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Catherine Ellis 1935-1996

Published online by Cambridge University Press:  07 March 2019

Linda Barwick
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Abstract

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Type
Obituary
Information
Yearbook for Traditional Music , Volume 28 , 1996 , pp. xi - xiii
Copyright
Copyright © 1996 By The International Council for Traditional Music

References

Barwick, L.M. 1995 ‘Catherine Ellis: Career History and List of Publications, Papers and Reports.’ In L. Barwick, A. Marett and G. Tunstill (eds.) The Essence of Singing and the Substance of Song: Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis. Sydney: University of Sydney (Oceania Monograph 46), pp. 209–222.Google Scholar
Barwick, L.M. and Marett, A.J. 1995 ‘Introduction.’ In L. Barwick, A. Marett and G. Tunstill (eds.) The Essence of Singing and the Substance of Song: Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis. Sydney: University of Sydney (Oceania Monograph 46), pp. 1–10.Google Scholar
Barwick, L.M., Marett, A.J. and Tunstill, G.T. (eds.) 1995 The Essence of Singing and the Substance of Song. Recent Responses to Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis. Sydney, University of Sydney (Oceania Monograph 46).Google Scholar
Ellis, C.J. 1964 Aboriginal Music Making: A Study of Central Australian Music. Adelaide: Libraries Board of South Australia [373 pp.].Google Scholar
1985 Aboriginal Music: Education for Living. Cross-Cultural Experiences from South Australia. St. Lucia: University of Queensland Press [236 pp.] (reissued in paperback 1989, 1993).Google Scholar
1992a ‘Documentation as Disintegration: Aboriginal Australians in the Modern World.’ In M.P. Baumann (ed.), World Music, Musics of the World: Aspects of Documentation, Mass Media and Acculturation. (Intercultural Music Studies 3). Wilhelmshaven: Florian Noetzel Verlag, pp. 259–80.Google Scholar
1992b ‘Living Preservation: Problems of Cultural Exchange with Central Australian Traditional Performers.’ In A.M. Moyle (ed.) Music and Dance of Aboriginal Australia and the South Pacific: The Effects of Documentation on the Living Tradition. Sydney: University of Sydney (Oceania Monograph 41), pp. 155–70.Google Scholar
1994 ‘Introduction. Powerful Songs: Their Placement in Aboriginal Thought.’ The World of Music 36(1):3–20.Google Scholar
1995 ‘Whose Truth?’ In L. Barwick, A. Marett and G. Tunstill (eds.) The Essence of Singing and the Substance of Song: Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis. Sydney: University of Sydney (Oceania Monograph 46), pp. 210–21.Google Scholar
Ellis, C.J., and Barwick, L.M. 1989 ‘Antikirinja Women's Song Knowledge 1963-72: Its Significance in Antikirinja Culture.’ In P. Brock (ed.), Women, Rites and Sites: Aboriginal Women's Cultural Knowledge. Sydney: Allen and Unwin, pp. 21–40.Google Scholar
Ellis, C.J., Barwick, L.M. and Morais, M. 1990 ‘Overlapping Time Structures in a Central Australian Women's Ceremony.’ In P. Austin, R.M.W. Dixon, T. Dutton, I.M. White (eds.), Language and History: Essays in Honour of Luise A. Hercus. Canberra: Australian National University (Pacific Linguistics), pp. 101–36.Google Scholar