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Art and the modern European city: survey and conference report

Published online by Cambridge University Press:  09 February 2009

Malcolm Gee  and
Jill Steward
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Extract

Arguably, art history has always had an interdisciplinary vocation, though this was at times underplayed during its establishment as an academic subject. Recent intellectual trends have tended to work in the opposite sense, encouraging art historians to highlight the relationship between visual art and a range of cultural and economic discourses. This has often involved discussion of specifically urban contexts, since cities have been the principal sites for the production, distribution and interpretation of works of art, and their fabric a means by which cultural practices have been allied to political, class and gender interests in modern society. The language and approaches currently adopted for this enterprise are often deeply marked by excursions into literary theory, psychoanalysis, anthropology and urban history and geography.

Type
Research Article
Information
Urban History , Volume 22 , Issue 2 , August 1995 , pp. 181 - 186
Copyright
Copyright © Cambridge University Press 1995

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References

1 An important work in this context is Clark, T. J., The Painting of Modern Life: Paris in the Art of Manet and his Followers (London, 1985).Google Scholar

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14 Simmel's work figures largely in J. Lloyd's important study, German Expressionism, Primitivism and Modernity (New Haven and London, 1991).Google Scholar It surfaces at several points in the collection Berlin: Culture and Metropolis edited by C. Haxthausen and H. Suhr (Minnesota, 1990). Frisby, D., ‘Social theory, the metropolis and expressionism’, in Benson, T. (ed.), Expressionist Utopias (Los Angeles, 1994)Google Scholar is also a notable contribution to the field.

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