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• C77:31Doane, Margaret S. “The Continuation of Romantic Concepts of Innocence and Evil in Robert Browning's The Ring and the Book.” DAI, 37 (1977) 5844A (Oregon), ¶ Rather than being a Christian moralist, Rb perpetrates Romantic concepts of innocence and evil.Google Scholar

• C77:32Donaldson, Sandra M. “Elizabeth Barrett's Two Sonnets to George Sand.” SIB, 5 (Spring 1977), 19–22. ¶ Ebb exalts an image of a strong and capable woman.Google Scholar

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• C77:36 [Elizabeth Barrett Browning's association with Torquay.] Sunday Times Magazine (London), 17 04 1977, p. 77. ¶ An illustrated article about the Oxford Literary Guide to the British Isles.Google Scholar

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• C77:42 Going, William, T. “Joyce's Gabriel Conroy and Robert Browning: The Cult of ‘Broadcloth.’” Papers on Language and Literature, 13 (Spring 1977), 202–07. ¶ Gabriel alludes four times to Browning but omits him in his dinner speech, signifying his return to his Irish ancestry.Google Scholar

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• C77:77Morton, Bruce. “Browning and Milton: The Bridgewater Book in ‘Mr. Sludge, The Medium.’” Notes and Queries, 24 (10 1977), 407. ¶ An allusion to Comus.Google Scholar

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• C77:97Starzyk, Lawrence J.The Imprisoned Splendor: A Study of Early Victorian Critical Theory. Port Washington, N.Y.: Kennikat Press, 1977. ¶ An examination of the dialetical process, particularly its philosophical and psychological underpinnings, which serves as the foundation of poetic theory from 1837–1867. Frequent references to Rb.Google Scholar

• C77:98Sykes, Brian John. “‘Sin Without God’: The Self in Transition in Victorian Literature.” DAI, 37 (1977), 6457A (Utah), ¶ Guiseppe Caponsacchi rebels violently against the past, affirms the self, but creates a subjective reality excluding empathy.Google Scholar

• C77:99Thomas, Charles Flint. “The Setting for “Bishop Blougram's Apology”: St. George's Cathedral, Southwark.” SIB, 5 (Spring 1977), 27–31. ¶ Wiseman is the bishop; Southwark, the cathedral in the poem.Google Scholar

• C77:100Thomson, Patricia. George Sand and the Victorians: Her Influence and Reputation in Nineteenth-Century England. London: Macmillan; New York: Columbia University Press, 1977. ¶ Ch. 3, “Through the Prison Bars …,” about Ebb's “love affair with George Sand,” pp. 43–60; references also to Rb.CrossRefGoogle Scholar

¶ Rev. by Cushman, K., Library Journal, 102 (08 1977), 1651;Google Scholar

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• C77:101Thornton, Jane F. “Hamelin Pays the Piper: Dramatization of ‘The Pied Piper of Hamelin’ by Robert Browning.” Plays, 36 (04 1977), 33–41.* ¶ Adaptation of Rb's poem as a children's play.Google Scholar

• C77:102Wall, Charles. “Figures in a Tapestry: A Study in Poetic Technique in Robert Browning's The Ring and the Book.” DAI, 37 (1977), 6518–19A (York, Canada). ¶ Rb's distrust of language.Google Scholar

• C77:103Waters, D. Douglas. “Mysticism, Meaning, and Structure in Browning's ‘Saul.’” BIS, 5 (1977), 75–86. ¶ David's role as mystic and prophet unifies the structure of the poem.Google Scholar

• C77:104Watson, J. R., ed. Browning: ‘Men and Women’ and Other Poems. A Casebook. [See C73:134.]Google Scholar

¶ Rev. by Drew, Philip, Yearbook of English Studies, 6 (1976), 313–14.CrossRefGoogle Scholar

• C77:105Watson, J. R. “Robert Browning: ‘My Last Duchess.’” Critical Survey (Manchester), 6 (Summer 1973), 69–75. ¶ Rather than being a partially sympathetic portrayal of the Duke, his monstrousness gradually unfolds through “a succession of delicately engineered stages.”Google Scholar

• C77:106Weissman, Judith. “Browning's Politics of Hell: ‘Childe Roland to the Dark Tower Came’ and ‘The Statue and the Bust.’” Concerning Poetry, 10 (Fall 1977), 11–22. ¶ The political meanings of the two poems.Google Scholar

• C77:107Whitla, William. “Browning, the Byron Scandal, and Alfred Austin.” BSN, 7 (03 1977), 12–33. ¶ The historical context of the anti-Byronism of Fifine at the Fair.Google Scholar

• C77:108Woodland, Natalie N. “The Satirical Edge of Truth in The Ring and the Book.” DAI, 38 (1977), 3525A (Middle Tennessee State). ¶ The use of satire to expose corruption in Victorian England.Google Scholar

• C77:109Woolford, John. “Browning's Philosophy of Extremity.” BSN, 7(07 1977), 41–53. ¶ “Why should Browning show such interest in deathbed utterances? And what are the consequences of that interest for his philosophy and poetic method?” (p. 41).Google Scholar

• C77:110Wyly, Thomas Y. “Unity and Design in Browning's Dramatis Personae.” Revue des Languis Vivants, 43, No. 1 (1977), 38–53. ¶ The central, paradoxical view in Dramatis Personae: “man's inherent need to grow through adverse experience, to develop toward permanence, truth and harmony through mutability, doubt, and failure.”Google Scholar