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Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-26204-764-7 (pb).

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Elizabeth Hellmuth Margulis, Psyche Loui, and Deirdre Loughridge (eds.), The Science-Music Borderlands: Reckoning with the Past and Imagining the Future (Cambridge, MA: MIT Press, 2023), ISBN: 978-0-26204-764-7 (pb).

Published online by Cambridge University Press:  14 February 2024

Youn Kim
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Twentieth-Century Music , Volume 21 , Issue 1 , February 2024 , pp. 137 - 141
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Copyright © The Author(s), 2024. Published by Cambridge University Press

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References

1 von Helmholtz, Hermann, On the Sensations of Tone as a Physiological Basis for the Theory of Music (New York: Dover, 1954), 1Google Scholar.

2 ‘Eine solche Monographie, welche das Ganze der Wissenschaft gleichsam quer durchschneidet’. Stumpf, Carl, Tonpsychologie (Leipzig: S. Hirzel, 1883), vol. I, viGoogle Scholar.

3 Klein, Julie Thompson, ‘A Conceptual Vocabulary of Interdisciplinary Science’, in Practising Interdisciplinarity, ed. Stehr, Nico and Weingart, Peter (Toronto: University of Toronto Press, 2000), 9Google Scholar.

4 Snow, C. P., The Two Cultures and the Scientific Revolution (Cambridge: Cambridge University Press, 1960)Google Scholar.

5 Henrich, Joseph, Heine, Steven J., and Norenzayan, Ara, ‘The Weirdest People in the World?’, Behavioral and Brain Sciences 33/2–3 (2010), 61–83CrossRefGoogle ScholarPubMed.

6 See, for example, Nori Jacoby, Elizabeth Hellmuth Margulis, Martin Clayton, Erin Hannon, Henkjan Honing, John Iversen, et al., ‘Cross-Cultural Work in Music Cognition: Challenges, Insights, and Recommendations’, Music Perception 37/3 (2020), 185–95.

7 Latour, Bruno, Pandora's Hope: Essays on the Reality of Science Studies (Cambridge, MA: Harvard University Press, 1999), 144Google Scholar.

8 See also www.icmpc.org/icmpc_history.html (accessed 2 January 2024).