1. The latter include: Donna Buchanan, Performing Democracy: Bulgarian Music and Musicians in Transition (Chicago: University of Chicago Press, 2006); Ventsislav Dimov, “Kŭm izsledvaneto na zapisanata muzika v Bŭlgariya ot pŭrvata polovina na XX vek: Arhivi i kolektsii” [Towards research on Bulgarian recordings from the first half of the twentieth century: Archives and collections], Bŭlgarsko muzikoznaniye 1 (2005): 144–72; and Lozanka Peycheva, “Tsigani/Romi akordeonisti i promenyashtata se folklorna muzika ot Bŭlgariya” [Romani accordionists and the transformation of Bulgarian folk music], in Integratsiyata na Romite v Bŭlgarskoto obshtestvo [The integration of the Roma into Bulgarian Society], ed. Velina Topalova and Aleksei Pamparov, 170–82 (Sofia: Institut po Sotsiologiya pri BAN, 2007).Google Scholar