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Post-Yugoslavian Ethnomusicologies in Dialogue

Published online by Cambridge University Press:  07 March 2019

Naila Ceribašić ,
Ana Hofman  and
Ljerka Vidić Rasmussen
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Extract

From the 1950s through 1990s, ethnomusicology in Yugoslavia represented the sum of several distinct research traditions that, by and large, overlapped with the borders of six constituent republics: Bosnia-Herzegovina, Croatia, Macedonia, Montenegro, Serbia, and Slovenia. Although the overarching national framework quickly disintegrated with the onset of the Yugoslav wars of succession in the early 1990s, localized research within particular borders was largely unaffected. The triumph of militant nationalism, the sweeping social changes, and the attendant musical transformations across the region raised issues of researchers’ accountability. Faced with unimaginable violence in the name of national identity and cultural difference, what should, or can, an ethnomusicologist do?

Type
Articles
Information
Yearbook for Traditional Music , Volume 40 , 2008 , pp. 33 - 45
Copyright
Copyright © 2008 By The International Council for Traditional Music

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References

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