Hostname: page-component-745bb68f8f-mzp66 Total loading time: 0 Render date: 2025-02-05T08:17:11.192Z Has data issue: false hasContentIssue false
  • English
  • Français

Shifting Landscapes: Musical Mediations of Modernity in the Malaysian Rainforest

Published online by Cambridge University Press:  07 March 2019

Marina Roseman
Get access Rights & Permissions [Opens in a new window]

Extract

In a small wooden house at a government resettlement project built for peninsular Malaysia's aboriginal Temiars, a sick man lay wheezing. The illness pacog, harbored by rotting logs in the damp tropical forest, had invaded his body; western cosmopolitan medicine might have diagnosed him with tuberculosis. His breath came in gasps, but no one heard him. Members of his extended family, who might once have shared a roof with him, now lived in single-family households sponsored by Malaysian government “resettlement” projects initiated during the 1970s. Such projects, extensions of the British colonial “jungle forts” and “patterned settlements” established during the 1950s-1960s, also extended European Enlightenment, colonial, and capitalist social and economic ideals about “modernity” and “progress” into the jungle. These included ideas about the “individuated self” and the socioeconomic unit of the nuclear household, reflected in a government-sponsored architecture of single-family dwellings. The reconfigured space of such “modern” Temiar resettlement projects isolates nuclear families from one another, reconfiguring Temiar subjectivities and collectivities.

Type
Articles
Information
Yearbook for Traditional Music , Volume 32 , 2000 , pp. 31 - 65
Copyright
Copyright © 2000 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Agawu, Kofi 1995 The Invention of “African Rhythm.” Journal of the American Musicological Society 48(3):380–395.Google Scholar
Anderson, Benedict 1991/1983 Imagined Communities: Reflections on the Origin and Spread of Nationalism, rev. ed. London, New York: Verso.Google Scholar
Appadurai, Arjun 1996 Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.Google Scholar
Attali, Jacques 1977 Noise: The Political Economy of Music. Brian Massumi, trans. Minneapolis: University of Minnesota Press.Google Scholar
Averill, Gage 1997 A Day for the Hunter, A Day for the Prey: Popular Music and Power in Haiti. Chicago: University of Chicago.CrossRefGoogle Scholar
Barwick, Linda, Marett, Allan, and Tunstill, Guy 1995 The Essence of Singing and the Substance of Song: Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis. Sydney: University of Sydney.Google Scholar
Benjamin, Geoffrey 1996 “Rationalisation and Re-enchantment in Malaysia: Temiar Religion 1964-1995.” Department of Sociology Working Papers, No. 130. Singapore: National University of Singapore.Google Scholar
Benjamin, Walter 1999 The Arcades Project. H. Eiland and K. McLaughlin, trans. Cambridge: The Belknap Press of Harvard University Press.Google Scholar
Bhabha, Homi K. 1994 The Location of Culture. New York: Routledge.Google Scholar
Blacking, John 1978 “Some Problems of Theory and Method in the Study of Musical Change.” Yearbook of the International Folk Music Council 3:91–108.CrossRefGoogle Scholar
Campbell, Donald 1997 The Mozart Effect. New York: Avon Books.Google Scholar
Casey, Edward S. 1996 “How to Get from Space to Place in a Fairly Short Stretch of Time.” In Senses of Place, Steven Feld and Keith Basso, eds., 13-52. Santa Fe: School of American Research Press.Google Scholar
Caygill, Howard 1998 Walter Benjamin: The Colour of Experience. New York: Routledge.Google Scholar
de Certeau, Michael 1984 “Walking in the City.” In his Practice of Everyday Life. Berkeley, Los Angeles: University of California Press.Google Scholar
Clifford, James 1997 Routes: Travel and Translation in the Late Twentieth Century. Cambridge: Cambridge University Press.Google Scholar
Comaroff, John, and Comaroff, Jean 1992 Ethnography and the Historical Imagination. Boulder: Westview Press.Google Scholar
Comaroff, Jean, and Comaroff, John 1993 Introduction. In Modernity and Its Malcontents: Ritual and Power in Postcolonial Africa, Jean and John Comaroff, eds., xi-xxxvii. Chicago: University of Chicago Press.Google Scholar
Cooper, Frederick, and Stoler, Ann Laura 1997 Tensions of Empire: Colonial Cultures in a Bourgeois World. Berkeley: University of California Press.Google Scholar
Coplan, David 1994 In the Time of Cannibals: The Word Music of South Africa's Basotho Migrants. Chicago: University of Chicago.Google Scholar
Dates, Jannette L. and Barlow, William, eds. 1993 Split Image: African Americans in the Mass Media. Washington, D.C.: Howard University Press.Google Scholar
Dentan, R.K. 1992 “The Rise, Maintenance, and Destruction of Peaceable Polity: A Preliminary Essay in Political Ecology.” Aggression and Peacefulness in Humans and Other Primates, ed. Silverberg, J. and Gray, J.P., 214–270. London: Oxford University Press.Google Scholar
Dentan, R.K. and Chooi, Ong Hean 1995 “Stewards of the Green and Beautiful World: A Preliminary Report on Aboriculture and Its Policy Implications.” Dimensions of Tradition and Development in Malaysia. Rokiah and Tan Chee-Beng, eds., 53-124. Kuala Lumpur: Pelanduk.Google Scholar
Dentan, R.K., Endicott, K., Gomes, A., and Hooker, M.B. 1997 Malaysia and the Original People: A Case Study of the Impact of Development on Indigenous Peoples. Boston: Allyn and Bacon.Google Scholar
Densmore, Frances 1934 “The Songs of Indian Soldiers during the World War.” Musical Quarterly 20:419–25.Google Scholar
Ellis, Catherine J. 1980 “Aboriginal Music and Dance in Southern Australia.” In New Grove Dictionary of Music and Musicians, S. Sadie, ed. Vol 1, 722–28. London: Macmillan.Google Scholar
Erlmann, Veit 1999 Music, Modernity, and the Global Imagination: South Africa and the West. Oxford: Oxford University Press.CrossRefGoogle Scholar
Feld, Steven 1990 Sound and Sentiment: Birds, Weeping, Poetics and Song in Kaluli Expression. Philadelphia: University of Pennsylvania.Google Scholar
Feld, Steven 2000 “Sound Worlds.” In Sound, Patricia Kruth and Henry Stobart, eds., 173-200. Cambridge: Cambridge University Press.Google Scholar
Feld, Steve, and Basso, Keith, eds. 1996 Senses of Place. Santa Fe: School of American Research Press.Google Scholar
Frith, Simon 1996 Performing Rites: On the Value of Popular Music. Cambridge: Harvard University Press.Google Scholar
Fox, Aaron 1992 “The Jukebox of History: Narratives of Loss and Desire in the Discourse of Country Music.” Popular Music 11: 53–72.CrossRefGoogle Scholar
Fox, Aaron 1993 “Split Subjectivity in Country Music and Honky-Tonk Discourse.” In All that Glitters: Country Music in America. George H. Lewis, ed. Bowling Green: Bowling Green State University Press.Google Scholar
Geertz, Clifford 1973 The Interpretation of Cultures. New York: Basic Books.Google Scholar
Giddens, Anthony 1991 Modernity and Self-Identity: Self and Society in the Late Modern Age. Stanford: Stanford U Press.Google Scholar
Gilroy, Paul. 1993 The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard University Press.Google Scholar
Guilbault, Jocelyne, et al. 1993 Zouk: World Music in the West Indies. Chicago: University of Chicago Press.Google Scholar
Gupta, Akhil, and Ferguson, James, eds. 1997 Anthropological Locations: Boundaries and Grounds of a Field Science. Berkeley, Los Angeles: University of California Press.Google Scholar
Hall, Stuart, et al., eds. 1992 Modernity and its Futures. Cambridge, UK: Polity Press.Google Scholar
Hall, Stuart, et al., eds. 1994 “Cultural Identity and Diaspora.” In Colonial Discourse and Postcolonial Theory: a Reader, Patrick Williams and Laura Chrisman, eds., 392-403. New York: Columbia University.Google Scholar
Hayward, Philip, ed. Sound Alliances: Indigenous Peoples, Cultural Politics and Popular Music in the Pacific. London: Cassell.CrossRefGoogle Scholar
Hirsch, Eric and O'Hanlon, Michael, eds. 1995 The Anthropology of Landscape: Perspectives on Place and Space. Oxford: Clarendon Press.Google Scholar
Kartomi, Margaret J. and Blum, Stephen 1994 Music-cultures in Contact: Convergences and Collisions. Basel, Switzerland.Google Scholar
Keane, Webb. 1997 Signs of Recognition: Powers and Hazards of Representation in an Indonesian Society. Berkeley: University of California Press.CrossRefGoogle Scholar
Keil, Charles, and Feld, Steven 1994 Music Grooves: Essays and Dialogues. Chicago: University of Chicago Press.Google Scholar
Kroodsma, Donald E., and Miller, E. H. 1982 Acoustic Communication in Birds. New York: Academic Press.Google Scholar
Lavie, Smadar, and Swedenburg, Ted, eds. 1996 Displacement, Diaspora, and Geographies of Identity. Durham, North Carolina: Duke University Press.Google Scholar
Leary, John D. 1995 Violence and the Dream People: The Orang Asli in the Malayan Emergency, 1948-1960. Monographs in International Studies, Southeast Asia series, 95. Athens: Center for International Studies, Ohio University.Google Scholar
Lipsitz, George 1994 Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. London: Verso.Google Scholar
Lomax, Alan 1968 Folk Song Style and Culture. Washington: American Association for the Advancement of Science.Google Scholar
Lornell, Kip and Rasmussen, Anne K. 1997 Musics of Multicultural America: A Study of Twelve Musical Communities. New York: Schirmer.Google Scholar
Loomba, Ania 1998 Colonialism/Postcolonialism. New York: Routledge.Google Scholar
Merriam, Alan P. 1967 Ethnomusicology of the Flathead Indians. Chicago: Aldine Press.Google Scholar
Moyle, R.M. 1979 Songs of the Pintupi. Musical Life in a Central Australian Society. Canberra: Australian Institute of Aboriginal Studies.Google Scholar
Myers, Fred 1991 Pintupi Country, Pintupi Self: Sentiment, Place, and Politics among Western Desert Aborigines. Berkeley: University of California.Google Scholar
Nettl, Bruno 1983 The Study of Ethnomusicology: Twenty-nine Issues and Concepts. Urbana: University of Illinois Press.Google Scholar
Nettl, Bruno, ed. 1978 Eight Urban Musical Cultures: Tradition and Change. Urbana: University of Illinois Press.Google Scholar
Nicholas, Colin 2000 The Orang Asli and the Contest for Resources: Indigenous Politics, Development and Identity in Peninsular Malaysia. Copenhagen, Denmark: International Work Group for Indigenous Affairs (IWIGA).Google Scholar
Pacini Hernandez, Deborah 1995 Bachata: A Social History of a Dominican Popular Music. Philadelphia: Temple University Press.Google Scholar
Parmentier, Richard J. 1987 The Sacred Remains: Myth, History, and Polity in Belau. Chicago: University of Chicago Press.Google Scholar
Payne, Katharine B., Langbauer, W. R. Jr., and Thomas, E. M. 1986 “Infrasonic calls of the Asian elephant (Elephas maximus).” Behavioral Ecology and Sociobiology 18:297–301.CrossRefGoogle Scholar
Pemberton, John 1994 On the Subject of “Java.“ Ithaca: Cornell University Press.CrossRefGoogle Scholar
Piot, Charles 1999 Remotely Global: Village Modernity in West Africa. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Povinelli, Elizabeth A. 1993 Labor's Lot: The Power, History, and Culture of Aboriginal Action. Chicago: University of Chicago Press.Google Scholar
Rachagan, S. Sothi 1990 “Constitutional and Statutory Provisions Governing the Orang Asli.” In Tribal Peoples and Development in Southeast Asia. Lim Teck Ghee and Albert G. Gomes, eds., 101-111. Kuala Lumpur: Department of Anthropology and Sociology, University of Malaya.Google Scholar
Rauscher, Frances H., Shaw, Gordon L. and Ky, Katerine N. 1995 “Listening to Mozart Enhances Spatial-Temporal Reasoning: Towards a Neurophysiological Basis.” Neuroscience Letters 185:44–47.Google ScholarPubMed
Rauscher, Frances H., Shaw, Gordon L., Levine, Linda J., Wright, Eric L., Denis, Wendy R., Newcomb, Robert L. 1997 “Music Training Causes Long-Term Enhancement of Preschool Children's Spatial-Temporal Reasoning.” Neurological Research 19:208.CrossRefGoogle ScholarPubMed
Reyes-Schramm, Adelaide 1990a “Ethnic music, the Urban Area, Ethnomusicology.” Sociologus 29(1):1–21.Google Scholar
Reyes-Schramm, Adelaide 1990b “Exploration in Urban Ethnomusicology: Hard Lessons from the Spectacularly Ordinary.” Yearbook for Traditional Music 14:3–20.Google Scholar
Richards, Douglas G. 1985 “Biological Strategies for Communication.” IEEE Communications Magazine 23(June)(6):10–18.CrossRefGoogle Scholar
Rose, Dan 1987 Black American Street Life: South Philadelphia, 1969-1971. Philadelphia: University of Pennsylvania Press.Google Scholar
Roseman, Marina 1983 “The New Rican Village: Artists in Control of the Image-making Machinery.” Latin American Music Review 4(1): 132–167.CrossRefGoogle Scholar
Roseman, Marina 1995 Dream Songs and Healing Sounds: In the Rainforests of Malaysia. Smithsonian/Folkways Recordings SF CD 40417 (compact disc).Google Scholar
Roseman, Marina 1996a “Pure Products Go Crazy: Rainforest Healing in a Nation-State.” In The Performance of Healing, Carol Laderman and Marina Roseman, eds., 233-269. New York: Routledge.Google Scholar
Roseman, Marina 1996b “Decolonizing Ethnomusicology: When Peripheral Voices Move in from the Margins.” In Aflame with Music: One Hundred Years of Music at the University of Melbourne, B. Broadstock et al., eds., 167-189. Melbourne: Centre for Studies in Australian Music.Google Scholar
Roseman, Marina 1998 “Singers of the Landscape: Song, History, and Property Rights in the Malaysian Rain Forest.” American Anthropologist 100(1):106–121.CrossRefGoogle Scholar
Schafer, R. Murray 1977 The Tuning of the World. New York: Knopf.Google Scholar
Seeger, Anthony 1987 Why Suyá Sing: A Musical Anthropology of an Amazonian People. Cambridge: Cambridge University Press.Google Scholar
Slobin, Mark 1993 Subcultural Sounds: Micromusics of the West. Hanover: Wesleyan University Press.Google Scholar
Steedly, Mary Margaret 1993 Hanging Without a Rope: Narrative Experience in Colonial and Postcolonial Karoland. Princeton, N.J.: Princeton University Press.Google Scholar
Stewart, Kathleen 1996 A Space on the Side of the Road. Princeton, N.J.: Princeton University Press.CrossRefGoogle Scholar
Sumarsam 1995 Gamelan: Cultural Interaction and Musical Development in Central Java. Chicago: University of Chicago Press.Google Scholar
Beng, Tan Sooi 1993 Bangsawan: A Social and Stylistic History of Popular Malay Opera. Singapore: Oxford University Press.Google Scholar
Taylor, Timothy D. 1997 Global Pop: World Music, World Markets. New York and London: Routledge.Google Scholar
Thomas, Nicholas 1994 Colonialism's Culture: Anthropology, Travel and Government. Princeton: Princeton University Press.Google Scholar
Tsing, Anna 1993 In the Realm of the Diamond Queen: Marginality in an Out-of-the-Way Place. Princeton: Princeton University Press.Google Scholar
Turino, Thomas 1993 Moving Away from Silence. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Turner, Victor 1967 The Forest of Symbols: Aspects of Ndembu Ritual. Ithaca: Cornell University Press.Google Scholar
Wallerstein, Immanuel 1974 The Modern World-System: Capitalist Agriculture and the Origins of the European World-Economy in the Sixteenth Century. Academic Press.Google Scholar
Waterman, Christopher 1991 Jùjú: The Social History of an African Popular Music. Chicago: University of Chicago.Google Scholar
Wild, Steve A. 1987 “Recreating the jukurrpa: Adaptation and Innovation of Songs and Ceremonies in Warlpiri Society.” In Songs of Aboriginal Australia, M. Clunies Ross, T. Donaldson and S. Wild, eds., 97-120. Sydney: Oceania Publications.Google Scholar
Wiora, Walter 1965 The Four Ages of Music. New York: Norton.Google Scholar
Wolf, Eric 1982 Europe and the People without History. Los Angeles: University of California Press.Google Scholar
Wolters, Oliver W. 1982 History, Culture, and Region in Southeast Asian Perspectives. Singapore: Institute of Southeast Asian Studies.Google Scholar

Temiar Field Collection Materials

Roseman Field Collection T95 OD5.2 [Temiar 1995 Original RDAT Tape No. 5, item 2]Google Scholar
Roseman Field Collection T95 OD7 [Temiar 1995, Original RDAT Tape No.7]Google Scholar
Roseman Field Collection T81/82 OR84.3 [Temiar 1981/1982, Original Reel-to-Reel Tape No. 84, item 3]Google Scholar