I felt both tremendously honored and slightly alarmed when I learned that this roundtable was being organized. I was delighted that such a stellar group of novel critics was willing to read Telling It Like It Wasn't but worried about their reactions to what Deidre Lynch has called the book's “deeply weird materials.” Much of the historical substance, especially the military and economic historiography, are far from our usual interests, and many of the literary texts are obscure and ephemeral. Furthermore, I passed over the opportunity to write about the best-known novels (like Philip Roth's Plot Against America) by limiting my twentieth-century case studies to American Civil War and British World War II counterfactuals. So I worried that a panel on this eccentric book might seem merely an irrelevant interruption, especially in the context of a meeting of the Society for Novel Studies.