Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-22T17:40:01.480Z Has data issue: false hasContentIssue false

Theory and ‘Bricolage’: Attilio Cannargiu's Temperament

Published online by Cambridge University Press:  07 March 2019

Extract

Attilio Cannargiu1 was born 50 years ago in Muravera, in the province of Cagliari in Sardinia. He tilled the soil for a brief period of his life and would doubtless have become a farmer like his father had he not been seized by an overriding passion for the launeddas.2 This love of the launeddas and music—words which for Cannargiu mean one and the same—raised a number of problems. His marriage to music, ‘his music’, has not run smoothly. But, all things being considered, the conflicts it created must be regarded as a reflection of the difficulties besetting one among many musicians in a land where folk customs are still very much alive.3

Type
Articles
Copyright
Copyright © 1983 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

translated by Barbara Thompson

References

References Cited

Dore, Giovanni 1976 Gli strumenti della musica popolare delta Sardegna. Cagliari: Edizioni 3T.Google Scholar
Ferrero della Marmora, Alberto 1826–1857 Voyage en Sardaigne, de 1819 a 1825; etc. Paris: Delaforest.Google Scholar
Giannattasio, Francesco and Lortat-Jacob, Bernard 1982 Sardegna l, organetto. One 12” (30 cm) LP Record. Fonit Cetra SU 5007. Text in Italian and English (24 pp.). Roma: I Suoni.Google Scholar
Lortat-Jacob, Bernard 1981a Polyphonies de Sardaigne. One 12” (30 cm) LP Record. Le Chant du Monde LDX 74760. Text in French and English (6 pp.). Paris: CNRS/Musée de l'Homme.Google Scholar
Lortat-Jacob, Bernard 1981bCommunity Music and the Rise of Professionalism: A Sardinian Example.” Ethnomusicology 25(2): 185197.Google Scholar
Tanner, Robert 1963 “Critique de la théorie de ‘la résonance'.” In La résonance dans les échelles musicales: Studies collected and presented by Edith Weber, pp. 63100. Paris: Editions du CNRS.Google Scholar
Bentzon, Weis, Fridolin, Andreas 1969 The Launeddas, a Sardinian Folk Music Instrument. 2 vols. Copenhagen: Akademisk Forlag.Google Scholar