The occasion for this collection of responses to Telling It Like It Wasn't is a conference titled “Novel Theory.” Given this conjuncture, it seems only obvious to pose the question: What does a counterfactual theory of the novel look like? Of course, there is no single theory of the novel, but there is a book and a thinker most closely associated with the phrase, “theory of the novel,” and that is Georg Lukács. And while Theory of the Novel is the obvious text to revisit to counterfactually historicize and/or theorize, it seems more worthwhile for the history of Europe's counterfactual historical imagination to turn to Lukács's other great text, one that features somewhat prominently in Gallagher's book—namely, The Historical Novel.