This special issue draws on new research conducted by the PUblic REnaissance: Urban Cultures of Public Space between Early Modern Europe and the Present project, funded by the Humanities in the European Research Area (see: www.hiddencities.eu). The project considers how public spaces, from street corners to major city squares, were shaped by the everyday activities of ordinary city dwellers between 1450 and 1700. We have focused on the urban fabric, and the ways in which meanings are attached to specific sites in the city (and objects in museum collections) that are often overlooked – the material culture of public space. Our themes are familiar to urban historians – sociability, the circulation of knowledge, information or gossip, authority and its contestation – although by moving between textual sources, maps, the built fabric and museum artefacts, our interdisciplinary and cross-Europe approach is structured around material objects in the early modern period.

In an attempt to counteract the silence of Exeter’s late sixteenth-century cartographic representation and to explore further the idea of urban social relations expressed in auditory terms, this article investigates the issues involved in the ringing of Exeter’s civic bells, some of which may reflect a fractious relationship between two sources of authority within the city walls. It sets out some of the challenges to recreating this city’s broader sonic identity and outlines the results of initial attempts to do so.

This article investigates the transformation of the body of a female child murderer as she passed through specific spatial configurations in the urban setting of the seventeenth-century capital of Denmark–Norway. By using the case of Gertrud Nielsdatter, we explore the significance of public urban spaces in the bodily and material transformation of a woman from a condemned sinner to an object of scientific wonder. This transformation was facilitated by practices in diverse public spaces – controlled or influenced by government, city, church, as well as academic authorities and stakeholders – such as the city court, the place of execution, the university and, not least, the book shops across Europe selling books containing the print representing internal organs of Gertrud Nielsdatter. The case demonstrates how the physical body of an ordinary – yet outlawed – Copenhagener was repeatedly transformed in interaction with public spaces and the material culture of buildings, fixtures and fittings.

Focusing on seventeenth-century Madrid, this article explores the interplay between urban public space and a specific type of written defamatory statements, the carteles de desafío or letters of challenge, with the aim of examining the implications of this interaction. Letters of challenge were primarily conceived as a communication tool between the participants in duels and challenges. Displayed in public spaces, they could take on new meanings and even replace the combat itself, while at the same time perpetuating the values of a male honour culture that encouraged the use of violence among large sectors of society to settle disputes.

In Renaissance Italy, the political power of authorities found one of its expressions in material symbols of sovereignty. The placing of inscriptions, sculptures and columns and the commissioning of frescoes in streets, piazzas and public spaces, for example, were essential ways of communicating political or spiritual authority to the populace. Sometimes perceived as representations of a top-down form of communication, in the urban context these same material emblems of power became political objects through which to express dissent, as in the case of public loggias, speaking statues or graffiti on walls and civic palaces. Presenting case-studies from various cities in northern Italy, this article investigates the dialectics between the people and the authorities in the urban fabric, especially in everyday life. Combining a spatial and a material approach to politics, this article reveals the dynamic and relational nature of political public spaces.

This article will address the transfer of religious knowledge in two north-western European cities from a spatial perspective. Our starting point will be the thesis that immobile knowledge in closed places of knowledge (lieux de savoir) does not exist: (religious) knowledge only becomes functional in the dynamic encounter with users and it is disseminated through social networks. This approach, which involves the movement from closed spaces to processes and practices, also entails a questioning of outdoor and indoor spaces; of private and public spaces. The article will take its start from several case-studies of indoor public spaces, the transmission of religious knowledge and social networks, based on documentation from Deventer in the northern Low Countries and Amiens on the border of the southern Low Countries and France.