Published online by Cambridge University Press: 01 March 2009
In Charlotte Brontë's Jane Eyre (1847), multiple discursive strategies contend with the difficulty of determining racial identity. My aim here is not to delineate a straightforward or unambiguous racial discourse in the novel but rather to clarify the usefulness of ambiguity to the narrative's racialism. If, as Ann Laura Stoler has argued, racism in the nineteenth century depended on flexible rather than fixed criteria, Brontë's novel allows for the study of such criteria and of the discursive displacements that assign them to diverse human qualities.