Hostname: page-component-745bb68f8f-s22k5 Total loading time: 0 Render date: 2025-01-09T13:25:43.283Z Has data issue: false hasContentIssue false
  • English
  • Français

Time-Distance and Melodic Models in Improvisation among the Tausug of the Southern Philippines

Published online by Cambridge University Press:  07 March 2019

Ricardo D. Trimillos
Get access Rights & Permissions [Opens in a new window]

Extract

The discussion arises from the intent to consider improvisation in the wider context of the several performing arts and in a multicultural framework. Although it focusses upon one musical tradition, implicit is the understanding that the framework assumes the broader context.

Type
Articles
Information
Yearbook for Traditional Music , Volume 19 , 1987 , pp. 23 - 35
Copyright
Copyright © 1987 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Supply, Air 1979a “Even the Nights Are Better.” Santa Monica: Clement Publishing.Google Scholar
Supply, Air 1979b Now and Forever. Los Angeles: Arista A1 9587.Google Scholar
al Fārūqī, Lois Lamyā' 1987 “The Mawlid.” The World of Music 28:3:78–89.Google Scholar
Kim, Patrick W. 1980 Sinawi, an Improvisational Style of Korean Folk Music: An Analytical Study. M.A. thesis in music, University of Hawaii.Google Scholar
Trimillos, Ricardo D. 1965 Some Social and Musical Aspects of the Music of the Taosug [sic] in Sulu, Philippines. M.A. thesis in music, University of Hawaii.Google Scholar