Notes on Contributors
Notes on Contributors
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- 16 August 2016, pp. 199-200
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Articles
‘Our Soviet Americanism’: Jolly Fellows, Music, and Early Soviet Cultural Ideology
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- 22 July 2016, pp. 201-232
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Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet
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- 26 July 2016, pp. 233-260
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‘Britten Minor’: Constructing the Modernist Canon
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- 25 July 2016, pp. 261-290
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Béla Bartók's Evolutionary Model of Folk Music
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- 16 August 2016, pp. 291-320
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Reviews
David Hesmondhalgh , Why Music Matters (Malden, MA: Wiley Blackwell, 2013), ISBN: 978-1-4051-9241-5 (pb).
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- 16 August 2016, pp. 321-326
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Simon Zagorski-Thomas , The Musicology of Record Production (Cambridge: Cambridge University Press, 2014), ISBN: 978-1-107-07564-1 (hb).
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- 16 August 2016, pp. 326-331
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Jeremy F. Lane , Jazz and Machine-Age Imperialism: Music, “Race,” and Intellectuals in France, 1918–1945 (Ann Arbor, MI: University of Michigan Press, 2013), ISBN 978-0-472-11881-6 (hb), 978-0-472-03617-2 (pb, 2014). - Deborah Mawer , French Music and Jazz in Conversation: From Debussy to Brubeck (Cambridge: Cambridge University Press, 2014), ISBN 978-1-107-03753-3 (hb). - Andy Fry , Paris Blues: African American Music and French Popular Culture, 1920–1960 (Chicago: University of Chicago Press, 2014), ISBN 978-0-226-13878-7 (hb), 978-0-226-13881-7 (pb). - Tom Perchard , After Django: Making Jazz in Postwar France (Ann Arbor, MI: University of Michigan Press, 2015), ISBN 978-0-472-07242-2 (hb), 978-0-472-05242-4 (pb).
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- 16 August 2016, pp. 331-337
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Front Cover (OFC, IFC) and matter
TCM volume 13 issue 2 Cover and Front matter
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- 16 August 2016, pp. f1-f3
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Back Cover (IBC, OBC) and matter
TCM volume 13 issue 2 Cover and Back matter
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- 16 August 2016, pp. b1-b4
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