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FORGETTING THACKERAY AND UNMAKING CAREERS
Published online by Cambridge University Press: 16 May 2018
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One of the peculiar challenges facing scholars who wish to write about Thackeray's fiction is locating a dominant critical account to argue against. The MLA Bibliography contains a great number of examples of scrupulously argued, compelling research into Thackeray's body of writing, but few if any of them have reached any kind of canonical status as the (or even one of the) interpretive accounts that define how critics understand his fiction. It can seem, for example, that Thackeray is either consciously or unconsciously evaded by many scholars seeking to develop overarching, defining accounts of the nineteenth-century novel. In two works that helped set the terms for decades of critical conversation about nineteenth-century literature – Desire and Domestic Fiction (1987) and The Novel and the Police (1988) – Nancy Armstrong and D. A. Miller each give at most a passing mention to Thackeray (he shows up four times in Armstong's book; never in Miller's). In their equally influential bodies of criticism, Mary Poovey and Catherine Gallagher provide no sustained – or even fragmentary – treatment of Thackeray's work. Moving into the twenty-first century, one would look in vain for a chapter on Thackeray in Amanda Anderson's The Powers of Distance (2001), Sharon Marcus's Between Women, and Alex Woloch's The One vs the Many (2003) – books that have provided us with key terms, issues, and methods to do our work. (To readers of this journal, it might be not necessary to say the following: Thackeray's fiction includes many illustrations of the phenomena discussed by these works – cosmopolitanism, female-female friendship, and minor characters – so his absence cannot be explained solely on this basis.) And to move backwards from the 1980s, Steven Marcus, J. Hillis Miller, and Raymond Williams produced pioneering analyses of the links between history, ideology, and Victorian literature, but Thackeray's writing played almost no part in their elaboration of those links, with Hillis Miller focusing on Thackeray only in one short essay and one book chapter among his large body of scholarship and Williams omitting him altogether from The English Novel from Dickens to Lawrence (1970).
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