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The/an Ethnomusicologist and the Record Business

Published online by Cambridge University Press:  07 March 2019

Hugo Zemp
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Extract

$30,000 to license one minute of Rajasthani music for an American insurance company's television commercial. Sampling by two French musicians of a Solomon Islands lullaby, which, mixed with pop rhythms and computerized chords, results in an international success with millions of dollars in profit through CD sales and income from television commercials in France and the U.S.A. (and perhaps other countries). Note by note borrowing of another Solomon Islands lullaby (these lullabies seem to be a hit!) by a well-known French composer, jazz musician and interpreter of classical and contemporary music who declared the composition as his own. $8,000 (only!) proposed by a Rumanian pop musician living in Germany, for sampling an Albanian song …

Type
Articles
Information
Yearbook for Traditional Music , Volume 28 , 1996 , pp. 36 - 57
Copyright
Copyright © 1996 By The International Council for Traditional Music

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Footnotes

1.

This article, while written in reaction to some recent cases mentioned in the first paragraph, reflects my concerns for many years, in fact, since my first encounter in 1969 with the ‘Are'are people of the Solomon Islands. Some issues have been sporadically discussed with colleagues and students in France, but the opinion expressed is mine (sometimes in heavy contradiction with ideas of some colleagues). I wish to thank Dieter Christensen for having encouraged the writing of this article, Steven Feld for proposing substantial improvements, and Travis Jackson for extensive copy editing of the draft written directly in English despite my very imperfect knowledge of this language.

References

References Cited

Coppet, Daniel de, and Zemp, Hugo 1978 'Aré'aré, un peuple mélanésien et sa musique. Paris: Le Seuil.Google Scholar
Mills, Sherylle 1996 “Indigenous Music and the Law: an analysis of national and international legislation.” Yearbook for Traditional Music 28.CrossRefGoogle Scholar
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1995 Ecoute le bambou qui pleure. Récits de quatre musiciens mélanésiens ('Aré'aré, Iles Salomon). Paris: Editions Gallimard (Collection l'aube des peuples).Google Scholar

Recordings Cited

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[2] The Music of the Senufo. UNESCO Collection — An Anthology of African Music. 1966 Bärenreiter-Musicaphon BM 30 L 2308.Google Scholar
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[5] Masques dan, Côte d'Ivoire. 1971 Ocora, OCR 52. Augmented reissue on CD, 1994 Ocora Radio France C 580048.Google Scholar
[6] Percussions de Côte d'lvoire (Dan, Guéré, Baoulé, Sénoufo, Malinké). 1974 Disques Alvarès C 488.Google Scholar
[7, 8] Melanesian Panpipes, ‘Are'are vol. 1+2. Collection Musée de l'Homme, 1971/72 Vogue LDM 30104/05.Google Scholar
[9] Melanesian Music, ‘Are'are vol. 3. Collection Musée de l'Homme, 1973 Vogue LDM 30106.Google Scholar
[10] Fataleka and Baegu Music, Malaita, Solomon Islands. UNESCO Collection — Musical Sources, 1973 Philips 6586018. Reissue on CD, 1990 Auvidis-UNESCO D 8027.Google Scholar
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[12] Polyphonies of the Solomon Islands (Guadalcanal and Savo). Collection CNRS-Musée de l'Homme, 1978 Le Chant du Monde LDX 74663. Augmented reissue on CD, 1990 LDX 274663.Google Scholar
[13, 14] Traditional Polynesian Music of Ontong Java. 2 vol. Collection Musée de l'Homme, 1971/72 Vogue LD 785/LD 30109.Google Scholar
[15] Solomon Islands: ‘Are'are Panpipe Ensembles. Two CDs, Collection CNRS-Musée de l'Homme, 1994 Le Chant du Monde LDX 274961/62.Google Scholar
[16] Solomon Islands: ‘Are'are Intimate and Ritual Music. One CD, Collection CNRS-Musée de l'Homme, 1995 Le Chant du Monde CNR 274963.Google Scholar
[17] Yodel of Appenzell, Switzerland. UNESCO Collection — Musical Sources, 1981 Philips 6586044. Reissue on CD, 1990 Auvidis-UNESCO D 8026.Google Scholar
[18] Jüüzli. Yodel of the Muotatal, Switzerland. Collection CNRS-Musée de l'Homme, 1979 Le Chant du Monde LDX 74716. Augmented reissue on CD 1990, LDX 274716.Google Scholar
[19] Chad: Music from Tibesti. Collection CNRS/Musée de l'Homme, 1980 Le Chant du Monde LDX 74722. Augmented reissue on CD 1990, LDX 274722.Google Scholar
[20] Afghanistan: Songs of the Pashai. Collection CNRS-Musée de l'Homme, 1981 Le Chant du Monde LDX 74752. Augmented reissue on CD 1990, LDX 274752.Google Scholar
[21] Bolivia: Calendar Music in the Central Valleys. One CD, Collection CNRS-Musée de l'Homme, 1992 Le Chant du Monde LDX 274938.Google Scholar
[22] Dream Songs and Healing Sounds in the Rainforest of Malaysia. One CD, 1995 Smithsonian/Folkways SF CD 40417.Google Scholar
[23] Michel Portal, ¡Dejarme solo!, 1979 CY Records 733.603. Reissue on CD.Google Scholar
[24] Deep Forest. One CD, 1992 Celine Music + Snysound/Sony Music, DAN 4719762.Google Scholar
[25] Voices of the World: An Anthology of Vocal Expression. Three CDs, Collection CNRS/Musée de l'Homme, 1996 Le Chant du Monde CNR 3741010.12.Google Scholar
[26] Musical Instruments of the World. Collection CNRS/Musée de l'Homme, 1990 Le Chant du Monde 274675. Augmented reissue on CD of Musiques du monde: Les instruments traditionnels, 1978 Le Chant du Monde 74675.Google Scholar
[27] Flutes of Rajasthan. Collection CNRS/Musée de l'Homme, 1977 Le Chant du Monde LDX 74645. Augmented reissue on CD 1989, LDX 274645.Google Scholar
[28] Polyphony of Albania, Collection CNRS/Musée de l'Homme, Single CD, 1988 Le Chant du Monde 274897.Google Scholar