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“HE SINGS ALONE”: HYBRID FORMS AND THE VICTORIAN WORKING-CLASS POET

Published online by Cambridge University Press:  01 September 2009

Kirstie Blair*
Affiliation:
University of Glasgow

Extract

In 1868, Alexander Wallace paused in his introduction to the life and works of Janet Hamilton, a respected Scottish working-class poet, to note his subject's interest in literary parlour games: “Janet asked us if we had ever tried the writing of Cento verses, which she characterized as a pleasant literary amusement for a meeting of young friends in a winter's night.”

Type
Research Article
Copyright
Copyright © Cambridge University Press 2009

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References

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