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³ White, H., The Content of the Form: Narrative Discourse and Historical Representation (Baltimore, 1987).Google Scholar

⁴ On literature and history, and some of the problems in reconciling the two disciplines, see Kelly, J. and Kelly, T., ‘Social history update: searching the dark alley: new historicism and social history’, Journal of Social History, 25 (3) (1992), 677–94.CrossRefGoogle Scholar

⁵ Quoted in Nenadic, S., ‘Illegitimacy, insanity and insolvency: Wilkie Collins and the Victorian nightmares’, in Marwick, A. (ed.), The Arts, Literature and Society (London, 1990).Google Scholar

⁶ Davis, N. Zemon, Fiction in the Archives: Pardon Tales and their Telling in Sixteen-Century France (Stanford, 1987).Google Scholar

⁷ Pointon, M., The Body Imaged: the Human Form and Visual Culture since the Renaissance (Cambridge, 1993).Google Scholar

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⁹ See, for example, Roche, D., The Culture of Clothing: Dress and Fashion in the Ancient Regime (Cambridge, 1994).Google Scholar

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¹¹ Anderson, P., The Printed Image and the Transformation of Popular Culture, 1790–1860 (Oxford, 1991).Google Scholar

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¹³ Carson, C., ‘City museums as history’, Journal of Urban History, 18, 2 (1992), 183–91.CrossRefGoogle Scholar

¹⁴ See, for example, Stedman-Jones, G., The Languages of Class: Studies in English Working Class History 1832–1982 (Cambridge, 1983).Google Scholar

¹⁵ This diversity is addressed in Hunt, The New Cultural History.

¹⁶ A good illustration is provided by Solkin, D. H., Painting for Money, the Visual Arts and the Public Sphere in Eighteenth-Century England (New Haven, 1992).Google Scholar

¹⁷ See Alessio, D. T., ‘Capitalist realist art: industrial images of Hamilton, Ontario, 1884–1910’, Journal of Urban History, 18, 4 (1992), 442–69.CrossRefGoogle Scholar

¹⁸ Sennet, R., The Conscience of the Eye: the Design and Social Life of Cities (New York, 1991).Google Scholar

¹⁹ Described, for example, in Seed, J., ‘Commerce and the liberal arts: the political economy of art in Manchester, 1775–1860’Google Scholar, in Wolff, and Seed, , The Culture of Capital.Google Scholar

²⁰ Examined so convincingly by Schama, S., The Embarrassment of Riches: an Interpretation of Dutch Culture in the Golden Age (London, 1985).Google Scholar

²¹ See the many works that are cited by Gee and Steward in their account of art and the central European city, contained in this edition of Urban History.