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Pierre Schaeffer, In Search of a Concrete Music, trans. Christine North and John Dack (Berkeley: University of California Press, 2012), ISBN: 978-0-520-26573-8 (hb), ISBN: 978-0-520-26574-5 (pb). - Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (New York: Oxford University Press, 2014), ISBN: 978-0-19-934784-1 (hb).

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Pierre Schaeffer, In Search of a Concrete Music, trans. Christine North and John Dack (Berkeley: University of California Press, 2012), ISBN: 978-0-520-26573-8 (hb), ISBN: 978-0-520-26574-5 (pb).
Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (New York: Oxford University Press, 2014), ISBN: 978-0-19-934784-1 (hb).

Published online by Cambridge University Press:  26 August 2015

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Twentieth-Century Music , Volume 12 , Issue 2 , September 2015 , pp. 285 - 290
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Copyright © Cambridge University Press, 2015 

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References

1 Dallet, Sylvie and Brunet, Sophie, eds, Bibliographie commentée de l’oeuvre éditée de Pierre Schaeffer: Itinéraires d’un chercheur (Paris: Éditions du centre d’études et de recherche Pierre Schaeffer, 1996), 50Google Scholar.

2 French terms in square brackets come from the original. Schaeffer, Pierre, À la recherche d’une musique concrète (Paris: Éditions du Seuil, 1952), 143Google Scholar.

3 Schaeffer, Pierre, Traité des objets musicaux: essai interdisciplines (Paris: Editions du Seuil, 1966), 60–1; 415–17Google Scholar.

4 Martin Kaltenecker points out in a recent article that the phenomenological terms of the Traité may originate in an exchange between Schaeffer's collaborator Sophie Brunet and philosopher Élisabeth de Fontenay. Kaltenecker, Martin, ‘L’Écoute come exercise collectif’, in Pierre Schaeffer: les constructions impatientes, ed. Kaltenecker, Martin and Le Bail, Karine (Paris: CNRS Éditions, 2012), 191–201Google Scholar.