Roberts, Helen H. 1933 Form in Primitive Music: An Analytical and Comparative Study of the Melodic Form of Some Ancient Southern California Indian Songs. New York: Norton.Google Scholar
Schneider, Albrecht 1976 Musikwissenschaft und Kulturkreislehre. Bonn-Bad Godesberg: Verlag für systematische Musikwissenschaft.Google Scholar
Spencer, Herbert 1868 “On the Origin and Function of Music.” In Essays, Vol. 1, pp. 210–38. London: Williams and Norgate.Google Scholar
Steinitz, Wolfgang 1954 Deutsche Volkslieder demokratischen Charakters aus sechs Jahrhunderten. Vol. I. Berlin: Akademie-Verlag.Google Scholar
Steinitz, Wolfgang 1962 Deutsche Volkslieder demokratischen Charakters aus sechs Jahrhunderten. Vol. II. Berlin: Akademie-Verlag.Google Scholar
Steinitz, Wolfgang 1978 Deutsche Volkslieder demokratischen Charakters aus sechs Jahrhunderten. 3rd edition, combined in one volume by Hermann Strobach. Berlin: Akademie-Verlag.Google Scholar
Stocking, George W. Jr. 1987 Victorian Anthropology. New York: Free Press.Google Scholar
Stumpf, Carl 1885 “Musikpsychologie in England.” Vierteljahrsschrift für Musikwissenschaft 1:261–349.Google Scholar
Stumpf, Carl 1892 “Phonographierte Indianer-Melodien.” Vierteljahrsschrift für Musikwissenschaft 8:127ff.Google Scholar
Tiersot, Julien 1905 Notes d'ethnographie musicale. Paris: Librairie Fischbacher.Google Scholar
Villoteau, Guillaume 1823 [1809] Description historique, technique et litteraire, des instrumens de musique des orientaux. Paris: C.L.F. Pancroucke.Google Scholar
Villoteau, Guillaume 1826 [1809] De l'état moderne de l'état actuel de l'art musical en Égypte, ou relation historique et descriptive des recherches et observation faites sur la musique en ce pays. Paris: C.L.F. Pancroucke.Google Scholar
Wallaschek, Richard 1970 [1893] Primitive Music. New York: Da Capo.Google Scholar
Willard, N. Augustus 1834 A Treatise on the Music of India. In William Jones and N.A. Willard, Music of India. Calcutta: Susil Gupta Private, Ltd., 1962.Google Scholar
Wiora, Walter 1971 “Reflections on the Problem: How Old Is the Concept Folksong? Yearbook of the International Folk Music Council 3:24–33.CrossRefGoogle Scholar