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“HE SINGS ALONE”: HYBRID FORMS AND THE VICTORIAN WORKING-CLASS POET
Published online by Cambridge University Press: 01 September 2009
Extract
In 1868, Alexander Wallace paused in his introduction to the life and works of Janet Hamilton, a respected Scottish working-class poet, to note his subject's interest in literary parlour games: “Janet asked us if we had ever tried the writing of Cento verses, which she characterized as a pleasant literary amusement for a meeting of young friends in a winter's night.”
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