Allen, Joseph R., ed. & trans, and Arthur Waley, trans. 1996 Shi Jing (The Book of Songs). New York: Grove Press.Google Scholar

Zhongde, Cai 1999 Chulu Zaiyu “Xiang Xifang Qiling“—Guanyu Zhongguo Yinyue Chulu de Renben Zhuyi Sikao [The way out is to beg inspiration from the west—A humanistic thought on the way out for Chinese music]. Renmin Yinyue [People's Music] 6: 12–16.Google Scholar

Shouren, Chen, comp. 1997 Shidi Kaocha yu Xiqu Yanjiu [Field work and theatre research]. Hong Kong: The Yueju Research Project, Department of Music, The Chinese University of Hong Kong.Google Scholar

Yingshi, Chen 1988 Dunhuang Yuepu Xinjie [New interpretation of the music manuscripts discovered at Dunhuang]. Yinyue Yishu [The Art of Music] 1: 10–17, 2: 1–4.Google Scholar

Ziming, Chen 1987 Aisijimo Ren de Yinyue [Music of the Eskimos]. Yinyue Yanjiu [Music Research] 3:113–19.Google Scholar

Jiafang, Dai 1987 Mianlin Tiaozhan de Fansi—Cong Yinyue Xinchao Lun Woguo Xiandai Yinyue de Yihua yu Fan Yihua [A profound rethink in the face of challenges—On alienation and counter-alienation in contemporary music in China with analysis of the New Wave music]. Yinyue Yanjiu [Music Research] 1: 44–55.Google Scholar

1991 Cong Xitonglun Kan Zhongguo Chuantong Yinyue Dansheng Tixi de Changqi Yanxu [Examining the prolonged continuation of the monophonic system of Chinese traditional music from the viewpoint of systems theory]. Yinyue Yanjiu [Music Research] 4: 77–86.Google Scholar

Weisong, Dong and Qia, Shen, comp. 1985 Minzu Yinyuexue Yiwen Ji [A collection of translated texts in ethnomusicology]. Beijing: Zhongguo Wenlian Chuban Gongsi.Google Scholar

Yaxiong, Du 1991 Wei Jianli Makesi Zhuyi Xuepai de Minzu Yinyuexue er Fengdou [Fighting for establishing the Marxist school of ethnomusicology]. Zhongyang Yinyue Xueyuan Xuebao [Journal of the Central Conservatory of Music] 3: 26–32.Google Scholar

1992 Recent issues in music research in the People's Republic of China. Association for Chinese Music Research Newsletter 5(1): 9–12.Google Scholar

1995 Zhongguo Minzu Jiben Yueli [Essential theory of Chinese national music]. Beijing: Zhongguo Wenlian Chuban Gongsi.Google Scholar

Wenci, Feng 1998 Zhongwai Yinyue Jiaoliu Shi [A history of music exchanges between China and foreign countries]. Hunan: Hunan Jiaoyu Chubanshe.Google Scholar

Houyong, Gao 1981 Minzu Qiyue Gailun [Introduction to national instrumental music]. Suzhou: Jiangsu Renmin Chubanshe.Google Scholar

Jianhua, Guan 1999 Yinyue Xiandaihua yu Xiandaihua Pipan [Music modernisation and a critique on modernity]. Yinyue Yanjiu [Music Research] 1: 18–34.Google Scholar

Yuhua, Guo, ed. 2000 Yishi yu Shehui Bianqian [Ritual and social change]. Beijing: Shehui Kexue Wenxian Chubanshe.Google Scholar

Zhong'en, Han 1994 Houxiandai Wenhua Yujing Zhong de Dangdai Yinyue—Ren yu Wenhua Heyi Yueding [Contemporary music within the postmodern cultural discourse—how do human beings engage in culture]. Wenyi Yanjiu [Literature and Art Research] 4: 143–49.Google Scholar

Harrell, Stevan 1990 Ethnicity, local interests, and the state: Yi communities in southwest China. Comparative Studies in Society and History 32: 515–48.Google Scholar

Yun, He, Youhong, Yang and Youlan, Sun 1963 Guangdong Hainan Lizu Yinyue Caifang Jilu [Investigation records on music of the Li People in Hainan, Guangdong]. Mimeograph. Beijing: Chinese Music Research Institute of the Central Conservatory of Music.Google Scholar

Kodaly, Zoltan 1960 Folk music of Hungary. London: Barrie and Rockliff.Google Scholar

Koranda, Lorraine D. 1980 Music of the Alaskan Eskimos. In Music of Many Cultures, ed. Elizabeth May, 332–62. Berkeley and LA: University of California Press.Google Scholar

Mei, Li 1998 “Zhongliyin” Yuanliu zhi Caixiang [A presumption of the origin and development of “neutral-tone“]. Zhongguo Yinyuexue [Chinese Musicology] 3: 116–34.Google Scholar

2000a “Zhongliyin” Yinlü Xianxiang de Yanjiu [Research into the phenomenon of “neutral-tone“]. PhD thesis. Music Department, the Fujian Normal University, China.Google Scholar

2000b Minjian Yinyue Zhong “Zhongliyin” Xianxiang de Lüxue Fenxi [Temperamentological analysis of the “neutral-tone” phenomenon in folk music]. Zhongyang Yinyue Xueyuan Xuebao [Journal of the Central Conservatory of Music] 3: 28–35; 4: 76–83.Google Scholar

2001 “Zhongliyin” Laiyi Shengcun de Minjian Yueqi Jizhi [The mechanism of the dependence of the “neutral-tones” on folk musical instruments]. Zhongguo Yinyuexue [Chinese Musicology] 1: 19–31, 2: 36–52.Google Scholar

Yedao, Li 1990 Fan Lishi de “Fansi” [A “rethink” that distorts history]. Yinyue Yanjiu [Music Research] 2: 3–10.Google Scholar

Yinghai, Li 1959 Hanzu Diaoshi Jiqi Hesheng [The Han Chinese modes and harmony]. Shanghai: Shanghai Wenyi Chubanshe.Google Scholar

Naixiong, Liao and Xing Wansheng, trans. 1964 Lun Xiongyali Minjian Yinyue [Folk music of Hungary] (by Zoltan Kodaly, 1960). Beijing: Renmin Yinyue Chubansh.Google Scholar

Qin, Luo 1999 Yinyue Zhong de Wenhua yu Wenhua Zhong de Yinyue [Culture within music and music within culture]. Parts 1, 2 and 3. Yinyue Yishu [Art of Music] 1: 8–15; 2: 12–19; 3: 14–20.Google Scholar

2001 Jietou Yinyue: Meiguo Shehui he Wenhua de Yige Suoying [Street music: An epitome of the society and culture of the USA]. Beijing: Renmin Yinyue Chubanshe.Google Scholar

Yifen, Luo and Yu, Zhong 2002 Yinyue Renleixue de Da Shiye—Huanan yu Malai Minzu Yinyue Kaocha ji Bijiao Yanjiu [Broad vision of ethnomusicology—A comparative study of the Malay ethnic music and music in southern China]. Shanghai: Shanghai Yinyue Chubanshe.Google Scholar

Zedong, Mao 1980 [1942] Talks at the Yan'an conference on literature and art. In Mao Zedong's “Talks at the Yan'an conference on literature and art“: A translation of the 1943 text with commentary, trans. Bonnie McDougall. Ann Arbor: Centre for Chinese Studies, University of Michigan.Google Scholar

Naribilige, 2000 Dushi Li de Xiangzheng Wutai—Zai Jing Mengguzu Nadamu Jiqi Fuhao Jieshi [A symbolic stage in capital cities—Mongolian Nardam Festival in Beijing and an interpretation of its symbolism]. In Yishi yu Shehui Bianqian [Ritual and social change], ed. Guo Yuhua. Beijing: Shehui Kexue Wenxian Chubanshe.Google Scholar

Naribilige, et al 2001 Renleixue Lilun de Xin Geju [New configuration of anthropological theories]. Beijing: Shehui Kexue Wenxian Chubanshe.Google Scholar

Longfei, Niu 1985 Guyue Fayin—Jiayuguan Weijin Mushi Zhuanhua Yueqi KaozhengXin Yi Ban (Archaeological study of ancient music—research into the musical instruments depicted on the bricks in the Jiayuguan tomb chamber of the Wei-Jin dynasties. The new first edition). Lanzhou: Gansu Renmin Chubanshe.Google Scholar

Nketia, Kwabena 1974 The music of Africa. New York: W. W. Norton.Google Scholar

Zhaorong, Peng 1999 Zuxing de Rentong yu Yinyue de Fasheng [Ethnicity, identity and the origin of music]. Zhongguo Yinyuexue [Chinese Musicology] 3: 47–55.Google Scholar

People's Republic of China 1999 Constitution (updated). In China Daily web site: http://english.peopledaily.com.cn/constitution/constitution.html (date accessed: 7 May 2003).Google Scholar

Rees, Helen 2002 Cultural policy, music scholarship and recent developments. In The Garland encyclopedia of world music, Vol. 7, East Asia: China, Japan, and Korea, eds Provine, Robert, Tokumaru, Yoshiko and Witzleben, Lawrence, 441–46. New York & London: Routledge.Google Scholar

RYC (Renmin Yinyue Chubanshe), comp. 1988 Minzu Yinyuexue [Ethnomusicology]. Beijing: Renmin Yinyue Chubanshe.Google Scholar

Qia, Shen 1982 Yinqiang Lun [On the Yinqiang]. Zhongyang Yinyue Xueyuan Xuebao [Journal of the Central Conservatory of Music] 4: 13–20.Google Scholar

1983 Yinqiang Lun (xu) [On the Yinqiang (continued)]. Zhongyang Yinyue Xueyuan Xuebao [Journal of the Central Conservatory of Music] 1: 3–11.Google Scholar

1996 Minzu Yinyuexue zai Zhongguo [Ethnomusicology in China]. Zhongguo Yinyuexue [Chinese Musicology] 3: 5–22.Google Scholar

1999 Ethnomusicology in China. Translated with response by Jonathan Stock. Journal of Music in China 1(1): 7–38.Google Scholar

Slobin, Mark 1992 Micromusics of the West: A comparative approach. Ethnomusicology 36(1): 1–87.CrossRefGoogle Scholar

Slonimsky, Nicolas 1972[c1945] Music of Latin America. New York: Da Capo Press.Google Scholar

Tang Yating, trans. 1982 Feizhou Yinyue [The music of Africa] (by Kwabena Nketia 1974). Beijing: Renmin Yinyue Chubanshe.Google Scholar

Tang Yating, trans. and ed. 1994 Xifang Xiao Yinyue Wenhua Bijiao Yanjiu Zhong de Xin Gainian [New concepts in comparative study of Western micromusical culture]. (Original article by Slobin 1992.) Zhongguo Yinyuexue [Chinese Musicology] 1: 95–108.Google Scholar

Yating, Tang 1998 Wenhua Renleixue yu Zhongguo Yinyue Yanjiu [Cultural anthropology and Chinese music research]. Minzu Yishu [Ethnic Art] (Nanning) 2: 122–30.Google Scholar

2000 Influence of Western ethnomusicology on China—an historical evaluation. Journal of Music in China 2(1): 55–72.Google Scholar

Yabin, Tao 1994 Zhongxi Yinyue Jiaoliu Shigao [A history of musical exchange between China and the West]. Beijing: Zhongguo Dabaike Quanshu Chubanshe.Google Scholar

Penyeh, Tsao and Yibing, Xue 2000 Research activities in China: Country report. Yearbook for Traditional Music 32: 150–56.CrossRefGoogle Scholar

Thrasher, Alan R. 1993 China. In Ethnomusicology: Historical and regional studies, ed. Helen Myers, 311–44. New York and London: W. W. Norton & Company.Google Scholar

Guangqi, Wang 1926 Dongxi Yuezhi zhi Yanjiu [Research on the tone systems of the East and the West]. Shanghai: Zhonghua Shuju.Google Scholar

1929a Dongfang Mingzu zhi Yinyue [Music of the peoples of the East]. Shanghai: Zhonghua Shuju.Google Scholar

1929b Yinxue [Acoustics]. Shanghai: Qizhi Shuju.Google Scholar

Guangqi, Wang (Wang Kuang-ch'i). 1934 Über die Chinesische Klassische Opera (1530-1860 n.Chr.). PhD Dissertation. University of Bonn.Google Scholar

Mingming, Wang 1997 Shehui Renleixue yu Zhongguo Yanjiu [Social anthropology and China studies]. Beijing: Sanlian Chubanshe.Google Scholar

Yi, Wang 1994 Yingyue Zai Shijimo de Zhongguo: Houxiandai Zhuyi yu Dangdai Yinyue [Music in China by the end of the century: Postmodernism and contemporary music]. Beijing: Beijing Daxue Chubanshe.Google Scholar

Tingge, Wei 1985 Jianyi Yong Zhongguo Yinyuexue Gainian Daiti Minzu Yinyuexue Gainian [A proposal of replacing the concept of ethnomusicology with the concept of Chinese musicology]. Yinyue Yanjiu [Music Research] 2: 78, 37.Google Scholar

Weihe, Wen 2003 Ba Meiguo Xuezhe de Lunwen Piaoqie Wei Ziji de “Daibiaozuo” [Plagiarising an American scholar's article as one's own “representative work“]. Published on 1 February in Academic Criticism (http://www.acriticism.com/): Observing Academia (date accessed: 5 August 2003). Reprinted in the home page of The Central Conservatory of Music, Beijing (http://www.ccom.edu.cn): Zhuanti Guanzhu - Xueshu Daode Jianshe Huiyi Zhuanti [Issues of Special Concern - Meeting on the Construction of Academic Ethics (date accessed: 5 August 2003).Google Scholar

Witzleben, Lawrence J. 1997 Whose ethnomusicology? Western ethnomusicology and the study of Asian music. Ethnomusicology 41(2): 220–42.CrossRefGoogle Scholar

Wong, Isabel K. F. 1991 From reaction to synthesis: Chinese musicology in the twentieth century. In Comparative musicology and anthropology of music, eds. Bruno Nettl and Philip V. Bohlman, 37–55. Chicago: The University of Chicago Press.Google Scholar

Wu, David Y. H. 1990 Chinese minority policy and the meaning of minority culture: The example of Bai in Yunnan, China. Human Organization 49(1): 1–13.CrossRefGoogle Scholar

Guodong, Wu 1997 Minzu Yinyuexue Gailun [Introduction to ethnomusicology]. Beijing: Renmin Yinyue Chubanshe.Google Scholar

Peihua, Wu and Gu Lianli, trans. 1983 Lading Meizhou de Yinyue [Music of Latin America] (by Slonimsky, 1972 [1945]). Beijing: Renmin Yinyue Chubanshe.Google Scholar

Ye, Xia 1982 Gudai Fandiao Lilun Jiqi Shijian [The ancient theory and practice of modulation]. Yinyue Yishu [The Art of Music] 3: 18–24.Google Scholar

Mei, Xiao and Zhong'en, Han 1993 Yinyue Wenhua Renleixue [Cultural anthropology of music]. Nanning: Guangxi Kexue Jishu Chubanshe.Google Scholar

Xing, Xiao 1989 Yinyue Lingyu Bixü Jianchi Shehui Zhuyi Wenyi Fangxiang—Zai Jinian “Jianhua” Fabiao Si Shi Wu Zhounian Zuotanhui Shang de Fayan [The socialist approach for the arts must be followed in the field of music—talk at the symposium for commemorating the 45th anniversary of the Speech]. Renmin Yinyue [People's Music] 8: 14–21.Google Scholar

Jun, Xiu and Jin, Jian 1993 Zhongguo Yueji Shi [History of Chinese female music prostitutes]. Beijing: Zhongguo Wenlian Chubanshe.Google Scholar

Yibing, Xue 2003 Shensheng de Yule—Zhongguo Minjian Jishi Yishi Jiqi Yinyue de Renleixue Yanjiu [Heavenly entertainment—an anthropological study of Chinese folk ritual ceremonies and their music]. Beijjing: Zongjiao Wenhua Chubanshe.Google Scholar

Minkang, Yang 1992 Zhongguo Minge yu Xiangtu Shehui [Chinese folk song and local society]. Changchun: Jilin Jiaoyu Chubanshe.Google Scholar

2002 Yunnan yu Dongnan Ya Dan Dai Xi Zuqun Fojiao Jieqing Yishi Shengyue de Bijiao Yanjiu [A comparative study of the vocal music in Buddhist ritual ceremonies among the Shan-Dai ethnic groups in Yunnan and southeast Asia]. Zhongyang Yinyue Xueyuan Xuebao [Journal of the Central Conservatory of Music] 2: 20–29, 89.Google Scholar

2003 Beiye Lizan—Daizu Nanchuan Fojiao Jieqing Yinyue Yanjiu [Ceremony of the pattra leaves—A study of the ceremonial music of the southern school of Buddhism among the Dai people]. Beijing: Zongjiao Chubanshe.Google Scholar

Mu, Yang 1988 Woguo Yinyuexue Wenlun Xuezuo Zhong de Yixie Wenti [Some problems of academic writings on musicology in our country]. Yinyue Yanjiu [Music Research] 4: 67–72. Reprinted in Zhongguo Renda Sehhui Kexue Qingbao Zhongxin: Yinyue Wudao Yanjiu [The Chinese People's University of Social Sciences Information Centre: Research in Music and Dance] 1: 9-14.Google Scholar

1994 Academic ignorance or political taboo?—some issues in China's study of its folk song culture. Ethnomusicology 38(2): 303–20.Google Scholar

1997a Ye Tan “Huizu Minjian Yinyue” [On “Folk music of the Hui people“]. Zhongyang Yinyue Xueyuan Xuebao [Journal of the Central Conservatory of Music] 1: 47–56.Google Scholar

1997b Dangdai Renleixue yu Yinyue Yanjiu Er San Ti [Some issues concerning contemporary anthropology and music research]. Zhongyang Minzu Daxue Xuebao [Journal of the Central University of Nationalities] 6: 25–31, 38. Reprinted in Zhongguo Renda Shehui Kexue Qingbao Zhongxin: Yinyue Wudao Yanjiu [The Chinese People's University of Social Sciences Information Centre: Research in music and dance] 1/1998: 10-17.Google Scholar

1998a Current state and methodology of Chinese music research in mainland China. Tongyang Umak: Journal of the Asian Music Research Institute, Seoul National University 20: 19–30 (Korean translation in pp. 31–38).Google Scholar

1998b Dangdai Renleixue Zhong Youguan Yinyue Yanjiu de Ji Ge Wenti [Contemporary anthropological issues relevant to music research]. Zhongyang Yinyue Xueyuan Xuebao [Journal of The Central Conservatory of Music] 1: 6–15.Google Scholar

2000a Zhongguo Yinyue Xingtai Lilun Jianshe yu Hanzu Zhongxinlun Wenti [Constructions of Chinese music morphology and issues of Han-centrism]. Yinyue Yanjiu [Music Research] 1: 87–93. Reprinted in Zhongguo Renda Shehui Kexue Qingbao Zhongxin: Yinyue Wudao Yanjiu [The Chinese People's University of Social Sciences Information Centre: Research in music and dance] 4/2000: 4-11.Google Scholar

2000b Mantan Yinyue Renleixue de Dingyi yu Fanchou [On the definition and scope of ethnomusicology]. Yinyue Yanjiu [Music Research] 3: 81–87. Reprinted in Zhongguo Renda Shehui Kexue Qingbao Zhongxin: Wutai Yishu [The Chinese People's University of Social SciencesIinformation Centre: Performing arts] 1/2001: 53–59.Google Scholar

2001 Houxiandai Lilun yu Yinyue Yanjiu [Postmodern theory and music research]. Zhongyang Yinyue Xueyuan Xuebao [Journal of the Central Conservatory of Music] 1: 3–14; 2: 41–51.Google Scholar

2002 Huigu Jiegou Zhuyi [Structuralism: A critical review]. Zhongyang Yinyue Xueyuan Xuebao [Journal of the Central Conservatory of Music] 1: 47–55.Google Scholar

Yingliu, Yang 1981 Zhongguo Gudai Yinyue Shigao [Draft history of ancient Chinese music]. Beijing: Renmin Yinyue Chubanseh.Google Scholar

Dong, Ye 1982 Dunhuang Qupu Yanjiu [Research into Dunhuang music manuscripts]. Yinyue Yishu [Art of Music] 1: 1–47.Google Scholar

Huiyong, Yu 1997 Minzu Minjian Yinyue Qiangci Guanxi Yanjiu [A study of the relationship between melodies and texts of ethnic and folk music]. Yinyue Renwen Xüshi [Humanistic Narratives in Musics] 1: 54–91.Google Scholar

Bingchang, Yuan and Guangyu, Feng, eds. 1998 Zhongguo Shaoshu Minzu Yinyue Shi [History of the music of Chinese ethnic minorities], vol. 1. Beijing: Zhongyang Minzu Daxue Chubanshe.Google Scholar

Jingfang, Yuan 1999 Yuezhongxue [Genealogy of Music]. Beijing: Huayue Chubanshe.Google Scholar

Suijin, Zeng 1998 Yinyue Shehuixue Gailun [Introduction to music sociology]. Beijing: Wenhua Yishu Chubanshe.Google Scholar

Zhengtao, Zhang 2002 Jizhong Xiangcun Lisu Zhong de Guchui Yueshe Yinyuehui [Ceremonial wind and percussion music associations in rural regions of central Hebei Province]. Jinan: Shandong Wenyi Chubanshe.Google Scholar

Songguang, Zhao 1964 Lun Wudu Xiangsheng Diaoshi Tixi [On the modal system of the circular fifth temperament]. Shanghai: Shanghai Wenhua Chubanshe.Google Scholar

1993 Yibi Naoren Yichan de Songkuai Qingli [An easy solution for an annoying heritage]. Yinyue Yanjiu [Music Research] 3: 57–68.Google Scholar

Su, Zheng 1999 Jin Shi Nian EML Zai Xifang de Xin Fazhan yu Nuxing Zhuyi Yanjiu [New development of ethnomusicology and feminist research in the West during the last ten years]. Recorded and edited by Zhao Xiaonan from a seminar. Zhongguo Yinyue [Chinese Music] 4: 8–11.Google Scholar

2002 Chinese scholarship and historical source materials: Twentieth century. In The Garland Encyclopedia of World Music, Vol. 7, East Asia: China, Japan, and Korea, eds. Provine, Robert, Tokumaru, Yosihiko and Witzleben, Lawrence, 135–45. New York & London: Routledge.Google Scholar

Qinru, Zhou 1999 Yanjiu Zhongguo Jiben Yueli Xuyao Kexue de Taidu [A scientific attitude is required for studying the essential theory of Chinese music]. Zhongyang Yinyue Xueyuan Xuebao [Journal of the Central Conservatory of Music] 3: 3–29.Google Scholar

Xianbao, Zhou 1997-98 Lun Qingyangqiang de Renwen Beijing, Lishi Diwei ji Meixue Jiazhi [On the cultural background, historical status and aesthetic value of the tune of Qingyang]. Yinyue Yanjiu [Music Research] 3/1997: 34–41, 46; 4/1997: 5–14; 1/1998: 13–25, 30.Google Scholar

Xiangshen, Zhou 2003 Xinjiu Zhongxi de Chongtu: Da Biange Shiqi Xueshu Guifan Taolun de Sikao [Conflict between new and old, east and west: Thoughts on the discussion of academic standards during a period of great transformation]. Published on 5 June in Academic Criticism. http://www.acriticism.com/article.asp?Newsid=3496&type=1000 (date accessed: 7 July 2003).Google Scholar

Benli, Zhuang 1972 Xun de Lishi yu Bijiao zhi Yanjiu [A historical and comparative study of the xun]. Zhongyang Yanjiuyuan Minzuxue Yanjiusuo Jikan [Journal of the Research Institute of Ethnology, the Central Academy of Research] (Taiwan) 33: 177–229.Google Scholar

ZMXBB (Zhongnan Minzu Xueyuan Benshu Bianjizu) 1992[c1957] Hainan Dao Lizu Shehui Diaocha [Investigation of the Li society on Hainan Island]. Nanning: Guangxi Minzu Chubanshe.Google Scholar