Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-23T08:01:00.000Z Has data issue: false hasContentIssue false
  • English
  • Français

Artur Simon, ed. Musik in Afrika. 20 Beiträge zur Kenntnis traditioneller afrikanischer Musikkulturen. Berlin: Museum für Völkerkunde, 1983. bibliography, filmography, discography, index, 432 pages, cloth, 2 cassettes.

Review products

Artur Simon, ed. Musik in Afrika. 20 Beiträge zur Kenntnis traditioneller afrikanischer Musikkulturen. Berlin: Museum für Völkerkunde, 1983. bibliography, filmography, discography, index, 432 pages, cloth, 2 cassettes.

Published online by Cambridge University Press:  07 March 2019

Veit Erlmann
Veit Erlmann*
Affiliation:
University of Natal, Durban
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Yearbook for Traditional Music , Volume 16 , 1984 , pp. 109 - 111
Copyright
Copyright © 1984 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Blacking, J. and Kealiinohomoku, Joann W. 1979 The Performing Arts. Music and Dance. The Hague - Paris - New York.CrossRefGoogle Scholar
Chernoff, J.M. 1979 African Rhythm and African Sensibility. Chicago: University of Chicago Press.Google Scholar
Hill, C.A. and Podstavsky, S. 1976 “The Interfacing of Language and Music in Hausa Praise-Singing”, Ethnomusicology 20/3: 535–40.Google Scholar
Hornbostel, E. von 1909 “Wanyamwezi-Gesänge”, Anthropos 4:684–701, 919–30.Google Scholar
Hornbostel, E. von 1913 “Die Musik der Pangwe”, Tessmann, G., ed., Die Pangwe. Berlin, vol. II: 320–57.Google Scholar
Kubik, G. 1960 “The Structure of Kiganda Xylophone Music”, African Music 2/3: 6–30.Google Scholar
Kubik, G. 1969 “Composition Techniques in Kiganda Xylophone Music”, African Music 4/3: 22–72.CrossRefGoogle Scholar
Kubik, G. 1972 “Transcription of African Music from Silent Film: Theory and Methods”, African Music 5/2: 28–39.Google Scholar
Schneider, M. 1937 “Über die Verbreitung afrikanischer Chorformen”, Zeitschrift für Ethnologie 69:78–88.Google Scholar
Simon, A. 1981 “Islamic Influences”, Heartz, D., Wade, B., eds., Report of the 12th Congress, IMC Berkeley. Basel: Bärenreiter Kassel 13–18.Google Scholar
Thompson, R.F. 1974 African Art in Motion. Los Angeles: University of California Press.Google Scholar