Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-23T07:54:58.940Z Has data issue: false hasContentIssue false

Ethnomusicology in Japan Since 1970

Published online by Cambridge University Press:  07 March 2019

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Essays
Copyright
Copyright © 1983 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Kenkyûkai, Geinôshi, ed. 1971 Nihon shomin bunka shiryô shusei, vol. III (“Ningyô jôruri.”). Tòkyô: San'ichi Shobô.Google Scholar
Kenji, Hirano 1974 Shamisen kumiuta gairon. Commentary in record set, “Shamisen kumiuta zenshû.” CBS-Sony SOJZ 5970.Google Scholar
Kenji, Hirano and Kazuo, Fukushima, eds. 1978 Sources of Early Japanese Music; Specimens of Early Notation in Facsimile. Tôkyô: Benseisha.Google Scholar
Kenji, Hirano, et al., eds. 1976–82 Nihon kayô kenkyû shûsei, 10 vols. Tôkyô: Benseisha.Google Scholar
Minegishi Yuki, compiler 1980 Discography of Japanese Traditional Music. Tôkyò: Japan Foundation.Google Scholar
Gakkai, Tôyô Ongaku, ed. 1982 Nihon no onkai. Tôkyô: Ongaku no Tomosha.Google Scholar