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1954-55 “Musical Instruments of the Malayan Aborigines.” Federation Museums Journal 1/2:35–52.Google Scholar

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1955c “Notes on a Theory of Rhythm Proposed by von Hornbostel.” African Music 1(2):12–20.CrossRefGoogle Scholar

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1958 Review of A.M. Jones’ African Rhythm. Ethnomusicology 2(3):127–29. (Comment by Jones in Ethnomusicology 1959, 3(2):91–92.)Google Scholar

1959a “Fictitious Kinship Amongst Girls of the Venda of the Northern Transvaal.” Man 59:155–158.CrossRefGoogle Scholar

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1964a Review of Arts, Human Behaviour and Africa. African Studies Bulletin, Vol. 5, No. 2, May 1962. In Ethnomusicology 8(1):78–79. (Comment by Willard Rhodes in Ethnomusicology 1964, 8(2):207–209.)Google Scholar

1964b Black Background. The Childhood of a South African Girl. New York: Abelard-Schuman.Google Scholar

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1965a “Music in Uganda.” African Music 3(4):14–17.CrossRefGoogle Scholar

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1965d with Raymond Apthorpe, Music from Petauke of Northern Rhodesia. Ethnic Folkways FE 4201/2. (Two LP volume set of recordings, with notes by John Blacking and Raymond Apthorpe.)Google Scholar

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1966c “Studying and Developing Music in East Africa.” In East Africa's Cultural Heritage. East African Monographs No. 4. Nairobi, 33–44.Google Scholar

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1967b Venda Children's Songs. A Study in Ethnomusicological Analysis. Johannesburg: Witwatersrand University Press.Google Scholar

1968a “Art and Culture in Africa's Economic Development.” In The Challenge of Development in Africa. East African Monographs No. 7. Nairobi, 106-17. (Same as 1967a.)Google Scholar

1968b “Percussion and Transition.” Letter to Man 3(2):313–314.Google Scholar

1969a “Initiation and the Balance of Power—The Tshikanda Girls’ School of the Venda.” In Ethnological and Linguistic Studies in Honour of N.J. van Warmelo. Pretoria: Government Ethnological Publications, 52:21–38.Google Scholar

1969b Process and Product in Human Society. Inaugural lecture. Johannesburg: Witwatersrand University Press.Google Scholar

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1970a “The Myth of Urban Man.” In H.L. Watts (ed.), Focus on Cities. Durban: University of Natal Press, 228–238.Google Scholar

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1971b “Man and Music.” The Times Literary Supplement. London, 19 November, 1443–1444.Google Scholar

1971c “Music and the Historical Process in Vendaland.” In K.P. Wachsmann (ed.), Essays on Music and History in Africa. Evanston: Northwestern University Press, 185–212.Google Scholar

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1972a Man and Fellowman. Inaugural lecture. Belfast: Queen's University.Google Scholar

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1972-73 Review of Breandán Breathnach's Folkmusic and Dances of Ireland. Irish Folk Music Studies 1:56–59.Google Scholar

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1973b How Musical is Man? Seattle: University of Washington Press. (Published in French as Le sens musical, Paris: Les Editions de minuit, 1980. Japanese translation published 1979.)Google Scholar

1973c Review of Isiah M. Mapoma's record Inyimbo: Songs of the Bemba People of Zambia. Ethnomusicology 17(3):382–383.Google Scholar

1973d Tape Recording of Venda Music, with accompanying notes. Seattle: University of Washington.Google Scholar

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1976a “Dance, Conceptual Thought and Production in the Archaeological Record.” In G. de G. Sieveking, I.H. Longworth and K.E. Wilson (eds.), Problems in Social and Economic Archaeology. London: Duckworth, 1–13.Google Scholar

1976b “The Value of Musical Experience in Venda Society.” The World of Music 18(2):23–28.Google Scholar

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1977a “Can Musical Universals be Heard?” The World of Music 19(1/2):14–22.Google Scholar

1977b “An Introduction to Venda Traditional Dances.” Dance Studies 2:34–56.Google Scholar

1977c “L'homme Producteur de Musique.” Musique en Jeu 28:54–67, 29:108–116.Google Scholar

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1978a “Uses of the Kinship Idiom in Friendships at Some Venda and Zulu Schools.” In J. Argyle and E. Preston-Whyte (eds.), Social System and Tradition in Southern Africa. Cape Town: Oxford University Press, 101–117.Google Scholar

1978b with John S. Baily, “Research on the Herati Dutar.“ Current Anthropology 19:610–611.Google Scholar

1979a “Affect, Intellect and the Arts.” Graduation address given at Dartington College of Arts, 2 July 1978. Totnes: Dartington College.Google Scholar

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1979d “Music is Multimedia Communication.” World Association of Christian Churches Journal 26:3–7.Google Scholar

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1979g “Some Problems of Theory and Method in the Study of Musical Change.” Yearbook of the International Folk Music Council 9:1–26.Google Scholar

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1980b “Trends in the Black Music of South Africa, 1959-69.” In E. May (ed.), Music of Many Cultures: An Introduction. Berkeley: University of California Press, 195–215.Google Scholar

1980c “Venda Music.” In S. Sadie (ed.), The New Grove Dictionary of Music and Musicians. London: Macmillan, 19:597–602.Google Scholar

1981a “Ethnography of Musical Performance.” In D. Heartz and B. Wade (eds.), Report of the Twelfth Congress, Berkeley 1977. Kassel: Bärenreiter 383–401.Google Scholar

1981b “Making Artistic Popular Music: The Goal of True Folk.” In R. Middleton and D. Horn (eds.), Popular Music 1. Folk or Popular? Distinctions, Influences, Continuities. Cambridge: Cambridge University Press, 9–14.Google Scholar

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1982c “Southern Africa 1 and 2.” In The Atlas of Mankind. London: Mitchell Beazley, 100–103.Google Scholar

1982d “A Special Kind of Knowledge.” The Times Higher Educational Supplement. London, 23 April, 12.Google Scholar

1982e “Tradition and Change in Society.” ISME Journal 9:10–21.Google Scholar

1982f Edited and wrote in part the section on “African Music” in South African Encyclopaedia of Music, Vol. 11:265–508.Google Scholar

1982g Audio-visual Equipment for Fieldwork in Social Anthropology: A Short Guide for the SSRC. London: Social Science Research Council.Google Scholar

1983a Cultural Development in Papua New Guinea. UNESCO Report.Google Scholar

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1983e “New Babel or New Jerusalem: Cosmic Consciousness or Cultural Apartheid?” Studies in Music 17:9–22.Google Scholar

1983f “The Structure of Musical Discourse: The Problem of the Song Text.” 1982 Yearbook for Traditional Music 14:15–23.Google Scholar

1984a “The Study of ‘Music’ as Cultural System and Human Capability.” South African Journal of Musicology 4:1–15.Google Scholar

1984b “What Language do Musical Grammars Describe?” In M. Baroni and L. Calligari (eds.), Musical Grammars and Computer Analysis. Firenze: Leo S. Olschki, 363–370.Google Scholar

1984c ‘“Dance” as Cultural System and Human Capability: An Anthropological Perspective', in Janet Adshead (ed.), Dance—A Multicultural Perspective: Report of the Third Study of Dance Conference, University of Surrey, 5-9 April 1984. Guildford (UK): University of Surrey, pp. 4–21.Google Scholar

1985a “The Context of Venda Possession Music: Reflections on the Effectiveness of Symbols.” Yearbook for Traditional Music 17:64–87.CrossRefGoogle Scholar

1985b “A False Trail for the Arts? ‘Multicultural’ Music Education and the Denial of Individual Creativity.” In M. Ross (ed.), The Aesthetic in Education. Oxford: Pergamon Press, 1–27.CrossRefGoogle Scholar

1985c “Movement, Dance, Music, and the Venda Girls’ Initiation Cycle.” In P. Spencer (ed.), Society and the Dance: The Social Anthropology of Process and Performance. Cambridge: Cambridge University Press, 64–91.Google Scholar

1985d “Universal Validity in Musical Analysis.” International Council for Traditional Music. UK Chapter Bulletin 12:13–22.Google Scholar

1985e “Versus gradus novos ad Parnassum musicum: exemplum Africanum.” In D. McAllester (ed.), Becoming Human Through Music. Reston, Virginia: Music Educator National Conference, 43–52.Google Scholar

1985f ‘Universal Validity in Musical Analysis', ICTM UK Chapter Bulletin, 12:13–22.Google Scholar

1986a “Development Studies and the Reinvention of Tradition.” In L. Brown and M. Veitch (eds.), The Relevance of Development Studies to the Study of Change in Contemporary Britain. London: ESRC, 112–126.Google Scholar

1986b “Identifying Processes of Musical Change.” The World of Music 28(1):3–13.Google Scholar

1986c “Musicology and the Extension of Musical Praxis and Human Musical Experience.” Boletim de Associacão Portuguesa de Educacão Musical 48:9–13.Google Scholar

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1986e Culture and the Arts. London: National Association for Education in the Arts.Google Scholar

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1987b “Coda: Making Musical Sense of the World.” In A.L. White (ed.), Lost in Music: Culture, Style and Musical Event. Sociological Review Monograph No. 34. London: Routledge and Kegan Paul, 259–264.Google Scholar

1987c “Development Studies and the Reinvention of Tradition.” World Development 15(4):527–532.CrossRefGoogle Scholar

1987d “Games and Sports in Pre-Colonial African Societies.” In W.J. Baker and J.A. Managan (eds.), Sport in Africa: Essays in Social History. New York: Africana Publishing, 3–22.Google Scholar

1987e “Intention and Change in the Performance of European Hymns by Some Black South African Churches.” In G. Moon (ed.), Transplanted European Music Cultures: Miscellanea Musicologica. Adelaide Studies In Musicology No. 12, 193–200.Google Scholar

1987f “Le percezioni ‘ethniche'.” In L. Marconi and G. Stefani (eds.), Il sense i musica: antologia di semioica musical. Bologna: Editrice CLUEB, 267–277.Google Scholar

1988a “Dance and Music in Venda Children's Cognitive Development, 1956-8.” In G. Jahoda and I.M. Lewis (eds.), Acquiring Culture: Cross Cultural Studies in Child Development. London: Croom Helm, 91–112.Google Scholar

1988b “Ethnomusicology and Prehistoric Music-Making.” In E. Hickmann and D.W. Hughes (eds.), The Archaeology of Early Music Cultures. Bonn: Verlag für systematische Musikwissenschaft GmbH, 329–335.Google Scholar

1988c Review of La Collection universelle de musique populaire enregistrée, editée par Constantin Brailoiu (1951-1958), re-edited by Jean-Jacques Nattiez. In Yearbook for Traditional Music 20:243–244.Google Scholar

1988d “Re-inventing Tradition: The Future of Cultural Studies in Africa.” In C. Fyfe and C. Allen (eds.), African Futures: Twenty-Fifth Anniversary Conference. Edinburgh: University of Edinburgh, Centre for African Studies, 313–329.Google Scholar

1988e with Kieran Byrne and Kate Ingram, “Looking for Work in Larne: A Social Anthropological Study.” In H. Donnan and G. McFarlane (eds.), Social Anthropology and Public Policy in Northern Ireland. Aldershot: Avebury, 67–89.Google Scholar

1988f with Hastings Donnan, Graham McFarlane, et al., “A Review of Anthropological Research in Ireland, North and South.” In O'Dowd, L. (ed.), The State of Social Science Research in Ireland. Dublin: Royal Irish Academy, 95–110.Google Scholar

1988g “Dance and Human Being: Strengthening Children's Individuality and Angelic Qualities for Adaptation to Cultural Conventions.” Proceedings of the Dance and The Child Conference, London: Roehampton Institute.Google Scholar

1988h Dancing. Booklet published in connection with the Ulster TV Series Dancing, presented by John Blacking. Belfast: Ulster Television.Google Scholar

1989a “Challenging the Myth of ‘Ethnic’ Music: First Performances of a New Song in an African Oral Tradition.” Yearbook for Traditional Music 21:17–24.CrossRefGoogle Scholar

1989b “Problems in the Documentation and Analysis of Ritual.” In Pen-Yeh Tsao and D. Law (eds.), Studies of Taoist Rituals and Music of Today. Hong Kong: The Chinese University of Hong Kong, 10–18.Google Scholar

1989c with A. Grau, J. Martin and P. Cresswell, Intercultural Performing Arts Research Project Report. London: Goldsmiths’ College.Google Scholar

1990a “Music in Children's Cognitive and Affective Development: Problems Posed by Ethnomusicological Research.” In F. Roehmann and F. Wilson (eds.), Music and Child Development. Proceedings of the 1987 Denver Conference. St. Louis: MMB Music, 68–78.Google Scholar

1990b “Transcultural Communication and the Biological Foundations of Music.” In R. Pozzi (ed.), La Musica come Linguaggio Universale. Firenze: Leo S. Olschki, 1–10.Google Scholar

1990c Interview with Keith Howard, translated into French, published under the title “Un homme musical. Entretien avec John Blacking”, Cahiers de Musiques Traditionelles, 3:187–204.Google Scholar

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Many of the entries in this bibliography were gleaned from the one prepared by Alan Marsden for Ethnomusicology 1990:266–270. Andree Grau, London, and Leslie C. Gay, Jr., New York, devoted much time to the preparation of the present bibliography and their contributions are acknowledged with the deepest gratitude.Google Scholar