Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-23T07:31:21.416Z Has data issue: false hasContentIssue false
  • English
  • Français

Music and Dance as Export and Import: A Case Study of Japan in Europe, and Hawai'i in Japan

Published online by Cambridge University Press:  06 December 2018

Adrienne L. Kaeppler
Get access Rights & Permissions [Opens in a new window]

Extract

This essay explores music/dance as a cultural export and import, and how it may be changed and interpreted/reinterpreted by the exporter and importer, using Japan as a case study. Although I am a Pacific anthropologist, I have studied a variety of Asian musics and dances, as well as Pacific ones. I started my studies of Japanese music and dance forms in Hawai'i and extended them in Japan, especially my studies of gagaku, bugaku, and kagura. I also studied Hawaiian music and dance with some of the most knowledgeable and venerated Hawaiian teachers. But along the way, I stopped my earlier studies of violin, piano, voice, and ballet/modern dance to concentrate on what might be considered “exotic.” In this essay, I combine my interest in Japanese and Hawaiian musics/dances with my interest in concepts of “the exotic.”

Type
Articles
Information
Yearbook for Traditional Music , Volume 45 , 2013 , pp. 214 - 230
Copyright
Copyright © 2013 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Abraham, Otto, and von Hornbostel, Erich M. 1903 “Studien über das Tonsystem and die Musik der Japaner.” Sammelbände der Internationalen Musikgesellschaft 4/2: 302–60.Google Scholar
Bellman, Jonathan 1998 The Exotic in Western Music. Boston: Northeastern University Press.Google Scholar
Blumner, Holly A., Iezzi, Julie A., Luhrmann, Alice E., and Welch, Kaathy 1995 Ed. 101 Years of Kabuki in Hawai'i. Honolulu: Department of Theatre and Dance, College of Arts and Humanities, University of Hawai'i at Mānoa.Google Scholar
Boehm, Deborah 2011 “Let's Make Happy Aloha Music Time: From Hula Songs to the ‘Ukulele Craze; Hawaiian Music is Thriving in Tokyo.” Hana Hou! 14/2: 68–78.Google Scholar
Décoret-Ahiha, Anne 2004 Les danses exotiques en France 1880–1940. Pantin: Centre national de la danse.Google Scholar
Downer, Lesley 2003 Madame Sadayakko. London: Penguin/Gotham.Google Scholar
Groos, Arthur 1999 “Cio-Cio-San and Sadayakko: Japanese Music-Theater in Madama Butterfly.” Monumenta Nipponica 54/1: 41–73.CrossRefGoogle Scholar
Hosokawa, Shuhei 1994 “East of Honolulu: Hawaiian Music in Japan from the 1920s to the 1940s.” Perfect Beat 2/1: 51–67.Google Scholar
Kaeppler, Adrienne L. 1994 “Ritual, Theater, and Spectacle for Gods and Mortals: A Personal View of Classical Hawaiian and Japanese Dance.” In Island Creativity and Tradition—Japan and Hawaii: A Symposium on Japanese Dance and Hula Kahiko, ed. Brandon, James R., 13–30. Honolulu: Duplicated and distributed by the Hawai'i Committee for the Humanities. A symposium presented by and for Onoe Kikunobu Dance Company at University of Hawai'i Kennedy Theatre.Google Scholar
Kaeppler, Adrienne L. 1996 “Ritual, Theater, and Spectacle for Gods and Mortals; The Body as Process and Product in Learning and Conveying Classical Japanese and Hawaiian Dance.” In Is Technology the Future for Dance? The Green Mill Dance Project Papers 1995, ed. Trotter, Hilary, 75–83 Canberra: Australian Dance Council (Ausdance).Google Scholar
Kaeppler, Adrienne L. 2010 “The Beholder's Share”: Viewing Music and Dance in a Globalized World. Ethnomusicology 54/2: 185–201.CrossRefGoogle Scholar
Kakihara, Lynne Keala 1997 “Hula across the Pacific: A Look at Hula Hālau Mehana o Ka La of Tokyo.” MA thesis, University of Hawai'i.Google Scholar
Kanahele, George 1979 Ed. Hawaiian Music and Musicians: An Illustrated History. Honolulu: University Press of Hawai'i.Google Scholar
Kurokawa, Yoko 2004 “Yearning for a Distant Music: Consumption of Hawaiian Music and Dance in Japan.” PhD dissertation, University of Hawai'i.Google Scholar
Miller, J. Scott 2002 “Accidental Icon: Sadayakko among the Cylinders.” In Music Archiving in the World: Papers Presented at the Conference on the Occasion of the 100th Anniversary of the Berlin Phonogramm-Archiv, ed. Berlin, Gabriele and Simon, Artur, 227–30. Berlin: Staatliche Museen Berlin.Google Scholar
Ohtani, Kimiko 1999 “Japanese Approaches to the Study of Dance.” Yearbook for Traditional Music 23:23–32.Google Scholar
Oxford American College Dictionary 2002 The Oxford American College Dictionary. New York: G. P. Putnam's Sons.Google Scholar
Rodin-Web, 2013 “Rodin Works: Masks of Hanako.” Rodin-Web.org. http://www.rodin-web.org/works/1907_hanako.htm (accessed 30 April 2013).Google Scholar
Said, Edward W. 1979 Orientalism. New York: Vintage Books.Google Scholar
Salz, Jonah 1993 “Intercultural Pioneers: Otojiro Kawakami and Sada Yakko.” The Journal of Intercultural Studies 20:25–74.Google Scholar
Savarese, Nicola 1992 Teatro e spettacolo fra Oriente e Occidente. Rome-Bari: Laterza.Google Scholar
Savarese, Nicola, Foley, Kathy, Pronto, Leonard C., and Brandon, James R. 1988 “Symposium [on Hanako].” Asian Theatre Journal 5/1: 61–100.Google Scholar
Seeley, Paul 1985 “The Japanese March in ‘The Mikado.’” The Musical Times 126:454–56.CrossRefGoogle Scholar
Staal, Frits 2009 Discovering the Vedas: Origins, Rituals, Insights. New York: Penguin Global.Google Scholar
Stillman, Amy Ku'uleialoha 1999 “Globalizing Hula.” Yearbook for Traditional Music 31:57–66.CrossRefGoogle Scholar
Sumarsam 2013 Javanese Gamelan and the West. Rochester, NY: University of Rochester Press.Google Scholar
Taylor, Timothy 2007 Beyond Exoticism: Western Music and the World. Durham: Duke University Press.Google Scholar
Thompson, Rachel 1999 “Rethinking the Divine Arabesque: A Critical Approach to Claude Debussy and the Javanese Kampong from the 1889 Exposition Universelle.”” BA thesis, Wesleyan University.Google Scholar
Minako, Waseda 2008 “The Iemoto System in Japanese Performing Arts in Southern California: Its Transformation and Influences on the Diaspora Musical Practices.” Asian Studies 44/1: 103–28.Google Scholar
Wikipedia Contributors 2013a “George Na'ope.” Wikipedia: The Free Encyclopedia, http://en.wikipedia.org/wiki/George_Na%CA%BBope (accessed 30 April 2013).Google Scholar
Wikipedia Contributors 2013b “The Mikado.” Wikipedia: The Free Encyclopedia, http://en.wikipedia.org/wiki/The_Mikado (accessed 30 April 2013).Google Scholar
Ziegler, Susanne 2006 Die Wachszylinder des Berliner Phonogramm-Archivs. Veröffentlichungen des Ethnographischen Museums Berlin, 73. Berlin: Ethnologisches Museum Staatliche Museen zu Berlin.Google Scholar