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Tôyô Ongaku Gakkai and Music Research in Japan

Published online by Cambridge University Press:  07 March 2019

Extract

In order to take a general view of music research, particularly in traditional Japanese and Asian music today, it is appropriate to review the history of the Tôyô Ongaku Gakkai (The Society for Research in Asiatic Music), which is the ICTM National Committee of Japan and the host of the 35th World Conference of the ICTM. Concerning the Tôyô Ongaku Gakkai, virtually no introduction has been so far made in Western languages, except for a very brief description by Kishibe Shigeo.

Type
Articles
Copyright
Copyright © 2000 by the International Council for Traditional Music

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Footnotes

1

This is a revised version of the paper presented at the 35th World Conference of the ICTM held in Hiroshima on August 24,1999.

References

References Cited

Shigeo, Kishibe (ed) 1943 Tôa Ongaku Ronsô: Tanabe Hisao Festschrift. Tokyo: Yamaichi Shobô.Google Scholar
Ichisada, Miyazaki 1992 Miyazaki Ichisada zenshû. Vol.2, Tokyo: Iwanami Shoten, p. 339.Google Scholar
Kimiko, Ohtani and Yoshihiko, Tokumaru 1983. “Ethnomusicology in Japan since 1970.” Yearbook for Traditional Music. Vol.15, pp. 155–62.Google Scholar
Hisao, Tanabe 1930 Tôyô Ongaku Shi. Tokyo: Yûzankaku.Google Scholar
Hisao, Tanabe 1969 “Tôyô ongaku to seiyô ongaku no tairitsu ni tsuite no gigi,” in Tôyô Ongaku Gakkai, ed. Sôritsu sanjusshûnen kinen nippon tôyô ongaku ronsô. Tokyo: Ongaku no Tomo Sha, pp. 913.Google Scholar