Notes on Contributors
Notes on Contributors
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- 29 November 2011, p. 137
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Notes on Contributors
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- 04 August 2011, p. 1
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Articles
Sound and Writing: Complementary Facets of the Anglo-Scottish Ballad
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- 29 November 2011, pp. 139-165
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A Staged Fright: Musical Hybridity and Religious Intolerance in Turkey, 1923–38
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- 04 August 2011, pp. 3-28
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Skryabin's Revolving Harmonies, Lacanian Desire, and Riemannian Funktionstheorie
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- 29 November 2011, pp. 167-194
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The Structure and Genesis of Copland's Quiet City
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- 04 August 2011, pp. 29-59
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Real Feelings: Music as Path to Philosophy in 2001: A Space Odyssey
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- 29 November 2011, pp. 195-217
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The Emergence of Timbre: Ligeti's Synthesis of Electronic and Acoustic Music in Atmosphères
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- 04 August 2011, pp. 61-89
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Laptop Composition at the Turn of the Millennium: Repetition and Noise in the Music of Oval, Merzbow, and Kid606
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- 04 August 2011, pp. 91-115
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Bach and Cigarettes: Imagining the Everyday in Jarmusch's Int. Trailer. Night
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- 29 November 2011, pp. 219-243
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Reviews
Mervyn Cooke, A History of Film Music (Cambridge: Cambridge University Press, 2008), ISBN 978-0-521-81173-6 (hb), 978-0-521-01048-1 (pb)
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- 29 November 2011, pp. 245-248
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Ignacio Corona and Alejandro L. Madrid, eds, Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario (Lanham, MD: Lexington Books, 2008), ISBN 978-0-7391-1821-4 (hb), 978-0-7391-1822-1 (pb)
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- 04 August 2011, pp. 117-122
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Robert Carl, Terry Riley's In C (Oxford and New York: Oxford University Press, 2009), ISBN 978-0-1953-2528-7 (hb)
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- 29 November 2011, pp. 248-253
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Mina Yang, California Polyphony: Ethnic Voices, Musical Crossroads (Urbana and Chicago: University of Illinois Press, 2008), ISBN 978-0-252-03243-1 (hb)
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- 04 August 2011, pp. 122-127
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Pwyll ap Siôn, The Music of Michael Nyman: Texts, Contexts and Intertexts (Aldershot: Ashgate, 2007), ISBN 978-1-85928-210-6 (hb)
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- 29 November 2011, pp. 254-260
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Kyle Gann, Music Downtown: Writings from the Village Voice (Berkeley, Los Angeles, and London: University of California Press, 2006), ISBN: 978-0-520-22981-5 (hb), 978-0-520-22982-2 (pb)
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- 04 August 2011, pp. 127-130
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Eric Salzman and Thomas Desi, The New MusicTheater: Seeing the Voice, Hearing the Body (New York: Oxford University Press, 2008), ISBN 978-0-19-509936-2
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- 04 August 2011, pp. 130-135
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Sarah Reichardt, Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich (Aldershot: Ashgate, 2007), ISBN 978-0-7546-5884-9 (hb)
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- 29 November 2011, pp. 260-267
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Bayan Northcott, The Way We Listen Now and Other Writings on Music, ed. Christopher Wintle (London: Plumbago, 2009), ISBN 978-0-9556-0873-5 (pb)
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- 29 November 2011, pp. 267-270
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Front Cover (OFC, IFC) and matter
TCM volume 7 issue 1 Cover and Front matter
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- 04 August 2011, pp. f1-f3
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