Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-26T08:32:12.370Z Has data issue: false hasContentIssue false

MÉNIE MURIEL DOWIE'S A GIRL IN THE KARPATHIANS (1891): GIRLHOOD AND THE SPIRIT OF ADVENTURE

Published online by Cambridge University Press:  05 August 2015

Beth Rodgers*
Affiliation:
Aberystwyth University

Extract

Although she did not feature in W. T. Stead's influential 1894 essay “The Novel of the Modern Woman,” Ménie Muriel Dowie (1867–1945) was firmly established as one of the pre-eminent New Woman writers after the publication of Gallia in 1895. A controversial novel in which “the eugenic project is overt,” Gallia has been of some interest to scholars of the New Woman novel (Ledger 70). Despite this, Dowie remains one of the more obscure of the New Woman writers and her work beyond Gallia is seldom discussed. However, one hundred years after its first publication, Gallia was reprinted by Everyman in 1995. Helen Small's introduction to this edition also contains the fullest account of Dowie's life to date, in which the author is shown to be “every bit as defiant of convention as the heroine of her first novel” (xxvi). But, as Small points out in this introduction, it was her 1891 book A Girl in the Karpathians, a vivacious account of a summer of intrepid independent travel undertaken in 1890 when Dowie was twenty-two years old and unmarried, as opposed to Gallia that first established Dowie's considerable contemporary literary reputation. A Girl in the Karpathians enjoyed enthusiastic reviews and impressive sales. The Review of Reviews deemed it “[t]he most noticed, and in some respects most noticeable, book of the month” (“The New Books of the Month” 627). In the first year alone, the book went through five English, four American, and one German edition, and its author quickly became something of a literary celebrity (Small xxviii). According to John Sutherland, Dowie proudly claimed that the book received four hundred reviews, all unanimous in their praise (195).

Type
Research Article
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CITED

Answers to Correspondents.” Girl's Own Paper 21 (1899): 111.Google Scholar
Austin, L. F.Folios and Footlights.” New Review 4.25 (1891): 563–68.Google Scholar
Bilston, Sarah. The Awkward Age in Women's Popular Fiction, 1850–1900. Oxford: Clarendon, 2004.CrossRefGoogle Scholar
Cunningham, Gail. “He-Notes: Reconstructing Masculinity.” The New Woman in Fiction and in Fact: Fin-de-Siècle Feminisms. Ed. Richardson, Angelique and Willis, Chris. Basingstoke: Palgrave, 2001. 94106.Google Scholar
Cunningham, Gail. The New Woman and the Victorian Novel. London: Macmillan, 1978.CrossRefGoogle Scholar
Davidson, Lillias Campbell. “The Karpathian Girl at Home.” Bow Bells 16 (30 Oct. 1891): 431.Google Scholar
Dowie, Ménie Muriel. A Girl in the Karpathians. London: George Philip, 1891.Google Scholar
Dowie, Ménie Muriel. “In Ruthenia.” Fortnightly Review 48 (1890): 520–30.Google Scholar
Dowie, Ménie Muriel. “Preface.” A Girl in the Karpathians. 4th ed. London: George Philip, 1891. vviii.Google Scholar
Dyhouse, Carol. Growing Up in Late Victorian and Edwardian England. London: Routledge, 1981.Google Scholar
Esler, Mrs. “Between Ourselves: A Friendly Chat with the Girls.” Young Woman 4 (1895): 143.Google Scholar
A Fair Individualist.” The Speaker: The Liberal Review 3 (May 1891): 607.Google Scholar
Flint, Kate. The Woman Reader 1837–1914. Oxford: Oxford UP, 1993.Google Scholar
Rev. of Gallia. Saturday Review (1895): 383–84.Google Scholar
Rev. of A Girl in the Karpathians. Country Gentleman (1891): 4.Google Scholar
Heddle, Ethel. “Celebrated Lady Travellers: I - Ménie Muriel Dowie (Mrs Henry Norman).” Good Words 42 (1901): 1520.Google Scholar
Heilmann, Ann. “(Un)Masking Desire: Cross-dressing and the Crisis of Gender in New Woman Fiction.” Journal of Victorian Culture 5.1 (2000): 83111.CrossRefGoogle Scholar
Jones, Alice. “Notable Girls of the Nineteenth Century.” Girl's Realm 2 (1899–1900): 271–79.Google Scholar
Jump, Harriet Devine. “Introduction.” Women's Writing of the Victorian Period 1837-1901: An Anthology. Ed. Devine Jump, Harriet. Edinburgh: Edinburgh UP, 1999. xixviii.CrossRefGoogle Scholar
Lassies and Laddies.” Hearth and Home 39 (11 Feb. 1892): 400–01.Google Scholar
Ledger, Sally. The New Woman: Fiction and Feminism in the Fin de Siècle. Manchester: Manchester UP, 1997.Google Scholar
Meade, L. T.The Brown Owl.” Atalanta 4 (1891): 665–70.Google Scholar
Minchin, J. G.Cotton. Review of A Girl in the Karpathians.” Academy 39 (1891): 532–33.Google Scholar
Mitchell, Sally. The New Girl: Girls' Culture in England, 1880–1915. New York: Columbia UP, 1995.Google Scholar
“The New Books of the Month.” Review of Reviews (1891): 627.Google Scholar
P., P. L.[Percy L. Parker]. “The Girl in the Karpathians: A Talk with Mrs Henry Norman (Ménie Muriel Dowie).” Young Woman 5 (1896–97): 208–13.Google Scholar
Pykett, Lyn. The “Improper” Feminine: The Women's Sensation Novel and the New Woman Writing. London: Routledge, 1992.Google Scholar
Richardson, LeeAnne M. New Woman and Colonial Adventure Fiction in Victorian Britain: Gender, Genre, Empire. Florida: U of Florida P, 2006.Google Scholar
Segel, Elizabeth. “‘As the Twig is Bent . . . ’: Gender and Childhood Reading.” Gender and Reading: Essays on Readers, Texts, and Contexts. Ed. Flynn, Elizabeth A. and Schweickart, Patrocinio P.. Baltimore: Johns Hopkins UP, 1986. 165–86.Google Scholar
Showalter, Elaine. Daughters of Decadence: Women Writers of the Fin de Siècle. London: Virago, 1993.Google Scholar
Small, Helen. “Introduction.” Gallia by Muriel Dowie, Ménie. London: Everyman, 1995. xxvxli.Google Scholar
Smith, Michelle. Empire in British Girls' Literature and Culture: Imperial Girls, 1880–1915. Basingstoke: Palgrave, 2011.CrossRefGoogle Scholar
Sutherland, John. The Stanford Companion to Victorian Literature. Stanford: Stanford UP, 1989.Google Scholar
Tusan, Michelle Elizabeth. “Inventing the New Woman: Print Culture and Identity Politics During the Fin-de-Siècle.” Victorian Periodicals Review 31.2 (1998): 169–82.Google Scholar
Writers – and Readers.” All the Year Round 6.145 (10 Oct. 1891): 341–44.Google Scholar
Youngkin, Molly. Feminist Realism at the Fin de Siècle: The Influence of the Late-Victorian Woman's Press on the Development of the Novel. Columbus: Ohio UP, 2007.Google Scholar