Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-23T07:29:50.343Z Has data issue: false hasContentIssue false
  • English
  • Français

Kefi and Meraki in Rebetika Music of Adelaide: Cultural Constructions of Passion and Expression and Their Link with the Homeland

Published online by Cambridge University Press:  07 March 2019

Demeter Tsounis
Get access Rights & Permissions [Opens in a new window]

Extract

There is a long history of association between music, ethnic identity, and emotion in Greek culture, but it seems that representations of these associations are made from non-performative, non-participant and other-defined perspectives. This paper discusses the cultural constructions of passion and expression which are constituted within Greek music-making and dancing in Adelaide, South Australia. The perspective presented here is one largely informed by the experiences of the writer as musician, dancer, ethnomusicologist, and participant in many discussions on this personal and emotional issue.

Abstract in greek

Abstract in Greek

Type
Articles
Information
Yearbook for Traditional Music , Volume 27 , 1995 , pp. 90 - 103
Copyright
Copyright © 1995 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

1.

This is a revised version of a paper read at the 33rd World Conference of the International Council for Traditional Music in Canberra, Australia, January 1995. I gratefully acknowledge funding assistance from the Australian Commonwealth Government Department of Employment, Education and Training, the Greek Government Ministry of Education, and the University of Adelaide, South Australia, which I have received while undertaking doctoral research of rebetika music in Adelaide and Greece.

References

References Cited

Anderson, Benedict 1991 Imagined Communities. Reflections on the Origins and Spread of Nationalism. 2nd ed. London: Verso. (1st ed. 1983).Google Scholar
Aulin, Suzanne and Vejleskov, Peter 1991 Chasiklidika Rebetika. [Rebetika Hashish Songs. Anthology — Analysis — Commentary.] Copenhagen: Museum Tusculanum Press, University of Copenhagen. Baud-Bovy, Samuel 1984 Dokimio Gia To Ellniko Dimotiko Tragoudi. [Treatise on Greek Demotic Song.] Nafplion: Peloponnesian Folklore Foundation.Google Scholar
Béhague, Gerard 1995 “Migrant Workers’ Traditions in Brazilian Popular Music and Dance.” Paper presented at the ICTM 33rd World Conference in Canberra, January.Google Scholar
Bottomley, Gillian 1988 “A Sociology of Dance: Terpsichore and Other Greeks.” To Yiofiri 10:5–13.Google Scholar
Cacoyannis, Michael 1964 Zorba The Greek. Feature Film. Twentieth Century-Fox.Google Scholar
Chatzidoulis, Kostas, ed. 1979 Vasilis Tsitsanis. I Zol Mou, To Ergo Mou. [Vasilis Tsitsanis. My Life, My Work.] Athens: Nefell.Google Scholar
Chatzipantazis, Thodoros 1986 Tis Asiatidos Mousis Erastal. I Akmi tou Athnaïkou Cafe Aman sta Chronia tis Vasilias tou Georgiou I Symvoli sti Meleti tis Proïstorias tou Rebetikou. [The Lovers of Asian Music … The Peak of Athenian Café Aman in the Years of the Reign of George I. A Contribution to the Study of the Prehistory of Rebetika.] Athens: Stigmi.Google Scholar
Conway-Morris, Roderick 1981 “Greek Café Music.” Recorded Sound 20:79–117.Google Scholar
Cowan, Jane K. 1990 Dance and the Body Politic in Northern Greece. Princeton, New Jersey: Princeton University Press.CrossRefGoogle Scholar
Dietrich, Eberhard 1987 Das Rebetiko. Eine Studie zur Städtischen Musik Griechenlands. Teil 1 & 2. Beiträge zur Ethnomusikologie 17. [Rebetika. A Study of the Urban Music of Greece. Vols. 1 & 2. Contributions to Ethnomusicology 17.] Josef Kuckertz, editor. Hamburg: Verlag der Musikalienhandlung, Karl Dieter Wagner.Google Scholar
Dragoumis, Markos 1974 “Repetiko Tragoudi.” [“Rebetiko Song.”] Elliniki Paradoslaki Mousikv [Greek Traditional Music] 4: 1–2.Google Scholar
Dragoumis, Markos 1983 “Mia Mousikologiki Prosengisi tou Repetikou.” [“A Musicological Approach to Rebetika”]. Apopseis [Views] 1:29–33.Google Scholar
Gauntlett, Stathis 1985 Rebetika. Carmina Graeciae Recentoris. A Contribution to the Definition of the Term and the Genre Rebetiko Tragoudi Through Detailed Analysis of its Verses and of the Evolution of its Performance. (Edited version of Ph.D. thesis.) Athens: Denise Harvey & Co.Google Scholar
Gauntlett, Stathis 1991a “Folklore and Populism: The ‘Greening’ of the Greek Blues.” Proceedings of the Fourth National Folklore Conference, Armidale, Australia, 24-25 Nov. 1990, 85–91. Canberra: Australian Folk Trust.Google Scholar
Gauntlett, Stathis 1991b “Orpheus in the Criminal Underworld. Myth In and About Rebetika.” Mantatoforos 34:7–48.Google Scholar
Gauntlett, Stathis, Paivanas, Dimitris & Chatzinikolaou, Anna 1994 “Corpus Rebeticorum: a Preview.” Modern Greek Studies 2:39–59.Google Scholar
Herzfeld, Michael 1986 Ours Once More. Folklore, Ideology, and the Making of Modern Greece. 2nd ed. New York: Pella.Google Scholar
Holst, Gail 1975 Road To Rembetika. Music From a Greek Sub-Culture. Songs of Love, Sorrow and Hashish. Athens: Anglo-Hellenic.Google Scholar
Hony, H.C. & Iz, Fahir, eds. 1984 The Oxford Turkish-English Dictionary. 3rd ed. Oxford: Clarendon Press.Google Scholar
Kail, Angela, ed. 1973 Markos Vamvakaris. Aftoviografia. [Markos Vamvakaris. Autobiography.] Athens: n.p.Google Scholar
Kounadis, Panagiotis 1975-1976 “Anadromi sto Rebetiko Tragoudi.” [“Tracing Back the Rebetiko Song.”] Athens: Pnevmatiko Kentro Neas Philadelphias [Spiritual Centre of Philadelphia]: 4–24.Google Scholar
Kounadis, Panagiotis 1992 “Meres Mousikes 1922-1992. Synavlia Triti. Rebetiko Tragoudi.” [“Musical Days 1922-1992. Third Concert. The Rebetiko Song.”] Athens: Sinasos. Concert program.Google Scholar
Kyriakidou-Nestoros, Alki 1988 “Modern Greek Ideology and Folklore.” To Yiofiri 10: 15–20.Google Scholar
Lyra 1979 To Dithen. [The So-Called.] Music Nikos Xidakis. Lyrics Manolis Rasoulis. Vocalists Nikos Papazoglou, Dimitris Kontogiannis, Sofia Diamanti. LP record. Lyra 3320.Google Scholar
Lyra 1987 Notes to 40 Chronia Bellou. [40 Years Bellou.] Double LP record. Lyra 3467/3468. 1–4.Google Scholar
Nikoloudis 1938 “Orders From the Censor. From The Spectator. “Magazine Digest (Nov.), Toronto. 88–89.Google Scholar
Papaïoannou, Giannis G. 1973 “I Mousiki ton Repetikon Ananeosi I Epistrofi stis Piges.” [“Music of the Rebetika Revival Or Return to the Sources.”] Chroniko [Chronicle] 73:282–296.Google Scholar
Petrides, Ted 1980 Greek Dances. 2nd ed. Athens: Lycabettus Press.Google Scholar
Petropoulos, Ilias 1983 Rebetika Tragoudia. 2nd ed. Athens: Kedros [Cedar].Google Scholar
Politis, Nikos 1983 “Epistoli ston Rizospasti.” [“Message to Rizospasti.”] Rizospasti 23.2.1947. In Dromos Gia To Rebetiko [Road to Rebetika]. 2nd trans., ed. Gail Hoist. Athens: Denise Harvey. 143–145.Google Scholar
Said, Edward 1979 Orientalism. 2nd ed. New York: Vintage.Google Scholar
Stavropoulos, D. N., ed. 1988 Oxford Greek-English Learner's Dictionary. Oxford: Oxford University Press.Google Scholar
Stratou, Dora 1966 The Greek Dances. Our Living Link With Antiquity. Trans. Amy Mims-Argyrakis. Athens: n.p.Google Scholar
Theodorakis, Mikis 1974 “To Synchrono Laiko Tragoudi.” [“The Contemporary Popular Song.”] Simerini Epochi [The Present Time] 1/9.10.1949, 2/23.10.1949, 3/7.11.1949. In Gia Tin Ellniki Mousiki [Regarding Greek Music]. 2nd ed. Athens: Pleias.Google Scholar
Torp, Lisbet 1992 “Zorba's Dance. The Story of A Dance Illusion — And Its Touristic Value.” Ethnographika 8:207–210.Google Scholar
Torp, Lisbet 1993 “'It's All Greek To Me.’ The Invention of Pan-Hellenic Dances — And Other National Stories.” In Telling Reality. Folklore Studies in Memory of Bengt Holbek. Copenhagen & Turku: Copenhagen Folklore Studies I/Nordic Institute of Folklore Publications 26:273–294.Google Scholar
Tsounis, Demeter 1993 “Greek Music Making and Meraki: The Passion in ‘Ethnic’ Music.” Nexus Newsletter 30:3–4. Adelaide: Multicultural Artworkers Committee of South Australia.Google Scholar
Forthcoming “Metaphors of Centre and Periphery in the Ideological Constructions of Rebetika Music.” Modern Greek Studies.Google Scholar
Zachos, Emmanuel 1981 Lexiko Tis Piatsas [The Lexicon of Street Language.] Athens: Kaktos.Google Scholar