Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-23T07:59:45.788Z Has data issue: false hasContentIssue false
  • English
  • Français

Applied Ethnomusicology in the Process of the Political Recognition of a Minority: A Case Study of the Austrian Roma

Published online by Cambridge University Press:  07 March 2019

Ursula Hemetek
Get access Rights & Permissions [Opens in a new window]

Extract

Applied ethnomusicology has a special relevance for studies on music and minorities. What constitutes this relevance in particular cases was the focus of a plenary panel discussion at the 38th World Conference of the ICTM in Sheffield in 2005, which explored cultural, social, political, and economic issues pertinent to the musical life of minority groups within the context of a larger (majority) society. Panel participants addressed the topic from the perspective of their individual research fields and the different minority groups they have worked with: Adelaida Reyes provided the example of refugee camps, Stephen Wild of the Rom ceremony of Australian Aborigines, and John O'Connell of a Song for Peace by a Kurdish singer. The aim was to contribute to discourses on applied ethnomusicology in the light of theoretical and methodological insights gained through studies of music and minorities.

Type
Articles
Information
Yearbook for Traditional Music , Volume 38 , 2006 , pp. 35 - 57
Copyright
Copyright © 2006 By The International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Barz, Gregory F., and Cooley, Timothy J., ed. 1997 Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York: Oxford University Press.Google Scholar
Baumann, Max Peter, ed. 2000 “'I Always Come Across That Which I Am Not …': The Music of Roma and Sinti on the Path of History. Summary.” In Music, Language and Literature of the Roma and Sinti, ed. Max Peter Baumann, 480–81. Berlin: Verlag für Wissenschaft und Bildung.Google Scholar
Bausinger, Herrmann 1996 “Concluding Remarks.” In War, Exile, Everyday Life: Cultural Perspecitves, ed. Renata Jambresnić Kirin and Maja Povrzanović, 287–93. Zagreb: Institute of Ethnology and Folklore Research.Google Scholar
Breit, Bert, and Schwarzenberger, Xaver 1988 Ihr werdet uns nie verstehen. Vienna: ORF-documentation. Film.Google Scholar
Cech, Petra, Fennesz-Juhasz, Christiane, Halwachs, Dieter W., and Heinschink, Mozes F. 2001 Fern von uns im Traum … Te na dikhas sunende …: Märchen, Erzählungen und Lieder der Lovara. Klagenfurt: Drava Verlag.Google Scholar
2003 Die schlaue Romni. E bengali Romni: Märchen und Lieder der Roma. Klagenfurt: Drava Verlag.Google Scholar
Cooley, Timothy J. 2005 Making Music in the Polish Tatras: Tourists, Ethnographers, and Mountain Musicians. Bloomington: Indiana University Press.Google Scholar
Djordjević, Tihomir 1910 “Cigani i muzika u Srbiji.” Naš narodni život 7: 32–40. [reprinted 1984]Google Scholar
Fennesz-Juhasz, Christiane 1996 “Me ka-džav ko gurbeti …: Klage- und Abschiedslieder mazedonischer Roma-Migranten.” In Hemetek 1996: 255–71.Google Scholar
1999 “Musik der Roma: Zur aktuellen Quellenlage und zum Stand der Forschung.” In Halwachs and Menz 1999: 61–95.Google Scholar
Fock, Eva 1999 “When the Background Becomes the Foreground: Music, Youth and Identity.” Young 7/2: 62–77.CrossRefGoogle Scholar
Giurchescu, Anca 1994 “Folklore im Dienste von Staatsideologien, dargestellt am Beispiel Rumänien.” In Musikalische Volkskultur und die politische Macht, ed. Günther Noll, 167–77. Essen: Verlag die Blaue Eule.Google Scholar
Halwachs, Dieter W. 1999 “Romani in Österreich.” In Halwachs and Menz 1999: 112–47.Google Scholar
Halwachs, Dieter W., Gärtner-Horvath, Emmerich, and Wogg, Michael 2000 Der Rom und der Teufel. O rom taj o beng: Märchen, Erzählungen und Lieder der Roma aus dem Burgenland. Klagenfurt: Drava Verlag.Google Scholar
Halwachs, Dieter W., and Menz, Florian 1999 Ed. Die Sprache der Roma: Perspektiven der Romani-Forschung in Österreich im interdisziplinären Kontext. Klagenfurt: Drava Verlag.Google Scholar
Hemetek, Ursula 1994 Ed. Amara gila / Unserer Lieder / Our Songs. Ruža Nikolić-Lakatos. Tondokumente zur Volksmusik in Österreich, 4. CD with 80-page booklet. Vienna: Staeger Records RST 91571. [reissued 1998]Google Scholar
1996 Ed. Echo der Vielfalt. Traditionelle Musik von Minderheiten / ethnischen Gruppen / Echoes of Diversity: Traditional Music of Ethnic Groups / Minorities. Vienna: Böhlau.Google Scholar
1997 “'Šunen, šunen, Romalen’ (Listen, Listen, Roma): Reception of Lovari Songs—A Cultural Misunderstanding?” The World of Music 39/2: 97–110.Google Scholar
2001 “Music of Minorities between Exclusion and Ethnoboom: Intercultural Encounter in Austria.” The World of Music 34/2-3: 139–53.Google Scholar
Hemetek, Ursula, and Heinschink, Mozes F. 1992 “Lieder im Leid.” Dokumentationsrachiv des Österreichischen Widerstands Jahrbuch 1992: 76–94.Google Scholar
Hetzer, Koschka 1995 Das Oberwarter Lied. Vienna: Filmbeitrag ORF.Google Scholar
Kertész-Wilkinson, Irén 1996 “Differences among One's Own and Similarities with the Other: The Dual Role of Adopted Songs and Texts among Hungarian Vlach Gypsies.” In Hemetek 1996: 225–33.Google Scholar
1997 The Fair is Ahaed of Me: Individual Creativity and Social Contexts in the Performance of a Southern Hungarian Vlach Gypsy Slow Song. Gypsy Folk Music of Europe, 4. Budapest: Institute for Musicology of the Hungarian Academy for Sciences.Google Scholar
Koch, Grace 1997 “Songs, Land Rights, and Archives in Australia.” Cultural Survival Quarterly 20/4 (Traditional Music in Community Life: Aspects of Performance, Recordings, and Preservation): 38–42.Google Scholar
Kovalcsik, Katalin 1985 Vlach Gypsy Folk Songs in Slovakia. Gypsy Folk Music of Europe, 1. Budapest: Institute for Musicology of the Hungarian Academy for Sciences.Google Scholar
Kovalcsik, Katalin, ed. 2002 Gypsies of Csenyete: Living Music of a Hungarian Gypsy village. Budapest: CD Fono Records.Google Scholar
Kunst, Jaap 1969 Ethnomusicology. 3rd ed. The Hague: Martinus Nijhoff.Google Scholar
Liszt, Franz 1859 Des Bohemiens et de leur musique en Hongrie. Paris: Bourdillat.Google Scholar
Nettl, Bruno 1975 “The State of Research in Orally Transmitted Music.” In Working Papers of the XXIII Conference of the International Folk Music Council. Regensburg: International Folk Music Council.Google Scholar
Pettan, Svanibor 1996 “Selling Music: Rom Musicians and the Music Market in Kosovo.” In Hemetek 1996: 233–47.Google Scholar
1999 Kosovo through the Eyes of Local Rom (Gypsy) Musicians. Krško: The Society of Friends of Soft Landing. Film.Google Scholar
2001a “Encounter with ‘the Others from Within': The Case of Gypsy Musicians in Former Yugoslavia.” The World of Music 43/2-3: 119–39.Google Scholar
2001b Kosovo Roma. Ljubljana: Društvo za raziskovanje popularne glasbe and Nika Records. CD-ROM.Google Scholar
2002 Roma muzsikusok koszovóban: Köcsönhatás és kreativitás / Rom Musicians in Kosovo: Interaction and Creativity. Budapest: Magyar Tudományos Akadémia Zenetudományi Intézet.Google Scholar
2006 “Applied Ethnomusicology and Empowerment Strategies: Preliminary Considerations.” Paper delivered at the conference: Emerging Musical Identities: Views form Across the Atlantic, Wesleyan University, Middletown, CT, USA.Google Scholar
Radulescu, Speranta 1996 “Gypsy Music Versus the Music of the Others.” Mator 1: 134–45.Google Scholar
Reyes, Adelaida 1979 “Ethnic Music, the Urban Area, and Ethnomusicology.” Sociologus 29: 1–21.Google Scholar
Rüdiger, Johann Christian 1990 Von der Sprache und Herkunft der Zigeuner aus Indien. Leipzig: Buske. [orig. pub. 1782]Google Scholar
Bálint, Sárosi 1977 Zigeunermusik. Budapest: Corvina Verlag.Google Scholar
Schermerhorn, R. A. 1970 Comparative Ethnic Relations: A Framework for Theory and Research. New York: Random HouseGoogle Scholar
Seeger, Anthony 1997 Editor. Cultural Survival Quarterly 20/4 (Traditional Music in Community Life: Aspects of Performance, Recordings, and Preservation).Google Scholar
Sheehy, Daniel 1992 “A Few Notions about Philosophy and Strategy in Applied Ethnomusicology.” Ethnomusicology 36: 323–36.CrossRefGoogle Scholar
Silverman, Carol 1996 “Music and Marginality: Roma (Gypsies) of Bulgaria and Macedonia.” In Retuning Culture: Musical Changes in Central and Eastern Europe, ed. Mark Slobin, 231–54. Durham, NC: Duke University Press.Google Scholar
Slobin, Mark 1992 “Ethical Issues.” In Ethnomusicology: An Introduction, ed. Helen Myers, 329–37. New York: W. W. Norton.Google Scholar
Stock, Jonathan, ed. 2005 Music and Dance in War, Revival, and Islam, and New and Applied Research in Ethnomusicology and Ethnochoreology: Abstracts for the 38th World Conference of the International Council for Traditional Music, Sheffield 2005. Sheffield: Northend Printers.Google Scholar
Stojka, Ceija 1988 Wir leben im Verborgenen: Die Erinnerungen einer Rom-Zigeunerin. Vienna: Picus Verlag.Google Scholar