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TENDING TO OLD STORIES: DANIEL DERONDA AND HYSTERIA, REVISITED

Published online by Cambridge University Press:  16 May 2018

Doreen Thierauf
Doreen Thierauf*
Affiliation:
The University of North Carolina at Chapel Hill
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Extract

The appearance of the word ‘dynamic’ on the first page of George Eliot's novel, Daniel Deronda (1876), to describe Gwendolen's unsettled/unsettling glance famously elicited critique from her publisher John Blackwood as well as from an anonymous reviewer at the Examiner, both of whom challenged Eliot's use of scientific jargon that had not yet entered her audience's everyday vocabulary. In line with this often-cited vignette, critics usually understand Eliot to respond thoughtfully and prophetically to late-nineteenth-century scientific trends. In the words of the Examiner reviewer, Eliot's “culture is scientific” (“New Novel” 125), probably more so than any other Victorian novelist's. Studies investigating the reciprocal relationship between Eliot's fiction, particularly Middlemarch and Daniel Deronda, and nineteenth-century scientific writing suggest her familiarity with notable works by Henry Lewes, Alexander Bain, William Carpenter, Charles Darwin, Herbert Spencer, James Sully, and others. Scholarship of the past three decades has largely focused on Eliot's application of Victorian theories regarding epistemology, evolution, and the relationship between mind and body. However, scholars have not yet fully examined Eliot's utilization of mid-nineteenth-century medical knowledge concerning the female body's proneness to hysteria, a connection that emerges prominently in her final novel.

Type
Research Article
Information
Victorian Literature and Culture , Volume 46 , Issue 2 , June 2018 , pp. 443 - 465
Copyright
Copyright © Cambridge University Press 2018 

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