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Tamara Levitz, Modernist Mysteries: Perséphone (New York: Oxford University Press, 2012), ISBN: 978-0-199-73016-2 (hb).

Published online by Cambridge University Press:  28 January 2015

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Reviews
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Copyright © Cambridge University Press 2015 

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References

1 Stravinsky, Igor, Poetics of Music in the Form of Six Lessons, trans. Knodel, Arthur and Dahl, Ingolf (Cambridge, MA: Harvard University Press, 1975), 85Google Scholar. Originally published in French as Poétique musicale (1942).

2 Houston Post, 26 January 1949, quoted in Craft, Robert, ‘“Dear Bob[sky]” (Stravinsky's Letters to Robert Craft, 1944–1949)’, Musical Quarterly 65/3 (1979), 424Google Scholar.

3 Stravinsky, Igor, ‘Some ideas about my Octuor’, reproduced in Eric Walter White, Stravinsky: The Composer and His Works, 2nd edn (London: Faber and Faber, 1979), 574, 577Google Scholar.

4 Stravinsky, Igor, An Autobiography (1903–1934) (London: Marion Boyars, 1990), 53Google Scholar. English trans. first pub. 1936 (no translator given). Originally published in French as Chroniques de ma vie (1935).

5 Letter from the White House signed by Richard M. Nixon, 6 April 1971, microfilm 249.1, Paul Sacher Stiftung, Basel. For further discussion, see Cross, Jonathan, ‘Stravinsky in Exile’, in Igor Stravinsky and his World, ed. Levitz, Tamara (Princeton: Princeton University Press, 2013), 117Google Scholar.

6 Messing, Scott, Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic (Ann Arbor: UMI Research Press, 1988)Google Scholar.

7 Taruskin, Richard, ‘Back to Whom? Neoclassicism as Ideology’, 19th-Century Music 16/3 (1993), 286302CrossRefGoogle Scholar.