Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-29T09:36:36.119Z Has data issue: false hasContentIssue false

Making Traditions: Girls’ Carnival Morris Dancing and Material Practice

Published online by Cambridge University Press:  06 December 2018

Extract

Girls’ carnival morris dancing holds a curious status in the canon of English folk performance. On the one hand, this highly competitive team-formation dance operates at a fundamental remove from the conventional spaces and narratives of the two English folk revivals with which most morris dancing is associated (Wright 2017). More closely linked to the popular “town carnival movement” of the late-nineteenth and mid-twentieth centuries than to the contemporary folk scene, girls’ morris dancing is practised in sports halls and community centres, predominantly in the northwest of England and parts of North Wales, and is rarely seen in public. The dancers—almost exclusively girls and young women from working-class communities—compete as members of morris dancing troupes within regional and cross-regional carnival organizations. They do not straightforwardly identify as “folk” dancers.

Type
Articles
Copyright
Copyright © 2017 By The International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Adams, Natalie Guice, and Bettis, Pamela J. 2003 Cheerleader! An American Icon. London: Palgrave Macmillan.Google Scholar
Atkinson, David 2014 The Anglo-Scottish Ballad and Its Imaginary Contexts. Cambridge, UK: Open Book.Google Scholar
Baily, John 2001Learning to Perform as a Research Technique in Ethnomusicology.” British Journal of Ethnomusicology 10/2:8598.CrossRefGoogle Scholar
Bendix, Regina 1997 In Search of Authenticity: The Formation of Folklore Studies. Madison: University of Wisconsin Press.Google Scholar
Bennett, Gillian 1993Folklore Studies and the English Rural Myth.” Rural History 4/1:7791.CrossRefGoogle Scholar
Bentley, Bernard 1959Notes on the Lancashire and Cheshire Carnival ‘Morris.'English Dance and Song 22/3:6568.Google Scholar
Bigenho, Michelle 2008Why I'm Not an Ethnomusicologist: A View from Anthropology.” In The New (Ethno)musicologies, ed. Henry Stobart, 2328. Lanham, MD: Scarecrow Press.Google Scholar
Boswell, Pru 1981 Morris Dancing on the Lancashire Plain: The Preston Tradition, 1890 to 1939. Preston, UK: Claughton Press.Google Scholar
1984 Morris Dancing on the Lancashire Plain: The Horwich Inquiry. Preston, UK: Claughton Press.Google Scholar
Boyes, Georgina 1993 The Imagined Village: Culture, Ideology and the English Folk Revival. Manchester: Manchester University Press.Google Scholar
Brocken, Michael 2003 The British Folk Revival: 1944–2002. Farnham, UK: Ashgate.Google Scholar
Buckland, Theresa 1991 “Institutions and Ideology in the Dissemination of Morris Dances in the Northwest of England. Yearbook for Traditional Music 23:5367.CrossRefGoogle Scholar
Buckland, Theresa and Howison, Dan 1980Morris Dancers in Crewe before the First World War.” English Dance and Song 42/2:1013.Google Scholar
Dever, Maryanne 2014Photographs and Manuscripts: Working in the Archive.” Archives and Manuscripts 42/3:282–94.Google Scholar
Dommett, Roy 1986 Roy Dommett's Morris Notes. 2nd ed. Easthampton, MA: Country Dance and Song Society of America (CDSS).Google Scholar
Edwards, Leslie and Chart, Janet 1981Aspects of Morris Dancing in Cheshire 1880–1914.” English Dance and Song 43/1:510.Google Scholar
Elkins, James 2008On Some Limits of Materiality in Art History.” Das Magazin des Instituts für Theorie 12/1:2530.Google Scholar
Gauntlett, David 2011 Making is Connecting: The Social Meaning of Creativity, from DIY and Knitting to YouTube and Web 2.0. Cambridge, UK: Polity Press.Google Scholar
Hallam, Elizabeth, and Ingold, Tim 2007 Eds. Creativity and Cultural Improvisation. Oxford: Berg.Google Scholar
Heaney, Mike 2006 An Introductory Bibliography on Morris Dancing. 3rd ed. Vaughan Williams Memorial Library Leaflet No. 19. London: English Folk Dance and Song Society.Google Scholar
Howison, Dan and Bentley, Bernard 1960The North-West Morris—A General Survey.” Journal of the English Folk Dance and Song Society 9/1: 42—55.Google Scholar
Ingold, Tim 2013 Making: Anthropology, Archaeology, Art and Architecture. Abingdon, UK: Routledge.CrossRefGoogle Scholar
Jacobs, Joseph 1893The Folk.” Folklore 4/1:233–38.Google Scholar
Mackinnon, Neil 1993 British Folk Scene: Musical Performance and Social Identity. London: Open University Press.Google Scholar
Middleton-Metcalfe, Chloe 2013aRags, Bells and Baldrics: A Study of Morris Dance Costumes Past, Present and Future.” BA dissertation, Central School of Speech and Drama, UK.Google Scholar
2013bTime to Ring Some Changes.” Paper presented at the Bournemouth University Costume and Performance Research Project Symposium, Poole, UK.Google Scholar
Miller, Derek 2012On Material Music Histories.” Musicology Australia 34/2:307–15.Google Scholar
Roda, P. Allen 2014Tabla Tuning on the Workshop Stage: Toward a Materialist Musical Ethnography.” Ethnomusicology Forum 23/3:360–82.Google Scholar
Toulmin, Vanessa 2006 Electric Edwardians: The Story of the Mitchell and Kenyon Collection. London: British Film Institute.CrossRefGoogle Scholar
Trubshaw, Bob 2002 Explore Folklore. Avebury, UK: Heart of Albion Press.Google Scholar
Wright, Lucy 2017'Et in Orcadia Ego': Girls’ Carnival Morris Dancing and Contemporary Folk Dance Scholarship.” Folklore 128/2:157–74.Google Scholar
Young, Rob 2010 Electric Eden: Unearthing Britain's Visionary Music. London: Faber and Faber.Google Scholar